Festival Anthem sung by the Lady Margaret Singers
Conductor, George Guest
by Algernon Charles Swinburne
Adapted for broadcasting by Helena Wood
Cast in order of speaking:
(Continued in next column)
The Musicians:
John Wills (harpsichord). Stanley Taylor (recorder)
Peiter Graeme (aboe d'amore)
The Singers:
Jean Buck (soprano)
Diana Maddox (soprano) Francis Loring (baritone)
Music specially composed by Elizabeth Poston
Production by Norman Wright
Nancy Evans (mezzo-soprano)
Richard Adeney (flute)
Joan and Valerie Trimble
(two pianos)
BBC Chorus
(Chorus-Master, Leslie Woodgate )
The St. Cecilia Orchestra
(Leader, Thomas Carter )
Conductor, Trevor Harvey
'Tractatus Logieo-Philosophicus
First of two talks by D. F. Pears
Fellow of Corpus Christ! College, Oxford
George Malcolm (harpsichord)
Sixth of twelve programmes
Sir George Sansom talks about Sardar Panikkar 's recently published book Asia and Western
Dominance
A new translation into English by W. S. Merwin
Cantar 3: Part 1
A song-cycle
Words by Wilhelm Miiller sung by Dietrich Fischer-Dieskau
(baritone) with Gerald Moore (piano)
Gute Nacht ; Die Wettcrfahne; Gefrorne Thranen; Erstarrung; Der Lindenbaum; Wasserfluth; Auf dem Flusse; RUckblick; Irrlicht; Rast; FrUhlingstraum; Einsamkeit
(The recorded broadcast of Sept. 29)
Continued at 9.15
Four talks on the Novel by Owen Holloway
In these four talks Mr. Holloway will consider the techniques that mark out the novel from the other literary arts. He begins by describing the novel as a product of the baroque revolution which, four centuries ago, first awakened interest in the impression made on the public by works of art.
(continued)
Die Post; Der greise Kopf; Die Krahe; Letzte Hoffnung; Im Dorfe: Der stUrmische Morgen; TSuschung; Der Wegweiser; Das Wirthshaus ; Mut; Die Nebensonnen; Der Leiermann
Talk by Nikolaus Pevsner Slade Professor of Fine Art in the University of Cambridge
In recent talks Basil Taylor criticised the eighteenth-century ' Poturesque ' movement, and its twentieth-century revival, for ' fluttering the sensibility without troubling imagination or conscience.' In this talk Dr. Pevsner contests Mr. Taylor's views. He believes that the eighteenth-century rheorists illuminated all appreciation of the arts and of nature, and that the modern ' Picturesque ' movement has been vital and beneficial, particularly to contemporary architecture and planning.
Sonata in C minor, Op. 30 No. 2 played by Adolf Busch (violin)
Rudolf Serkin (piano) on gramophone records
the cat that walks by itself'
Talk by Jean Cocteau
(in French)
An English translation of this talk will be broadcast on Thursday at 10.55
17th- and 18th-Century Music
Gareth Morris (flute)
The Whitehead String Octet with James W. Merrett (double-bass)
George Malcolm (harpsichord)
