Programme Index

Discover 11,128,835 listings and 279,803 playable programmes from the BBC

Guila Bustabo (violin) with Gerald Moore (pianoforte) : Praeludium and Allegro (Kreisler, Pugnani '); Dew is sparkling. Op. 72, No. i (Rubinstein, arr. Ebnan) ; Perpetuum mobile, Op. 5. No. 4 (Novacek)
Jeanne Marie Darrf (pianoforte):
Paganini Study, No. 5, in E (First version) (Paganini, arr. Liszt) ; Toccata, Op. in (Saint-Saens)
Emanuel Feuermann (violoncello) with Michael Taube (pianoforte) : Minuet (Valensin, arr. Danbe) ; Spanish Dance (Granados)

Contributors

Pianoforte:
Gerald Moore
Pianoforte:
Jeanne Marie Darrf
Unknown:
Emanuel Feuermann
Pianoforte:
Michael Taube

by GUY WEITZ
From the Concert Hall, Broadcasting
House
Guy Weitz studied at Paris under
Joachim Nin for piano, Guilmant and Widor for organ, and Vincent d'Indy
) for composition. Mr. Weitz began his professional career as music teacher to the tamily of H.R.H. the Duchess of Vendome (sister of the late King
Albert). For a short time Mr. Weitz was organist at St. Thomas's, Wands
: worth, but since 1917 he has been organist of Farm Street Church,
; Mayfair.
As an organist Mr. Weitz is well t known on the Continent. He has played at the Liege and Brussels Conservatoires i and the Salle des Beaux Arts.

THE LONDON SENIOR ORCHESTRA
Conductor, ERNEST READ
The London Senior Orchestra was started by Ernest Read four years ago for the benefit of young professional musicians who have just finished their training and are waiting for an engage-
I ment. They therefore have the oppor-I tunity of gaining valuable orchestral . experience and knowledge of the repertoire, particularly of big works. The playing of this orchestra is marked by a high standard of technical ability and excellent ensemble. The London Senior Orchestra gives a large number of concerts at schools to the mutual benefit of the students and themselves.

Contributors

Conductor:
Ernest Read
Unknown:
Ernest Read

L. Gromer (oboe), M. de Lacour
(harpsichord), E. Pasquier (violoncello) : Sonata in E (Handel)-Adagio ; Allegro; Largo ;
Allegro Gaspar Cassado (violoncello) with pianoforte : Minuet (Haydn, arr. Burmester and Moffat)
Adolf Busch (violin), Rudolf Serkin
(pianoforte) : Grand Fantasia in C, Op. 159 (Schubert)-Andante molto-Allegretto-Andantino — Allegro —
' Allegretto—Presto

Contributors

Harpsichord:
E. Pasquier
Unknown:
Allegro Gaspar Cassado
Violin:
Adolf Busch
Violin:
Rudolf Serkin

Heinrich Schutz
(1585-1672)
Celebration under the direction of Sir HUGH P. ALLEN
Symphoniae Sacrae (1629-1650)
THE B B C CHORUS
(Section C)
ANTHONY Lewis (organ)
THE BOYD NEEL STRING ORCHESTRA
Leader, Louis Willoughby
Conducted by TREVOR HARVEY
Vater unser (Our Father) for five-part solo choir, chorus, string, and organ
Saul, Saul, was verfolgst du Mich ?
(Saul, Saul, why persecutest thou Me?) for six-part solo choir, double chorus, strings and organ (from Symphoniae Sacrae, Part III, 1650)

Contributors

Unknown:
Heinrich Schutz
Unknown:
Sir Hugh P. Allen
Unknown:
Symphoniae Sacrae
Unknown:
Anthony Lewis
Leader:
Louis Willoughby
Conducted By:
Trevor Harvey

'Verse in Drama'
E. MARTIN BROWNE
Illustrations from Antony and Cleopatra, The Acts of Saint Peter, and Murder in the Cathedral
E. Martin Browne was a producer for several amateur companies until 1927 ; notably the Angmering Shakespeare
Festivals, and the York Settlement Community Players (who have more than once been in the British Drama League Finals). He then went to America and worked with B. Iden Payne (who was Miss Homiman's original producer at the Gaiety Theatre, Manchester, and is now Director at Stratford-on-Avon) on his Elizabethan stage, and also did modem plays with him.
Since then Martin Browne has produced many religious plays, notably The Rock (T. S. Eliot 's church-building pageant play) at Sadler's Wells, which played to ' house full ' boards for a fortnight and made over a thousand pounds profit; and Murder in the Cathedral, now running at the Mercury Theatre, London.
His talk this evening will show how the structure of verse helps the actor, and how the actor should use it.

Contributors

Unknown:
E. Martin Browne
Unknown:
E. Martin Browne
Unknown:
B. Iden
Unknown:
Martin Browne
Unknown:
T. S. Eliot

SOPHIE WYSS (soprano)
THE PRO ARTE STRING
QUARTET: Alphonse Onnou (violin); Laurent
Halleux (violin); Germain Prévost
(viola); Robert Maas (violoncello)
(First performance in England)
Darius Milhaud first attracted attention as a member of the famous group of young French composers known as Les Six. He is now considered one of the foremost of the modem French school. A fairly prolific composer, he combines great fluency of technique with a logical and concise style of utterance.
Milhaud's Eighth Quartet was com- missioned by Mrs. Coolidge last year. It is interesting to note that the principal theme of the first movement is derived from the letters of Mrs. Coolidge's name...
This Quartet, performed for the first time at a concert of the London Contemporary Music Centre on November 19, is the most recent work of a young English composer who is rapidly making an enviable reputation. Some ol his earliest compositions were performed at Oxford, while he was an undergraduate there. Since then he has lived in Paris and his music shows pronounced traces of that environment. He is a brilliant exponent of the art of putting the new wine of modem harmony into the old bottles of classical form (as in the variations of this Quartet).

Contributors

Violin:
Alphonse Onnou
Viola:
Robert Maas
Unknown:
Darius Milhaud

National Programme Daventry

About National Programme

National Programme is a radio channel that started transmitting on the 9th March 1930 and ended on the 9th September 1939. It was replaced by BBC Home Service.

Appears in

About this data

This data is drawn from the Radio Times magazine between 1923 and 2009. It shows what was scheduled to be broadcast, meaning it was subject to change and may not be accurate. More