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Bach Cantata No 17: Wer Dank opfert, der preiset mich BOY TREBLE
PAUL ESSWOOD (counter-tenor) KURT EQUILUZ (tenor)
MAX VAN EGMOND (bass) VIENNA BOYS' CHOIR
CHORUS VIENNENSIS, VIENNA CONCENTUS musicus, directed by NIKOLAUS HARNONCOURT
Handel Organ Concerto No 2, in B flat: RUDOLF EWERHARDT COLLEGIUM AUREUM
Bach Cantata No 19: Es erhub sich ein Streit: BOY TREBLE
KURT EQUILUZ, MAX VAN EGMOND VIENNA BOYS' CHOIR
CHORUS VIENNENSIS, VIENNA CONCENTUS musicus, directed by NIKOLAUS BARNONCOURT : records

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Edited and introduced by JOHN LADE
Building a Library: Shostakovich's Symphony No 5, by CHRISTOPHER HEADINGTON
Recent choral records:
TREVOR HARVEY

Some of the new choral records discussed in Record Review, including Act 3 from Handel's oratorio, Saul

VESUVIUS ENSEMBLE
Janacek Mladi (Youth), for wind sextet
Spohr Nonet in f major, Op 31

RAFAEL OROZCO (piano)
BBC SCOTTISH SYMPHONYORCHESTRA conductor CHRISTOPHER SEAMAN Part 1
Wolf-Ferrari Overture: Susanna's Secret
12.17* Rachmaninov Piano Concerto No 3, in D minor

Compiled and introduced by Larry Hodgson

Part 2 Tchaikovsky
Symphony No 4, in F minor
(A public concert given in the City Hall, Glasgow, on 9 Oct)

The playwright Alan Bennett presents a personal choice of records which reflect the great diversity of his interests. His selection runs from Sousa to Scott Joplin via Delius and Philip Larkin.

BBC CONCERT ORCHESTRA leader Arthur LEAVINS conductor ASHLEY LAWRENCE Sullivan Overture di ballo
Elgar In Hammersbach (Three Bavarian Dances)
Anthony Hedges Four Diversions for Strings
Vaughan Williams The lark ascending, for violin and orchestra (ARTHUR LEAVINS)
Rossini, arr Britten Soirées musicales

Today's guest: Carlos Bonell plays music by Tarrega, Villa-Lobos. Rodrigo. John McCabe and talks to PETER SENSIER

Introduced by PETER CLAYTON

Introduced by John Amis , including a report on the Suzuki method of violin teaching

sung by ANNE COLLINS (contralto) PAUL HAMBURGER (piano)
Beethoven Ich liebe dich; Six Songs to poems by Gellert, Op 48: Bitten; Die Liebe des Nachsten; Vom Tode: Die Ehre Gottes aus der Natur; Gottes Macht und Vorsehung; Buss-lied
Schubert Der Geistertanz; Wehmut: An Mignon; Litanei: Die Rose: Du liebst mich nicht

Presenting arguments that challenge current orthodoxies Was Frend a Liar?
Frank Cioffi , Senior Lecturer in Philosophy at the University of Kent at Canterbury, examines Freud's account of how he arrived at his theory of infantileseduction, andfindsgrounds for much disquiet. Did Freud deliberately distort the story. or did he merely forget certain parts of it? He argues that whatever the answer, the scientific claims of psychoanalysis must be affected by it. followed by an interlude

John Lill (piano), BBC Northern Symphony Orchestra, leader Barry Griffiths, conducted by Bryden Thomson direct from the Philharmonic Hall

Part 1
David Ellis Symphony No 1 (first performance: commissioned by the Royal Liverpool Philharmonic Society)

7.58* Beethoven Piano Concerto No 2, in B flat major

Part 2 Dvorak
Symphony No 5, in F mnjir
(Presented by the Royal Liverpool Philharmonic Society in association with the BBC)

BRIAN TROWELL offers some thoughts about the nature of Purcell's originality and achievement.
(Fairy Queen: Mon. 8.30 pm) followed by an interlude

in concert with Richard Rodney Bennett (piano) and The Nash Ensemble conducted by Marcus Dods
A programme of music written in America during the 40s Part 1
Eisler Septet No 1 (Variations on American children's songs) Weill. arr Richard Rodney Ben nett September song; Speak low; My ship; Lonely house; Jenny
10.50* Reading
10.55* Eartha Kitt : part
Copland Appalachian Spring (original version, for 13 instruments)
Rodgers and Hammerstein. arr Richard Rodney Bennett The gentleman is a dope
Rodgers and Hart. arr Richard Rodney Bennett It might as well be spring; Everything I've got: It never entered my mind: Zip; Ten cents a dance (A public concert given in the Queen Elizabeth Hall , London, on 7 April)

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