Mozart Adagio and Fugue tn c minor (K 546) (mono) VIENNA PHILHARMONIC
ORCHESTRA, conducted by HERBERT VON KARAJAN
7.13* Weber Aria: Lelse, leise (Der Fretschutz) LUCIA POPP (soprano)
MUNICH RADIO ORCHESTRA conducted by KURT EICHHORN
7.12* Schubert Symphony No 3, In D
ROYAL PHILHARMONIC
ORCHESTRA, conducted by SIR THOMAS BEECHAM
7.45* Waldteufel Waltz: The Skaters
VIENNA VOLKSOPER
ORCHESTRA, conducted by FRANZ BAUER-THEUSSL
8.0 News
8.5 Rodrlgo Conclerto en modo gafante
ROBERT COHEN (Cello)
LONDON SYMPHONY ORCHESTRA conducted by ENRIQUE BATIZ
8.30* Chopin Barcarolle In P sharp
VLADIMIR ASHKENAZY (piano)
8.39* Ibert Divertissement ACADEMY OF ST MARTIN-1N-THE-FIELM, conducted by NEVILLE MARRIHER : records Producer PETER TANNER
Franz Liszt (1811-88)
The Travelling Virtuoso
Piano Concerto No 1, In * fiat: MICHEL BGROFF (piano) LEIPZIG GEWANDHAUS ORCHESTRA conducted by KURT MASUR Années de Pèlerinage: Book 1. Nos 1 to 5
LAZAR BERMAN (piano) Malediction (1840)
MICHEL BEROFF (piano) LEIPZIG GEWANDHAUS orchestra, conducted by KURT MASUR : records
Producer GRAHAM SHEFFIELD
Beethoven Trio In B flat, Op 1 Scott Trio (1953) played by the KING-TUNNELL CLARINET TRIO BBC Scotland
Mozart Symphony No 24, In B flat (K 182)
ENSEMBLE 13 BADEN-BADEN conducted by MANFREO RETCHERT
Salieri Symphony ' Il glorno onomastico LONDON SYMPHONY
ORCHESTRA, conducted by ZOLTAN PESKO : records
Britten Canticle
Gerald Finzi Song-cycle: Till Earth Outwears Philip Cannon Three rivers
DUNCAN ROBERTSON (tenor) PAUL HAMBURGER (piano)
leader DENNIS SIMONS conducted by KEES BAKELS LESLIE HOWARD (piano) Rossini Overture: The Siege of Corinth
Mozart Symphony No 31, In D major (Paris) (K 297) Saint-Saem Piano
Concerto No 5. In f major Stravinsky Circus Polka BBC Manchester
The last of 12 programmes Purcell Music for the funeral of Queen Mary
(1695): MONTEVERDI CHOIR EQUALE BRASS ENSEMBLE conducted by JOHN ELIOT GARDINER
Handel Overture: The Alchymtst
ACADEMY OF ANCIENT MUSIC directed by CHRISTOPHER BOGWOOD Handel Ode for the birthday of Queen Anne (Eternal source of light divine)
JUDITH NELSON (SOprAnO) SHIRLEY MINTY (contralto) JAMES BOWMAN (counter-tenor)
DAVID THOMAS (bass)
CHOIR OF CHRIST CHURCH CATHEDRAL, OXFORD
ACADEMY OF ANCIENT MUSIC conducted by SIMON PRESTON : records
Fayrfax Aeterna laudls lilium: THE SIXTEEN conducted by HARRY CHRISTOPHERS
Vivaldi Oboe Concerto in D minor, Op 8 No 9 (rv 454)
MICHEL PIGUET
ACADEMY OF ANCIENT MUSIC directed by CHRISTOPHER ROGWOOD (harpsichord) Mozart Piano Concerto No 22, In E flat (K 482) SVIATOSLAV RICHTER
PHILHARMONIA ORCHESTRA conducted by RICCARDO MUTI
Schoenberg Suite , Op 29 SCHOENBERG ENSEMBLI conducted by REINBERT DE LEEUW
Franck Pastorale In t
WOLFGANG ROBSAM (organ of Sainte-Croix Cathedral, Orleans)
Resplghi The Pines of Rome: MONTREAL SYMPHONY ORCHESTRA, conducted by CHARLES DUTOIT
Brian Kay celebrates
Columbus Day with three pieces by Aaron Copland , and also visits France
Italy and Czechoslovakia, ending at 6.2* with Dvorak's Czech Suite. Producer ANDREW LYFE
played by CRISPIAN STEELE-PERKINS and STEPHEN CLEOBURY Stanley Voluntary in D William Mathias
Processional: Chorale John McCabe Nocturne Steele Three Pieces
Stanley Voluntary in c
1 The power and influence of Schopenhauer was due in no small degree to the poetic passion which is at work in his writing. His metaphors are so striking that they can be traced through later writers, like marker elements in an X-ray photograph.'
The Rt Hon Enoch Powell. MP, reviews BRYAN MAGEE 'S recently published account of The Philosophy o/ Schopenhauer and considers the reasons for the philosopher's fluctuating reputation sincehisdeath.
(The Flying Dutchman) Opera in three parts Music and libretto by Richard Wagner (sung in German)
Herbert von Karajan conducts his own production which returns oWagner'soriginal intention to have the opera performed without an Interval.
VIENNA STATE OPERA CHORUS BERLIN PHILHARMONIC orchestra, conducted by HERBERT VON KARAJAN (Austrian Radio recording)
Sonata in c, Op 25 No 1
(Tyson); Sonata In B flat, Op 24 No 2 (Tyson) played by MELVYN TAN on Johan SSderberg forteplanos of the late 1790s, and of the early 1800s.
featuring
THE HARRY BECKETT QUINTET
Introduced by Charles Fox
