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Die jodelnden Schildwachen
(Fantastic March for orchestra) played by the City of Berne Orchestra
Conducted by Christoph Leitz
(Recording made available by courtesy of Schweizerische Rundspruch Gesellschaft)
Heinrich Sutermeister, who was born near Zurich in 1910, studied at Basle Conservatoire and later in Munich under Pfitzner. His Fantastic March for orchestra, ' The Yodelling Sentries,' takes its inspiration from a ballad of the same name by the Swiss writer Carl Spitteler, who lived from 1845 to 1924. It tells how a certain army major posted three sentries outside a powder magazine. Later he heard a distant sound of yodelling and realising it was the sentries he rode off and demanded an explanation; they said they were yodelling for joy at serving their country. The major reprimanded them but was later heard to express his admiration for an army in which soldiers could rejoice in doing their duty. Deryck Cooke

Contributors

Conducted By:
Christoph Leitz
Unknown:
Deryck Cooke

The Liberal Tradition by Charles Raven ,
Emeritus Professor of Divinity in the University of Cambridge
Noserious theologian doubts the immense comribution liberalism made to theology in the nineteenth century. It was the liberal tradition thac enabled religion to meet the challenge of science without evading the issue. But there are many who believe that this tradition belongs to the past and is now dying. Canon Raven, who has all his life beeu a liberal theologian in the English rather than in the Continental sense of that term, speaks about the permanent contribution of the liberal tradition to theology He believes that the liberals of twenty-five years ago asked questions no Christian can properly evade. He gives some account cf liberalism today and indicates the direction in which its influence is likely to grow.

Contributors

Unknown:
Charles Raven

Third Programme

Appears in

About this data

This data is drawn from the Radio Times magazine between 1923 and 2009. It shows what was scheduled to be broadcast, meaning it was subject to change and may not be accurate. More