Commotio (1931) played by Svend Aage Spange (organ)
From St. Mark's,
North Audley Street, London
Commotio (the title means movement) was Nielsen's last great work, written in the year of his death for the organist Julius Bangert. It is constructed like a Bach toccata: Introduction, First Fugue, Interlude, Second Fugue.
5—Britain's Response to the End of Colonialism by Margery Perham , C.B.E.
Fellow of Nuffield College, Oxford
A programme devised and Introduced by Deric Kennard
Julian Bream (guitar)
Margaret Field-Hyde (soprano)
Peter Mountain (violin)
A talk by Dr. Enid Starkie , author of Arthur Rimbaud and Rimbaud in Abyssinia.
The centenary of the poet's birth occurred this year.
by Julien Green
Translated from the French by the author
Produced by John Gibson
During the interval in the performance of the play (9.0-9.10 app.):
Aaron Copland
Movements from Music for the Theatre played by the Eastman-Rochester Symphony Orchestra
Conductor, Howard Hanson
(on gramophone records)
Musica de Camera: Harold Clarke (flute)
Kichard Temple-Savage (bass-clarinet)
Vera Kantrovitch (violin)
Tessa Robbins (violin) Cecil Aronowitz (viola)
Joy Hall (cello)
Julian Bream (guitar) Hubert Dawkes (harpsichord, piano)
