Comprehensive forecast
Salnt-Saens Piano Concerto No 2, in G minor: ALDO CICCOLINI THE PARIS ORCHESTRA conducted by SERGE BAUDO
7.30* Poulenc Sonata for flute and piano
MICHEL DEBOST , JACQUES FÉVRIER
7.43* Franck Symphonic Poem' Le chasseur maudit: SUISSE romande ORCHESTRA, conducted by ERNEST ANSERMET : records
Rodrigo Fantasia para un gentilhombre: JOHN WILLIAMS (guitar) ENGLISH CHAMBER ORCHESTRA conducted by SIR CHARLES GROVES
8.28* Granados Spanish Dances: No 3, in D (Zarabanda): No 4, in G (Villanesca) ALICIA DE LARROCHA (piano)
8.37* Albeniz. orch Friihbeck de Burgos Suite espanola: NEW PHILHARMONIA ORCHESTRA, COndUCted by RAFAEL FRÜHBECK DE BURGOS records
J. S. Bach The Art of Fugue, Contrapuncti 13a/b
STUTTGART CHAMBER ORCHESTRA conducted by KARL MÜNCHINGER
9.10* Motet:. Furehte dich nicht (BWV 228): LOUIS HALSEY SINGERS DAVID LUMSDEN (organ) conducted by LOUIS HALSEY
9.20* Chorale Prelude: Herr Jesu Christ , dich zu uns wend (Bwv 655); 9.23* Canonic Variations on Von Himmel hoch, da komm' ich her (BWV 769) '
MICHEL CHAPUIS (organ)
9.34* Motet: Lobet den Herrn alle Heiden (bwv 230): records
conductor ASHLEY LAWRENCE
Music by Gordon Langford , Schubert, Glinka. Max Saunders and Ronald Binge.
(guitar) arr Bonell Music from The Fairy Queen by Henry Purcell
Bernard Stevens Ballad for guitar, Op 45 (The Bramble Briar)
Michael Blake Watkins Solus (All first broadcast performances in this country)
Valse Caprice No 3, in G flat, Op 59
Two Nocturnes: No 13, in 2 minor, Op 119; No 6, in D flat, Op 63
Ballade in F sharp, Op 19
Two Impromptus: No 3, in 1 Sat, Op 34; No 5, in F sharp minor, Op 102
Theme and Variations, Op 73
GRANT JOHANNESBN (piano)
SASCHKO GAWRILOFF (violin)
BBC NORTHERN SYMPHONY ORCHESTRA leader BARRY GRIFFITHS conducted by MICHAEL LANKESTER Geoffrey Burgon Cantus Alleluia
12.32* Mozart Violin Concerto No 4, in D major (K 218)
A personal preview by DONALD PRICE of some plays and features on R3 and 4 next week,
Part 2 Tchaikovsky Symphony No 6, in B minor (PathStlque) BBC Manchester
Weber's songs are little known. yet he composed over 100, many of outstanding quality. In this series of four programmes, the majority of them can be heard, interspersed with some of his lesser-known instrumental music.
ALEXANDER YOUNG (tenor) KEITH SWALLOW (piano) ANTHEA GIFFORD (guitar)
Three guitar songs: Liebeszauber (J 52); Die Zeit (J 597); Canzonetta: Ninfe se liete (j 124)
Der kleine Fritz (J 74)
Schwabisches Tanzlied (J 135) Reigen (J 159)
Divertimento in A minor, for guitar and piano (J 207) Die Temperamente beim Verluste der Geliebten (J 200-3):
Der Leiehmuthige; DerSchwermuthige; Der Liebewüthige; Der Gleichmuthige
Hindcmith Symphonic metamorphosis of themes by Carl Maria von Weber : BAVARIAN
RADIO SYMPHONY ORCHESTRA conductor RAFAEL KUBELIK
(Austrian Radio recording from this year's Vienna Festival)
Before playing Haydn's Op 77 No 1, Levon Chilingirian talks about the Haydn quartets as heard through the ears of a first violinist.
CHILINGIRIAN STRING QUARTET
First of two programmes to include Haydn's Quartets, Op 77, and the two Quartets by Smetana
Haydn Quartet In G, Op 77 No 1
3.50* Smetana Quartet No 1. in E minor (From my life) BBC Manchester
Last programme in this series Schubert Mass in E flat (d 950) FELICITY PALMER (soprano) HELEN WATTS (contralto) KENNETH BOWEN (tenor) WYNFORD EVANS (tenor)
CHRISTOPHER KEYTE (bass)
CHOIR OF ST JOHN 'S COLLEGE,
CAMBRIDGE, ACADEMY OF ST MARTIN-IN-THE-FIELDS, conducted by GEORGE GUEST : records
More sounds out of Atarah's Music Box, including GENE BUNCO'S HARPINAIRES, HARPO MARX and the NEW YORK HARP ENSEMBLE: records
(continued)
medium ware only
Leisure and Recreation
6.30 In Your Own Time
The Leisure Programme (6)
Presented by PETER CLAYTON -
7.0 Putting on a Show
The sixth of eight programmes in which ANTHONYCORNISH explores the pleasures and pitfalls of the amateur theatre.
6: Owning Your Own Theatre, the Law and Finance
An opera in three acts
Libretto by JOSEF WENZIG Music by Smetana
(sung in the English translation by TOM HAMMOND )
An English National Opera production direct from the London Coliseum
Smetana's third work for the stage is a tragic, romantic opera, based on an old Czech legend. Dalibor was first heard in Prague in 1868. when, misled by the hostility of the press, which accused Smetana of the crime of ' Wagnerism ', the opera was misunderstood by the public and failed to maintain a place in the reperbory. Nearly a century later and in company with Smetana s other operas. Dalibor is now regularly performed in Prague. This production will be the first fully professional, staged performance to be fiveninLondon,
ENGLISH NATIONAL OPERA CHORUS chorus-master HAZEL VIVIENNE ENGLISH NATIONAL OPERA
ORCHESTRA, conducted by CHARLES MACKERRAS
In this occasional series JOHN M. THOMSON offers some reflections on recent broadcasts,
Act 2
A selection of poems compiled and introduced by PATRIC DICKINSON. Readers
DENYS HAWTHORNE , GARY WATSON
Act 3
WILLIAM COATES talks about the theory of the 31 note scale and its practical use in composition. (Musical examples made available by courtesy of Netherlands Radio)
