Basil Lam Sonata Ensemble:
Richard Adeney (flute) Patrick Hailing (violin) Marjorie Lavers (violin)
Terence Weil (cello)
Basil Lam (harpsichord)
Second of four programmes
English Baroque Music: March 8
The Voice and Melodic Line
The first of three illustrated talks by John Blacking on the structure of folk music and its relationship to social life, with examples from Asia, Africa, and Australasia.
A study by Henry Reed
followed by an interlude at 7.65
George Pizzey (baritone)
BBC Chorus
(Chorus-Master, Leslie Woodgate )
BBC Symphony Orchestra
(Leader, Paul Beard )
Conductor, Sir Malcolm Sargent
Part 1: Mozart
Symphony No. 29, in A (K.201)
Alan T. Peacock takes the recent publication of the revised edition of Hugh Dalton 's Principles of Public Finance as an occasion to discuss changes in theory about the part the fiscal system play6 in the regulation of the national economy.
Part 2: Constant Lambert
Summer's Last Will and Testament
(Thomas Nashe ): a masque for orchestra, chorus, and baritone solo
Intrata; Madrigal con ritornelli; Coranto; Brawles; Madrigal con ritornelli; Rondo burlesca; Saraband
(Also broadcast on Friday)
In the second of two talks commenting on some well-known paintings in the National Gallery John Berger considers Chardin's La Pourvoyeuse, The Daughters of Sir William Montgomery by Reynolds, and Unfaithfulness by Veronese.
Sonata in E minor. Op. 38 played by Gregor Piatigorsky (cello) Artur Rubinstein (piano) on gramophone records
(Fiammetta's Tale on the Fourth Day)
Third of twelve stories from Boccaccio's Decameron in the anonymous translation of 1620 Arranged by Sasha Moorsom and Rayner Heppenstall
Quartet played by the Martin String Quartet
Recorded broadcast of March 24, 1954)
