Sullivan Overture: The Yeomen of the Guard: ROYAL LIVER-POOL PHILHARMONIC ORCHESTRA conducted by SIR CHARLES GROVES
7.11* Elgar Cello Concerto in E minor: JACQUELINE DU PRÉ
LONDON SYMPHONY ORCHESTRA conducted by SIR JOHN BARBIROLLI
7.41* Britten Sinfonietta
MEMBERS OF THE VIENNA OCTET gramophone records

Saint-Saens The carnival of the animals: JOHN OGDEN and BRENDA LUCAS (pianos), CITY OF BIRMINGHAM SYMPHONY ORCHESTRA conducted by LOUIS FREMAUX
8.29* Mompou El Combat des Somni
VICTORIA DE LOS ANGELES (SOp) LAMOUREUX ORCHESTRA conducted by ANTONIO ROS-MARBA
8.39* Vieuxtemps Violin Concerto No 5: PINCHAS ZUKERMAN LONDON SYMPHONY ORCHESTRA conducted by CHARLES MACKERRAS gramophone records

Shostakovich
Concertino for two pianos, Op 94 MAXIM SHOSTAKOVICH (the composer's son) with THE COMPOSER
9.14* Prelude and Fugue in B minor, Op 87 No 6
THE COMPOSER (piano)
9.21* Piano Concerto No 2, In F: THE COMPOSER
FRENCH NATIONAL RADIO ORCHESTRA conducted by ANDRE CLUYTENS gramophone records

Susan Daniel (mezzo-soprano) makes her broadcasting debut, accompanied by CLIFFORD BENSON Donizetti La conocchia; Amore e morte; Me voglio fa'na casa Verdi Non t'accostare all'urna Strauss Ich trage meine Minne; All' mein Gedanken; Wie soil-ten wir geheim sie halten
Falla Canciones populares espafiolas

A weekly series featuring records made in the 1930s, 40s and 50s of great pianists playing some major concertos
Franck Prelude , Chorale and Fugue
10.34* Chopin Four Mazurkas, Op 17
10.47* Chopin Piano Concerto No 2, in F minor with the LONDON SYMPHONY ORCHESTRA conducted by SIR JOHN BARBIROLLI

Test Match Special
England v West Indies at Edgbaston (First day) Ball-by-ball commentaries by BRIAN JOHNSTON
TONY COZIER , JOHN ARLOTT and NEIL DURDEN-SMITH
Comments and summaries by TREVOR BAILEY , NORMAN YARDLEY Close-of-play summary by E. W. SWANTON
Scorer BILL FRINDALL
Inc lunch summary
1.35'-1.40* News; weather
1.40*-2.0* BRIAN JOHNSTON talks to LESLIE DEAKINS and PETER CRANMER about Edgbaston County Ground past and present
2.0*-2.5* Lunchtime Scoreboard
2.10"-4.20* and 4.3C-5.45 including teatime summary
5.45-6.40 () Inc close-of-play summary
On days when a Test Match is scheduled, but it is known at close of play the day before that there will be no play, normal Radio 3 music programmes will be broadcast. On days when play finishes early or is abandoned at any time after it has begun, normal Radio 3 music programmes will resume approximately one hour after play has ceased.

6.40 Community Care:
Mental Illness and Handicap 7: ' Lesley White '
- she's 21 years old, lives In a local authority hostel for mentally handicapped adults and attends an adult training centre. She also spends regular weekends at home with her parents and brother. Book, 45p; see page 55
7.0 Sounds Like Now
Why has so much contemporary music been used for dancing? FLICK COLBY, PETER MAXWELL DAVIES , BOB DOWNES and BRIAN HODGSON suggest some reasons.

direct from the Royal Albert Hall London THEA KING (clarinet)
ENGLISH CHAMBER ORCHESTRA leader Kenneth SILLITO conducted by Francois Huybrechts Part 1
Handel Concerto Grosso No 18. In B flat major (Op 6 No 7) Stravinsky Suite: Pulcinella
Mozart Clarinet Concerto in A major (K 622)

ROBERT PHILIP takes a critical look at the last fortnight's music broadcasting.

Part 2 Beethoven
Symphony No 2, In D major

And he lifted the wrinkled doll in his hand
Like a watch to his frost-bit ear,
And he heard the tick of its heart beat quick
On the drum as he held it there.
'What kind of lark is this, he said
'And what'll I dot To hell
With finding a babe in a golden drain
With its ticker at work'n all

A Melodrama for Radio

The music composed and directed and the electronic tape devised and made, by Tristram Cary

(A new production, with revised score, of the programme first broadcast in 1964) followed by an interlude.

by CHRISTOPHER CZAJA SAGER
Bach Four Duets (BWV 802-5)
Brahms Three Intermezzi, Op 117

The last of three programmes devoted to
Palestrina's 29 motets setting texts ex Cantico Canticorum
In each programme MICHAEL HOWARD discusses the ways in which the Song of Songs has proved a perpetual source of inspiration to poets, artists and musicians alike.
Adjuro vos: Caput eius aurum optimum: Dilectus meus descendit in hortum suum; Pulchra es Arnica mea; Quae est ista quae progreditur; Descendit in hortum meum: Quam pulchra sunt gressus tui: Duo ubera tua: Quam pulchra es et quam decora: Guttur tuum sicut vinum optimum; Veni dilecte mi, egrediamur in agrum sung by CANTORES IN ECCLESIA conductor MICHAEL HOWARD

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