Septet in D minor, Op. 74 for flute, oboe, horn viola, cello, double-bass, and piano played by Gareth Morris (flute)
Evelyn Rothwell (oboe)
Dennis Brain (horn) Max Gilbert (viola)
Harvey Phillips (cello)
J. Edward Merrett (double-bass)
Joan Davies (piano)

Elizabethan Stage Conditions by Professor George F. Reynolds , of the University of Colorado
The speaker indicates how since 1900 our increased knowledge of the conditions of the Elizabethan stage has affected our appreciation of Shakespeare's dramatic technique.
Fourth of nine talks

General editor, Gerald Abraham
55-The Symphony, 1740-1770
London Chamber Orchestra
(Leader, Andrew Cooper )
George Malcolm (harpsichord)
Conductor, Anthony Bernard
Introduced by Alec Robertson

Sixteenth of a series of reports on. the Soviet point of view as expressed in the Soviet Press and broadcasts directed to listeners in the U.S.S.R.
Compiled bv members of the BBC's foreign news department

by W. P. Rilla

Elsa Cavelti (contralto)
Frederick Stone (piano)
Sommerabend (Heine)
Die Einsame (Eichendorff)
Dammerung senkte sich von oben
(Goethe)
Das heilige Feuer (C. F. Meyer )
Römische Brunnen (C F. Meyer) Ende des Festes (C. F. Meyer ) Peregrina 1 (MSrike) Peregrina 2 (Morike)

The Tragedy of the Impossible
Talk by R. H. Ward , who examines ' Brand' and to some extent ' Peer Gynt' and ' Emperor and Galilean' in the light of the ideas of Kierkegaard

' The Waste Land '
Read by the author

Trio in E flat, Op. 100 played by the Rubbra-Gruenberg-Pleeth Trio:
Erich Gruenberg (violin)
William Pleeth (cello)
Edmund Rubbra (piano)

A Logical and Literary Problem
First of two talks by Stuart Hampshire

Concerto Grosso played by the Luceme Festival Orchestra
Conducted by Herbert von Karajan