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Michael Haydn Symphony No 16, in G (with Mozart's introduction, K 444)
ENGLISH CHAMBER ORCHESTRA conducted by CHARLES MACKERRAS
7.20* Mozart Piano Concerto No 5. in D (K 175):
INGRID HAEBLER LONDON SYMPHONY ORCHESTRA conducted by ALCEO GALLIERA
7.44' Strauss First Waltz Sequence (Der Rosenkavalier)
VIENNA PHILHARMONIC ORCHESTRA conducted by LORIN MAAZEL gramophone records
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Grétry Suite: La caravane du Caire
ENGLISH CHAMBER ORCHESTRA conducted by RAYMOND I.EPPARD
8.16* Saint-Saens Concert Piece in g. for harp and orchestra NICANOR ZABALETA
PARIS RADIO ORCHESTRA conducted by JEAN MARTINON
8.31' Debussy Three Symphonic Sketches: La mer: LONDON SYMPHONY ORCHESTRA, conducted by LEOPOLD STOKOWSKI : records
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In a summer garden
HALLÉ ORCHESTRA, conducted by SIR JOHN BARBIROLL1 Cello Concerto
JACQUELINE DU PRE , ROYAL PHILHARMONIC ORCHESTRA, conducted by SIR MALCOLM SARGENT : records
from Birmingham JOHN POTTER (ten Or)
ELAINE HUGH- JONES (piano) MARLENE FLEET (piano)
Elaine Hugh-Jones A Cornford Cycle: A back view; To a young cat in the orchard; Bicker's Cottage; The watch; The madman and the child; Two Sandburg Songs: Stars, songs, faces; Old deep sing-song <The last four songs are first broadcast performances)
Prokofiev Visions fugitives Nos 1-12
Richard Benger Four Meditations, for tenor and piano (first broadcast performance) Beethoven Sonata in E, Op 109
KINSHI TSURUTA (biwa), and reciter in the Hon-noh-ji excerpt, with KATSUYA YOKOYAMA (shakuhachi)San-an. for shakuhachi Hon-noh-ji, for biwa
Tamuke, for shakuhachi
Toru Takemitsu Eclipse, for biwa and shakuhachi
Martin Dalby Quintet (1972) (first broadcast performance) Shostakovich Quartet No 7 ALLEGRI STRING QUARTET
With TERENCE WEIL (CellO)
GEORGE ZUKERMAN (baSSOOn)
BBC SCOTTI SH SYMPHONY ORCHESTRA conducted by DAVID ATHERTON Part 1
Prokofiev Suite: Lieutenant Kije-
12.38* Weber Bassoon Concerto in f major
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Part 2 Tchaikovsky
Symphony No 2, in c minor
(David Atherton broadcasts by permission of the General Administrator. Royal Opera House Covent Garden)
PAUL ZUKOVSKY (violin) PETER CROSER (piano)
Busoni Sonata No 2. in E minor
Schumann Sonata in D minor, Op 121
in 18th-century London
A sequence of music and excerpts from the literature of the period read by FRANK DUN CAN. and compiled by KEITH RORNER
Vauxhall and Ranelagh are two gardens unequalled in the whole world (Leopold Mozart) . . .like magic ...
(Fanny Burney)
... a composition of baubles, Ot'ercharged with paltry ornaments (Smollett) ft is the custom in this country for the audience to remain in a state of universal petrifaction (Goldsmith) What astonished me was the boldness of the women who importuned us in the most shameless manner.
(Pastor Moritz)
Including music by Handel, J. C. Bach. Stanley, Hook, De Fesch and Arne gramophone records
(19 August: 17th- and 18th-century Germany)
Recorded by DAVID PETTIT in the Colston Hall, Bristol
Alessandro Scarlatti Toccata No 11, in A major
Mozart. arr Davison Sonata in c major (k 336)
S. S. Wesley Larghetto in F sharp minor
Stanford Postlude in D minor
Healey Willan Introduction, Passacaglia and Fugue
EVER READY CO (GB) BAND conductor ERIC CUNNINGHAM
Wilbur P. Sampson March: High Command
Eric Ball Journey into Freedom Malcolm Arnold Little Suite for Brass No 1
Percy Fletcher March: Epic Symphony
LONDON STUDIO STRINGS conducted by JOHN CAREWE with artists on records
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(continued)
6.46 The Art of the Film
2: ROGER MANVELL discusses the role of the director and his close collaboration with the screenwriter.
7.0 The Real Responsibilities of Scientists
Presented by R. w. REID 2: The Craft of Science
Scientists involved in research discuss the nature of their work, the satisfactions they derive from it, and the role of scientific enquiry in society.
direct from the Royal Albert Hall, London
Richard Adeney (flute) Carl Pini (violin)
English Chamber Orchestra leader Carl Pini
conducted from the harpsichord by Andrew Davis
Bach Part 1
Brandenburg Concerto No 1, in F major
Suite No 2, in b minor for flute and string orchestra
(Stereo)
LIAM DE PAOR, of University College, Dublin, reconsiders the contribution of Thomas Moore , the Irish contemporary of Wordsworth, to the literary mythology of Irish nationalism.
Bach Brandenburg Concerto No 5, in D major
Suite No 3, in D major
(This Week's Proms: page 9)
(The 1974 Promenade Concerts Prospectus is available from bookshops, RAH and ticket agents, 20p (or 25p by post from BBC Publications)
(Stereo)
Alan Gibson reviews the lasting influence of the Arthurian legends on English literature. Illustrations read by HEDLEY GOODALL and DOUGLAS VAUGIIAN
ProducerBILL SALISBURY
(First broadcast on BBC Radio Bristol in March)
Sages on the Tor: page 4
and songs by Strauss NORMA BURROWES (soprano) STEUART BEDFORD (piano)
Strauss Three Songs of Ophelia. Wie erkenn' ich mein Treulieb?; Guten Morgen , 's ist St Valentinstag: Sie trugen ihn auf der Bahre bloss Machado settings:
Bardwell La lechuza (The barn owl)
Dallapiccola Quattro Liriche di Antonio Machado
Strauss Das Bachlein ; Sausle, liebe Myrthe: Winterweihe; Gefunden; Einkehr
Read in 12 parts by Ronald Pickup
Arranged by TERENCE TILLER 11: Adeline
In which our hero visits an English lord's country seat. Producer SUSANNA CAPON
followed by an interlude
AMM with Strings and the Eddie Prlvost Band
Presented by Ken Hyder Producer RAY HARVEY
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