Mozart Ballet Music (Idomeneo) VIENNA MOZART ENSEMBLE conducted by WILLI BOSKOVSKY
7.31* Bach Concerto in c, for three harpsichords and orchestra: GUSTAV leonhardt
ANNEKE UITTENBOSCH, ALAN CURTIS LEONHARDT CONSORT
7.48' Roman Sinfonia No 20
LUCERNE FESTIVAL STRINGS conducted by . RUDOLF BAUMGARTNER

Morning Concert: part 2 0
8.4 Grieg String Quartet in G minor: GUARNERI QUARTET
8.37* Fauré Elégie
JACQUELINE DU PRE (cello) GERALD MOORE (piano)
8.44* Dag Wiren Serenade for string orchestra
ENGLISH CHAMBER ORCHESTRA conducted by JOHANNES SOMARY gramophone records

Berkeley and Rawsthorne Rawsthorne Sonatina
9.16- Berkeley Six Preludes JOHN CLEGG (piano)
9.28* Rawsthorne Quartet No S ALBERNI STRING QUARTET gramophone records

Michel Block
Ravel Gaspard de la nuit
10.6* Liszt Sonata in B minor

Weber Overture: Abu Hassan
BAVARIAN RADIO ORCHESTRA
Conducted by RAFAEL KUBELIK
10.44* Mozart Concert Rondo in.E flat major (K 371) ALAN CIVIL (horn)
ROYAL PHILHARMONIC ORCHESTRA conducted by RUDOLF KEMPE
10.51- Schubert Symphony No 3 ROYAL PHILHARMONIC ORCHESTRA conducted by SIR THOMAS BEECHAM gramophone records

England v
The Rest of the World (for the Guinness Trophy) Fifth Test Match at The Oval (first day)
- Ball-by-ball commentaries by JOHN ARLOTT , BRIAN JOHNSTON and NEIL DURDEN-SMITH with comments and summaries by TREVOR BAILEY , RICHIE RENAUD Close-of-play summary by E. W. SWANTON
11.15 - 1.35.
2.10* 4.20.
4.30* - 6.37
Producer MICHAEL TUKE-HASTINGS

An examination of the decade introduced by DANIEL SNOWMAN 2: Britain's Defence Role
Throughout the sixties Britain's defence role has been narrowing as successive governments have tried to cut back our military commitments to a level which we can afford. But how far has Britain's contracting sphere of military influence affected our international position?
The programme includes the recorded voices of DENNIS HEAI. EY. MP, HAROLD MACMILLAN ; HAROLD WILSON , MP, SIR ALEC DOUGLAS-HOME , MP, GENERAL SIR JOHN HACKETT , PRESIDENT J. F. KENNEDY. PHILIP WINDSOR , and others who played significant parts in the events of the decade.
Produced by GRAHAM TAYAR
(For publication see page 10)

2: Blackburn - period of decline
After the first world war cotton went into a decline. Foreign competition and the economic slump brought unemployment, vicious competition for jobs and the humiliation of the Means Test. Workers began to question the inevitability of working in the mill, and many sought refuge in emigration Introduced by JEREMY SEABROOK
Produced by CHRIS CUTHBERTSON
(Seven weekly articles on Blackburn by Jeremy Seabrook are printed in The Listener, beginning in the issue dated 30 July.)

from the Royal Albert Hall London
Part 1
ILSE WOLF (soprano)
JAMES BOWMAN (counter-tenor) IAN PARTRIDGE (tenor)
CHRISTOPHER KEYTE (bass) BBC CHORUS
PHILIP LEDGER
(harpsichord continuo) CHRISTOPHER HOGWOOD (organ continuo) ACADEMY OF
ST MARTIN-IN-THE-FIELDS leader ALAN LOVEDAY conductor NEVILLE MARRINER
Cantata No 116: Du Friedefürst, Herr Jesu Christ
(Tonight's concert begins at
7.0, but the first half-hour will not be broadcast)

BASIL TAYLOR considers the beginnings of abstract art in England, and in particular the character of Wyndham Lewis 's Vorticist movement, 1

Part 2
ANPRE TCHAIKOWSKY (piano) ALAN LOVEDAY (violin)
DAVID MUNROW (recorder) JOHN TURNER (recorder) SIMON PRESTON "
(harpsichord continuo) ACADEMY OF
ST MARTININ-THE-FIELDS directed by NEVILLE MARRINER (violin) Partita No 4. in D major
8.42* Brandenburg Concerto No 4, in g major
(This week's Proms: page 44)

PHILIP HOBSBAUM introduces a group of early dramatic monologues which illustrate the history of the form before its most famous exponent Robert Browning. The programme includes readings of The Dying Indian by Joseph Warton , Oswald by Francis Sayers , Sappho and The Wife of Fergus by Robert Southey , and Jugurtha lncarceratus by Charles Wolfe
Readers: JILL BALCON
PHILIP HOBSBAUM , ANTHONY JACOBS and GARY WATSON

Records of some of his Salon music performed by IONA BROWN (violin) jennifer'partridge (piano) PURCELL CONSORT OF VOICES directed by GRAYSTON BURGESS (counter-tenor)

from the Royal Albert Hall London
Part
Terry Riley Keyboard Studies INTERMODULATION Andrew Powell
'amplified piano) Roger Smalley
(electronic organ)
Tim Souster (amplified celesta) Robin Thompson (amplified piano) with MIKE RATLEDGE (electric piano)
10.24* Tim Souster Triple Music II (commissioned by the BBC: first performances BBC SYMPHONY ORCHESTRA conducted by DAVID ATHERTON
JUSTIN CONNOLLY , ELGAR HOWARTH (Tim Souster writes about his new work in The Listener dated 13 August)

by DEREK WRIGHT , Lecturer in Psychology, University of Leicester
The idea of sex as an innate force which must not be bottled up underlines many current views on sexual behaviour. But some recent research suggests that sex may be better thought of as a learnt appetite. The implications are considerable

The Soft Machine: Mike Ratledge (electronic organ, electric piano), Hugh Hopper (bass guitar), Robert Wyatt (drums), Elton Dean (alto-saxophone, saxello)

(This week's Proms: page 44. See special colour feature: pages 42-44)