Beethoven Three German Dances (WoO 8)
PHILHARMONIA HUNGARICA conducted by HANS LUDWIG HIRSCH 7.11* Liszt Piano Concerto
No 2: LAZAR BERMAN
VIENNA SYMPHONY ORCHESTRA conducted by CARLO MARIA GIULINI
7.33* Haydn Symphony No 96, in D: ACADEMY OF
ST MARTIN-IN-THE-FIELDS conducted by NEVILLE MARRINER : records

Johann Strauss Russian March: VIENNA PHILHARMONIC ORCHESTRA, Conducted by WILLI BOSKOVSKY
8.8* Tchaikovsky Pezzo capriccioso: PAUL TORTELIER (CellO), NORTHERN SINFONIA conducted by JAN PASCAL TORTELIER
8.15* Rimsky-Korsakov Aria: Gathering Berries (The Snow Maiden)
VALENTINA SOKOLIK (SOp) MOSCOW RADIO SYMPHONY
ORCHESTRA, conducted by VLADIMIR FEDOSEYEV
8.18* Rachmaninov Symphonic Dances
LONDON SYMPHONY ORCHESTRA conducted by ANDRÉ PREVIN gramophone records

The Court of Frederick the Great
Georg Benda Sinfonia in B flat: ARS REDIVIVA
ORCHESTRA, conducted by MILAN MONCLINGER
9.11* Kirnberger Flute Sonata in G
KARL-HEINZ ZÔLLER (flute) WALDEMAR DÔLING (harpsichord)
WOLFGANG BOETTCHER (cello)
9.20* J. S. Bach Ricercare a 3 voci (The Musical Offering): CHRISTOPHER HOGWOOD (fortepiano)
9.27* C. P. E. Bach Trio-Sonata in c minor (Wq 161 No 1)
MILAN MÜNCLINGER (Bute) ANTON NOVAK (violin)
JOSEF HALA (harpsichord) FRANTISEK SLAMA (Cello) gramophone records

with Anne Oakley (percussion) Walton Three Songs
Richard Rodney Bennett Scena 1. for piano
MalcolmWilliamsonCelebration of Divine Love
10.30' Interval Reading
10.35* Concert, Part 2
Richard Rodney Bennett The little ghost who died for love
Elis Pchkonen The Secret, for soprano, piano and percussion (first performance)
Cabaret and Waltz Songs by Ivor Novello , Rebecca Clarke and Noël Coward . BBC Birmingham

CHRISTIAN ZACHARIAS (piano) SAAR RADIO SYMPHONY
ORCHESTRA, conducted by WII.FRIED
BOETTCHER Stravinsky Symphonies of wind instruments (1920)
Mozart Piano Concerto No 19, in F (s 459)

Pianist David Wilde talks about The Roots of Music

Part 2
Bartok Music for strings, percussion and celesta (Saar Radio recording)

direct from the Royal Exchange Theatre Nigel Kennedy (violin) Yitkin Seow (piano)
Chausson Poème for violin and piano
Chopin Nocturne In c minor for piano, Op 48 No 1
Ysaye Sonata in a minor for violin, Op 27 No 3
Brahms Sonata in * minor for violin and piano, Op 108 (Seventh of 12 concerts promoted by the Manchester Midday Concerts Society in association with the BBC. This concert also in association with the Laurance Turner Memorial Fund)

Opera in three acts Words by FRIEDRICH DORRSNMATT
Music by Rudolf Kelterborn (sung In German)
CHORUS AND ORCHESTRA OF
ZURICH OPERA HOUSE conducted by FERDINAND LEITNER
(Swiss Radio recording of the first performance, given as part of the Zurich Festival in 1977)

(B'cast on Sun at 11.55 am)

Act 2
3.50* Interval Reading
3.55* Ein Engel kommt nach Babylon, Act S

Piano Quintet
MEDICI STRING QUARTET
RICHARD MARKHAM (piano)

Presented by Jack Brymer Borodin Overture: Prince
Igor Tchaikovsky Piano Concerto No 1: BBC NORTHERN SYMPHONY ORCHESTRA conductor RAYMOND LEPPARD with PASCAL ROGÉ (piano)

Jeremy Verity traces the origins of this Jamaican music of social comment and protest.

Professor Rex Nettleford , Chairman of the Institute of Jamaica, talks to HUGH MORRISON about the Jamaica National Dance Theatre Company of which he is director-choreographer and a leading dancer.

JEREMY VERITY discusses the tricky spider-man's transportation and survival with Peggy Appiah from Ghana, and Sir Philip Sherlock from Jamaica, with storytelling from both sides of the Atlantic.

The development from songs of boastful derision shouted by stick-fighters at their rivals into the major vehicle of social satire in Trinidad, is described by Gordon Rohlehr.

by DEREK WALCOTT with Robert Lang as Harry Trewe and Norman Beaton as Jackson
' Suppose I get this material down to two people. Me and ... well, me and somebody else. Robinson Crusoe and Man Friday. We could work up a good satire, you know. on the master-servant, no offence, relationship. Labour-management. white-black, and so on ... Making some trenchant points about topical things, you know. Add that show to the special dinner for the price of one ticket. Well, what do you thinkr '
A retired actor and an ex-steelband man play out their responses to Post-colonial life in Trinidad and Tobago. The play was first produced at the Little Carib Theatre in Port of Spain in April 1978.
Directed by LIANE AUKIN

Allan Charles traces the emergence of the modern steel orchestra from the spontaneous eruption of hundreds of young men beating bamboo sticks onto the streets of Trinidad. and the discovery that oil drums could be tuned into melodious percussion.

The question is posed in the context of countries whose everyday language may be rarely seen in books or heard on the media.
There is an extract from the radio serial Dulcimina by ELAINE PERKINS ; and Louise Bennett from Jamaica. Bruce St John from Barbados, Paul Keens-Douglas from Grenada, Laurence Carring ton from Trinidad, and Guyanan linguist Hubert Devonish. who is currently at York University with Professor Robert Le Page. the pioneer of Caribbean language studies, all offer illustrations and experiences that point to the answer.
The Editor of the forthcoming Dictionary of Caribbean Usage, Richard Allsopp. takes questions from ROBERT BURCHFIELD , Chief Editor of the Oxford English Dictionary, as starting-points for a wide-ranging exploration. Interviews by ALFRED PRAGNELL , MERVYH MORRIS and ALEX PASCALL

Charles Cadet introduces traditional music ffjm the festivals of St Lucia, the island in the eastern Caribbean where rival bands Parade in honour of their patron saints.

Jamaican poet and critic Mervyn Morris shows how three poets, although separated by writing in the languages of three European former colonial powers - Nicolas Guillen of Cuba in Spanish. Edward Brathwatte of Barbados in English and Alme Cesalre of Martinique in French - all express a common Caribbean identity.
Aime Cfeaire talks to TONY STAPLES about the concept of negritude, first defined by him in 1938 when he was a student in Paris in his poem Cahier d'un Retour au Pays Natal; with readings by Cy Grant from the translation by JOHN BERGER and ANNA BOSTOCK , and comment from June Henfrey, author of a forthcoming study of his