Derek Collier (violin)
Ernest Lush (piano)
by Michael Oakeshott ,
Professor of Political Science in the University of London
. (Previously broadcast on April 4)
Ivor Keys (organ)
The Ormiston Choir, Belfast
Conductor, William Boyd
F. G. Carter
(organ accompaniments)
(Continued in next column)
From Armagh Cathedral
Charles Wood and C. V. Stanford were the two Irish musicians primarily concerned in the renaissance of British church music at the end of the last century. They were much associated with each other, both at the Royal College of Music and at Cam-bridge, where each in turn was Professor of Music, Wood succeeding Stanford on the latter's death in 1924. Wood has a special connection with Armagh Cathedral, ashe was born in the organist's house.
by W. F. Jackson Knight and Tom Lockett
Vergil's poetry was written to be read aloud, and Vergil's own performance as a reader was much praised. This- programme describes the evidence available today for judging how Vergil and his contemporaries pronounced Latin, and the various changes Latin pronunciation has undergone in the subsequent two thousand years. The script by W. F. Jackson Knight , Reader in Classical Literature in the University College of the South West, Exeter, and Tom Lockett of the same College, is read by Mr. Lockett, and Jackson Knight reads a passage of the Aencid in what is thought to be the pronunciation of Vergil's day.
Last of a group of four talks To be repeated on October 12
Flora Nielsen (mezzo-soprano)
Josephine Lee (accompanist)
The Marjorie Hayward
String Quartet:
Marjorie Hayward (violin)
Irene Richards (violin)
Anatole Mines (viola)
May Mukle (cello)
A masque by John Milton and Henry Lawes
As first presented at Ludlow Castle on Michaelmas Day, 1634
Edited and produced by Douglas Cleverdon
The songs of the Attendant Spirit and the Lady transcribed from the original MSS of Henry Lawes : sung by René Soames and Elsie Suddaby
(Continued in next column)
Music composed and arranged by Elizabeth Poston played bv the London Chamber Orchestra
(Leader, Andrew Cooper )
Conductor. Anthony Bernard
Joan Davies (piano)
Solfeggietto Sonata in A
Allegro assan: Poco adagio; Allegro
Sonata in B minor
Allegretto; Andante; Cantabile
Rondo in A
Fantasia in C
Second of three programmes of music by J. S Bach 's sons
Works by J. C Bach: Sept. 28
Talk by Alick Dru
Aiick Dru considers Burckhardt as a contemplative historian and his three-dimensional view of history as religion, po!itics, and culture.
(The recorded broadcast of June 29)
Theme and Variations for two violins played by Karthleen Washbourne and Jessie Hinchliffe on gramophone records
