A seasonal programme, not too scholarly, devised by Philip Hope-Wallace
The Victims:
Arthur Benjamin , Joan Cross
Trevor Harvey , Antony Hopkins

Kyla Greenbaum (piano)
Reminiscences de Don Juan Consolation No. 3, in D flat
Apparition No. 1 (Senza lentezza quasi allegretto)
II Pensieroso (Annees de Pèlerinage: deuxieme annee, Italie)
Hungarian Rhapsody No. 12
Last of a series of eight programmes of piano music by Liszt

A Proust reconstruction by Pamela Hansford Johnson Produced by Rayner Heppenstall
Readers of Proust are familiar with the figure of the formidable Baron de Charlus. The fact that he had once been married may easily escape notice. There is, however, one reference to the late Mme. de Charlus in Part 2 of The Guermantes Way. In this evening's programme the history of the marriage of M. de Charlus is at length revealed.
Cast:
Also taking part:
Denise Bryer , Sheila Byford
Felix Felton , Godfrey Kenton
Maureen Robinson , Barbara Trevor
Music composed and piano music played by Michael Head

Chamber Music
Joseph Fuchs (violin)
Pablo Casals (cello)
Eugene Istomin (piano)
Part 1
Sonata in D, for violin and piano,
Op. 12 No. 1
Sonata in A minor, for violin and piano, Op. 23
(Recordings of performances given at the Prades Music Festival in June: made available by courtesy of RTF)

Jacques-Yves Cousteau talks about his underwater archaeological findings in the Mediterranean.

Chamber Music
Part 2
Sonata in G minor, for cello and piano, Op. 5 No. 2
Trio in G, Op. 1 No. 2
Another recording from the Prades Festival: January 13

Chosen by William PIomer

Claudine Collart (soprano)
Jeanne Fort (soprano)
Marie Therese Cahn (contralto)
Gerard Friedmann (tenor)
Georges Abdoun (bass) Paris Vocal Ensemble
Orchestra of the . Paris Chamber Music Society
Conducted by André Jouve on gramophone records This Mass by Charpentier (1634-1704) is based on old French Noels, all of which would have been well known to the congregation. At two points in the score the composer merely noted that ' Here the organ plays the same Noel '; for this performance the editor, Antoine Geoffroy Dcchaume, has chosen some settings of the tunes by Charpentier's contemporary, Nicolas le Begue.