Baryton Trio in c (H XI 101) JORG EGGEBRECHT (baryton) DEINHART GORITZKI (viola) WILLI SCHMID (cello)
8.15* Mass in 6 flat (Harmoniemesse)
ERNA SPOORENBERG (SOp) HELEN WATTS (contralto) ALEXANDER YOUNG (tenor) JOSEPH ROULEAU (bass)
CHOIR ST JOHN 'S COLLEGE, CAMBRIDGE, ACADEMY OF ST MARTIN-1N-THE-F1ELDS conducted by GEORGE GUEST gramophone records
Series devised and written by STEPHEN SHIPLEY
This listing contains language that some may find offensive.
Introduced by Michael Olivier
Sergei Taneyev : ' by instinct a thinking composer', by DAVID BROWN. A conversation with WILLIAM ALWYN.
' Italian opera has been born again ' (BERNARD SHAW ): JOHN CULSHAW on Puccini's Manon Lescaut. Producer
CHRISTINE HARDWICK
(Repeated: Wed 2.5 pm)
Patrizia Kwella (soprano) John Elwes (tenor) David Thomas (baritone) Malcolm Hicks (organ) Trevor Pinnock, Alastair Ross (harpsichords)
Monteverdi Choir
English Baroque Soloists, leader Nona Liddell, conductor John Eliot Gardiner
Monteverdi Magnificat a 6 voci (1610): Ab aeterno; Messa a 4 voci da capella (1651)
12.15* Interval Reading
12.20* From the Proms 79 Part 2
Ardo avvampo: Vago augeletto; Hor che'I ciel e la terra: Lamento della ninfa; Ballo: Tirsi e Clori
Sonata in A minor (D 845) Four Impromptus (D 899)
2.5* Interval Reading
2.15* Alfred Brendel plays Schubert. Part 2 Sonata in D (D 850)
direct from St Andrew 's Hall, Norwich
Ida Haendel (violin)
BBC Symphony Orchestra leader Rodney Friend, conductor Gennadi Rozhdestvensky
Part 1
Elgar - Violin Concerto in B minor
Rugby appeals to our most fundamental instincts: it offers one side the freedom to run with the ball, while it gives the other side the freedom to catch the runner and bring him down with a thump.
Derek Robinson visits Holland to referee an international seven-a-side rugby tournament.
(Neit Sunday: The Ballinoeary Horse Races)
Part 2 Dvorak
Symphony No 5, in F major (A concert given in association with the Norwich and Norfolk Triennial Festival)
Puccini, Massenet and Auber were only three of many composers who had been fascinated by the character of Manon Lescaut, originally created by the Abe Prevost in the third volume of his long novel The Memoirs and Adventures of a Man of Quality.
Michael Rose compares some musical interpretations of Manon's story with that of the original, and wonders how far they succeed in capturing the complexities of his self-styled coquette whom Maupassant described as perfidious, loving, distracting. formidable, charming and spirituelle.
With Christopher Guard as the voice of Manon's lover, the Chevalier des Grieux
(Puccini's Manon Lescaut: next Saturday)
Beethoven Cello Sonata. Op 5 No 1. in r
GinasteraPampeanaNo 2 (1950) with HEINZ MEDJIMOREC (piano)
6.35* Interval Reading
6.40* Thomas Igloi Part 2
Faure Elegie. Op 24 with CLIFFORD BENSON (piano)
Brahms Cello Sonata in F, Op 99
With HEINZ MEDJIMOREC (piano)
Prelude and fugue for string orchestra. Op 29
ENGLISH CHAMBER ORCHESTRA conducted bv the COMPOSER Six metamorphoses after Ovid. Op 49
JANET CRAXTON (Oboe) Sinfonietta, Op 1
MEMBERS OF THE VIENNA OCTET: records
by ELIZABETH TROOP with FRED: Stop doing the dirtiest job in the world and start demanding a slice of the cake, and suddenly you're public enemy number one.
A satirical farce with a medley of characters including Members of Parliament with pegs on their noses. The main participants are two sewerage workers whose strike action accounts for the pegs.
Directed by RICHARD WORTLEY
Given earlier this evening in the Royal Festival Hall, London
London Symphony Orchestra, leader
MICHAEL davis , conducted by Sergin Celibidache
Kodaly Dances from Gal- anta
Ravel Suite: Mother Goose
A series of four talks by Bryan Jennett , Professor of Neurosurgery, University of Glasgow.
It is commonplace that rapid technological development has brought about far-reaching chan- ges in society. But how, in particular, has the last decade affected the nature of medicine?
Part 2 Brahms Symphony No 1. in c minor
(In association with Wilkinson Match)
' To Richard Strauss , perhaps, may be accorded the responsibility for having written one of the strangest lieder cycles in the whole repertoire.'
ALEXANDER YOUNG (tenor) introduces and sings Strauss's Kramerspiegel, Op 66, With KEITH SWALLOW (piano).
