Cantata: Su Ie sponde del Tebro
Teresa Stich-Randall (soprano)
Helmut Wobisch (trumpet)
Camerata Academica of the Salzburg Mozarteum
Conductor. Bernhard Paumgartner on gramophone records
A series of six talks
6-The Close of the Century by W. L. Burn
Professor of History in the University of Durham
The important question ceased to be what ought Brown to give and Smith to receive, and became what is X entitled to in law?
Twenty-four Preludes played by Gina Bachauer (piano)
The last of a series of recitals of Scriabin's piano music.
by O. G. S. Crawford , C.B.E., F.B.A.
Dr. Crawford reflects on some developments in archaeology during his long experience, and in particular on the techniques of survey and photography from the air.
of Dante Alighieri
The second cantica of the Divine Comedy, translated into English triple rhyme by Laurence Binyon
Part 2 (Cantos 6-11)
followed by an interlude at 8.40
London Mozart Players
(Leader, Eli Goren )
Conductor, Harry Blech
No. 8
A monthly programme of comment and observation
Speakers:
G. S. Fraser
' Reviewers and Critics '
C. A. Trypanis
' Poetry, Public or Oblique '
Edwin Morgan
' Versification in Recent Poetry '
Owen Holloway
'The Novel: Art or Document?'
Trio In E flat, Op. 1 No. 1 played by the Harry Isaacs Trio:
Leonard Hirsch (violin)
Vivian Joseph (cello) Harry Isaacs (piano)
Illustrated talk by Michael Swan
The speaker has been on a romeria (or religious picnic) to the shrine of the Virgin of Rocio. This is an uninhabited oasis in the desert country of Andalusia, visited for three days every year by a large crowd of pilgrims. Illustrations are taken from recordings made by Alan Lomax of the pilgrims' songs and dances.
(The recorded broadcast of Oct. 3)
Da qualche tempo: Biondina bella; ler l'ho scontrata; Le labbra ella compose, E stati al quanto; Ho messo nuove; Se come io son poeta; Siam' iti l'altro giorno; E le campane; Ella e malata; ler fu mandata; L'ho compagnata
Hugues Cuenod (tenor)
Ernest Lush (piano)
(The recorded broadcast of Sept. 77)
