and Weather forecast

BBC CONCERT ORCHESTRA Leader, Arthur Leavins
Conductor, MARCUS DODS

and Weather forecast

A request programme of gramophone records
ALFRED BOSKOVSKY (clarinet) RUDOLF MANZL (bassoon) JOSEF VELEBA (horn)
WILLI BOSKOVSKY (violin)
GüNTHER BREITENBACH (viola) NIKOLAUS HUBNER (cello)
JOHANN KRUMP (double-bass)

and Weather forecast

Byrd and Palestrina gramophone records

Romeo and Juliet
gramophone records

by TIMOTHY FARRELL
From Westminster Abbey

first performance
LONDON STRING QUARTET
Carl Pini (violin)
Ray Gillard (violin)
Christopher Martin (viola) Anthony Pini (cello)
CARL Pini (violin)
WILFRID PARRY (piano)

FRANCES MASON (violin) ALLAN SCHILLER (piano)
BBC SYMPHONY ORCHESTRA Leader, Hugh Maguire
Conducted by SIR MALCOLM SARGENT
Part 1

and Weather forecast

Part 2
Broadcast on August 6. 1966

LONDON STUDIO ORCHESTRA Leader, Reginald Leopold
Conducted by MARCUS Dods with MALCOLM WILLIAMSON (piano)

The second of two recitals by prizewinners of the Leeds International Piano Competition, 1966
A piano recital recorded at
Dynevor Castle, given by.the Music Programme in Association with Dynevor Centre, on December 10, 1966

Fantasia in C minor, for piano, chorus, and orchestra
ANDOR FOLDES
BERLIN MOTET CHOIR
BERLIN RADIO CHAMBER CHOIR
BERLIN PHILHARMONIC ORCHESTRA Conducted by Fritz LEHMANN gramophone record

This week
Robert Simpson talks about his Third String Quartet
HEATHER HARPER (soprano) ERNEST Lush (piano)
AEOLIAN STRING QUARTET
Sydney Humphreys (violin)
Raymond Keenlyside (violin) Margaret Major (viola) Derek Simpson (cello)
VIRTUOSO ENSEMBLE
Edward Walker (flute) Sidney Sutcliffe (oboe) Sidney Fell (clarinet)
Ronald Waller (bassoon) Andrew McGavin (horn)
Song-cvcle and String Quartet broadcast on June 8. 1966: Wind Quintet broadcast on June 4, 1964 Quartet by Hugh Wood

This week
Christopher Hyde-Smith (flute)
With CHARLES SPINKS
(harpsichord and piano) plays

HAROLD RUTLAND looks at some non-broadcast musical events taking place in the Midlands and East Anglia in the next seven days

A series of forty lessons for beginners or near-beginners
Presented by Jacinta Castillejo with the help of Pablo Soto
Also taking part, Fernando Agos
Script written by Brian Dutton and Angel Garcia de Paredes
A book is available
Rptd.: Sat., 10.30 a.m. (Radio 4)

A series of fifteen magazine-type programmes, including French songs and readings from the Penguin book of French Short Stories and The Penguin Book of French Nineteenth Century Verse, for listeners with some knowledge of French
Programme 10
De Lisle: Les taureaux
Les bottes de sept lieues (10) L'orgue de Barbarie Mandoline (Debussy)
Speakers: PAULETTE PRENEY
Louis BLONCOURT , PAUL COUSTER
Script by Winifred Saunders and Odile Castro
Produced by Elsie Ferguson
Rptd.: Sat., 11.30 a.m. (Radio 4)

A weekly review of the arts in the making
Introduced this week by DEREK HART who talks to
NEVILL COGHILL MARTIN STARKIE and VLADO HABUNEK about their musical based on The Canterbury Talcs which opens at the Phoenix Theatre, London, tomorrow
Produced by Helen Rapp

by NICHOLAS DANBY
Hymn: Pange lingua. Titelouze Cantio Sacra: Warum betrubst du dich, mein Herz? ..Scheidt
From the church of St. Mary of Eton, Hackney Wick, London

A sketch of Andre Breton
Compiled by Barbara Bray from Breton's writings and from the recorded recollections of Philippe Soupault, David Gascoyne, Roger Blin, Jacques Brunius , S. W. Hayter, Eugene Ionesco, Dionys Mascolo, and Fernando Arrabal
Readers, FRANK DUNCAN
DENIS COACHER , MARIUS GORING
Produced by DOUGLAS CLEVERDON
'I shall be satisfied,' wrote Andre Breton,' if Surrealism is allowed to have tried to create a link between the worlds, too 'widely dissociated, of waking and sleep, outer and inner reality, reason and madness.' Surrealism as a characteristic mode of modern art and literature derives mainly from Breton's bold ideas, poetic expression, and extraordinary personal magnetism
To be repeated on April 6

played by LUDWIG HOELSCHER (cello) ERNEST Lush (piano)

A programme in which different interpretations on gramophone records are compared
ERIC SAMS talks about the interpretation of some of Duparc's songs, including Serenade florentine, Phidyle. and L'invitation au voyage, as sung by Bernac, Panzera, Souzay, Teyte, and others followed by an interlude at 10.55

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