and summary of today's programmes for the Forces

Records of Larry Adler

Exercises for younger men (7.30) and older women (7.40)

A thought for today

and summary of today's Home Service programmes

Six five-minute talks on simple ways of keeping fit, by a Harley Street physician

Conducted by Guy Warrack

for schoolchildren

on gramophone records

Two characteristic waltzes-Valse de la reine and Valse bohemienne
Coleridge- Taylor

from p. 57 of ' New Every Morning ' and p. 18 of ' Each Returning Day'

played by Reginald Porter-Brown at the theatre organ

' Singing together', by Herbert Wiseman
Billy Boy (arr: R. R. Terry ) ; The keys of heaven (English county song) ; 0 soldier, soldier (traditional nursery rhyme)

'Sapho' (1851)
Georges Thill (tenor)
Air de Jean-Act 1 (Ah! qu'il est loin mon pays!)
'Faust' (1859)
Lawrence Tibbett (baritone)
Invocation: Avant de quitter ces lieux
Elisabeth Rethberg (soprano)
Le Roi de Thule
' Philemon and Baucis ' (1860)
Galli-Curci (soprano)
0 riante nature
'Queen of Sheba' (1862)
Caruso (tenor)
Prete-moi ton aide
Norman Allin (bass)
She alone charmeth my sadness
'Mireille' (1864)
Lily Pons (soprano)
Waltz
' Romeo and Juliet' (1867)
Georges Thill (tenor)
Cavatina
Eide Norena (soprano)
Waltz song

A midday entertainment

The last of three talks on the work of Parish Councils and the war by L. Ramsbottom and two Parish Councillors speaking anonymously

Conductor, Gideon Fagan

at the theatre organ
In the shade of the aspidistra, including: Liberty bell (Sousa), Druid's prayer (Davson), Fire! fire! (Read)
Over the music counter (selection)
By the time Harry Farmer was thirteen he was playing regularly for church services, and had already broadcast two piano solos from the Birmingham studios. A scholarship, won at the age of fourteen, gave him two years of tuition at the Walsall Institution, and subsequently at the Midland Festival of Music he won both first-class and second-class awards. Farmer's career as a cinema organist started when he was fifteen years old.

A happy family affair of sentiment and swing with Bob and Alf Pearson , the Henderson Twins and Dick, Junior, the Sweet Rhythm Quartet (brothers in harmony)
Presented by Howard M. Lockhart

Junior English
' Jason '-2
A play by Jean Sutcliffe
[Home Service continued overleaf

played by Arthur Dulay and his Cameo Orchestra

Sonata in G, Op. 78, for violin and piano played by Henry Hoist (violin), and Frank Merrick (piano)

and his Dance Orchestra

' Running our canteens in wartime '
John C. Bridges

Stori gan S. L. Owen
Fe'i darllenir gan Clydach Thomas
(A short story in Welsh)

5.20 ' Morfen, Maid of the Sea ', a play about a mermaid and the Anglesey of long ago by Beryl M. Jones

A serial play for broadcasting in ten parts adapted by Hugh Stewart from the novel by Anthony Hope
Part 2-' Rudolf Rassendyll returns to Zenda '
Cast
Production by Peter Creswell

A time reserved for talks that cannot be announced in advance

National and Regional, followed at not earlier than 7.20 by Scottish and Northern Ireland

Semi-Final
London and District
The Duke of Cambridge,
Walthamstow v.
Midlands
The Cider Mill Dart Club, Hampton,
Evesham
Commentators, Charlie Garner and Syd Carter

with Florence Desmond and Robert Beatty
Screen play by Felix Jackson, Gertrude Purcell, and Henry Myers from Max Brand's novel. Lyrics by Frank Loesser. Music by Frederick Hollander. Radio score by Jack Beaver
Those taking part include: Joan Young, Joan Miller, Macdonald Parke, Peter Madden, Jack Cunis, Alan Keith, Sidney Keith, Sonnie Miller
Orchestra conducted by Hyam Greenbaum. The story told by Big Bill Campbell
Produced by Douglas Moodie

(Section C) led by Marie Wilson
Conducted by Clarence Raybould
Schubert's First Symphony is dated October 28, 1813, his last year as a pupil at the Convict School in Vienna (one of the foundation schools so popular in Germany and Austria, which were supported by state or private endowment).
The symphony is scored for two oboes, two clarinets, two bassoons, two horns, two trumpets, drums, and strings, which was probably the strength of the Convict orchestra, and was performed on the name-day of Dr. Lang, the director of the Convict. It is in four movements.

by Robert Ardrey with Michael Redgrave as Charleston and the company from the Neighbourhood Theatre
Adapted for broadcasting from the Neighbourhood Theatre production by Herbert Marshall , and produced by Barbara Burnham

and his Dance Orchestra

Presented by M. H. Allen