Time: GTS 7.0 am
Josef Fiala Cor anglais Concerto in E flat major HEINZ HOLLIGER
ENGLISH CHAMBER ORCHESTRA conducted by RAYMOND LEPPARD
7.17* Dvorak Quintet in A minor, Op 1
MEMBERS OF THE BERLIN
PHILHARMONIC OCTET
Alfred Malecek , Emil Maas (violins)
Kunio Tsuchiya
Dieter Gerhardt (violas)
Heinrich Majowski (cello)
7.46* Smetana Symphonic Poem: Vltava (Ma vlast) CLEVELAND ORCHESTRA conducted by GEORGE SZELL gramophone records
Morning Concert: part 2 BBC NORTHERN SYMPHONY
ORCHESTRA leader REGINALD STEAD conducted by BRYDEN THOMSON and MAURICE JOHNSTONE
8.4 Berlioz Overture: The Corsair
8.13* Maurice Johnstone Tarn Hows: a Cumbrian rhapsody (conducted by the composer)
8.29* Haydn Symphony No 103, in E flat major (Drum-roll)
Schumann Andante and Variations in B flat major
VLADIMIR ASHKENAZY (pianO) MALCOLM FRAGER (piano) AMARYLLIS FLEMING (cello) TERENCE WEIL (cello)
BARRY TUCKWELL (horn)
9.24* Spanische Liebeslieder, Op 138
LOIS MARSHALL (soprano)
REGINA SARFATY (mezzo-soprano) LEOPOLD SIMONEAU (tenor)
WILLIAM WARFIELD (baritone)
ARTHUR GOLD and ROBERT FIZDALE (piano duet) gramophone records
by ARNOLD RICHARDSON Franck Pastorale
Bach Canzona in D minor (s 588)
Roger-Ducasse Pastorale
(From the Civic Hall, Wolverhampton; broadcast on 1 November 1967)
Symphony in E flat major (Rustic Wedding)
NEW YORK PHILHARMONIC
ORCHESTRA conducted by LEONARD BERNSTEIN gramophone record
First of five programmes Bartok Sonata (1926)
11.13* Beethoven String Trio in E flat major. Op 3
11.44* Beethoven Bagatelles, Op 126
DAVID WILDE (piano) TUNNELL STRING TRIO
SYBIL MICHELOW (contralto) BBC WELSH ORCHESTRA conductor JOHN CAREWE
Part 1
Sibelius Lemminkainen and the maidens of Saari
12.35* Brahms, orch Sargent Four Serious Songs
GLADYS PARR talks about her career as a singer to MADEAU STEWART.
(BBC Sound Archive recording)
Part 2
Haydn, arr Geiringer Diverti mento in c major (H n 29)
1.31* Nielsen Symphony No 1 (1892)
(Given before an invited audience at The Concert Hall, Broadcasting House, Llandaff, Cardiff)
played by MARIA LIDKA (violin)
ANTONIA BUTLER (cello)
Pleyel Duo No 1, in c major, Op 13
2.13* Elizabeth Maconchy Duo: Theme and Variations
2.23* Hoffmeister Duo No 2, in A major
Poulenc Sonata (1953)
Milhaud Suite: Scaramouche BRACIIA EDEN, ALEXANDER TAMIR gramophone records
Second of six programmes including Haydn string quartets and Brahms songs ROBERT TEAR (tenor) VIOLA TUNNARD (piano)
ENGLISH STRING QUARTET Nona Liddell (violin)
Marilyn Taylor (violin)
Marjorie Lempfert (viola) Helen Just (cello)
Haydn String Quartet in c major, Op 64 No 1 0 Brahms Liebesglut; Sonntag; Der Gang zum Liebchen;
Herbstgefiihl Brahms Five Songs, Op 49: Am Sonntag Morgen; An ein Veilchen; Sehnsucht; Wiegenlied; Abenddammerung
A Poet on Brahms ROY FULLER pays a personal tribute to the ' classical universe ' of a favourite composer,
Part 2 Haydn
String Quartet in c major, Op 74 No 1
Auret Stroe Fragment d'un proces sonore, for two pianos, flute, and percussion
Tomasz Sikorski Diaphonie , for two pianos
WARSAW AD NOVUM ENSEMBLE
(Recording by courtesy of South-West German Radio)
Roman Haubenstock - Ramati Symphony ' K '
AUSTRIAN RADIO SYMPHONY ORCHESTRA, conducted by MILAN HORVAT (Recording made available by courtesy of Austrian Radio) Jos Kunst Arboreal
Azio Corghi ' ... in fieri UTRECHT SYMPHONY ORCHESTRA conducted by PAUL HUPPERTS
(Recording made available by courtesy of Netherlands Radio) (All first broadcasts in this country)
Present-day jazz on records Introduced by CHARLES FOX
Ape or Apex
4: The Language Gap
Does his language separate man from the other animals? What do we know about language as a part of behaviour? DONALD HOLMS talks to experts in animal behaviour and linguistics, including PROFESSOR RICHARD ANDREW of the University Of Sussex. PROFESSOR M. HALLIDAY of University College,
London, and DR j. MARSHALL of the University of Edinburgh. Produced by ROBIN BRIGHTWELL
Popular music is no new phenomenon, but ' pop ' is The description applies not only to the music but to the whole scene which accompanies it. This series of 10 programmes surveys the evolution of pop music from the 1950s to the present day. 1: Early Days
BOB YOUNGlooks at some of the musical styles which provide the background to the sudden explosion of interest in teen age music in the mid-1950s. Producer DAVID EPPS ‡
From the Roval Albert Hall London
John Lill (piano) Gervase Die Pever (clarinet)
BBC Training Orchestra, concert-master Peter Mountain, conductor Meredith Davies
Beethoven Overture: Egmont
7.46* Prokofiev Piano Concerto No 1, in D flat (conducted by Michael Rose)
8.9* Haydn Symphony No 164, in D major (The London)
talks about Derby
Arthur Christiansen , the great editor of the Daily Express, would say to writers of sentences with adjectives ' Will they understand that in Derby? ' Was it an insult or a compliment? Ray Gosling has been watching the town: ordinary, Midland, not very attractive, but very English. The kind we like to keep hidden.
'Part 2
Sebastian Forbes Essay for clarinet and orchestra (commissioned by the BBC: first performance)
9.17* Brahms Symphony No 2. in D major
(This Week's Proms: page 13)
by SYLVÈRE MONOD, Professor of English Literature in the University of Paris at the Sorbonne
My firm belief is that Dickens is a very visible figure in the eyes of most Frenchmen, more so indeed than any other English writer of the past, with the single exception of Shakespeare.
Dickens died on 9 June 1870. Through his life he had an intimate liking for the land of Britain's hereditary foe. In this centenary year of his death. Professor Monod asks: what is the French view of Dickens? And, as a Frenchman, he gives his own appreciation of the man and his work.
Twenty-four Preludes, Op 28 RAFAEL OROZCO (piano) gramophone record
Motet and Mass: 0 quam gloriosum est CHOIR OF
ST JOHN 'S COLLEGE, CAMBRIDGE conducted by GEORGE GUEST gramophone record