Toccata, Adagio, and, Fugue in. C played by Gina Bachauer (piano) on gramophone records

by Lord Hankey,
P.C., G.C.B., G.C.M.G., G.C.V.O.
(Secretary to the Cabinet,
1919-1938)
(Recordinlg of the lecture) delivered In the Sheldonian Theatre, Oxford, on June 7)
followed by an interlude at 7.120

Frances Yeend (soprano)
Martha Lipton (contralto)
David Lloyd (tenor)
Mack Harrell (bass-baritone)
Edinburgh Royal Choral Union
(Chorus-Master, Herrlck Bunney)
Philharmonic Symphony Orchestra of New York (Leader, John Corigliano)
Conducted by Bruno Walter
Part 1

Talk by IR. H. Ward
People tend to assume different roles to fit different circumstances. What is the possibility of this unconscious habit becoming a conscious art?

Part 2
From the Usher Hall, Edinburgh

Robert Graves reviews the recently published book ' Introduction to a Science, of Mythology ' by C. G. Jung and C. Kerenyi

Translated by Francis Kimchim Smith and Kenneth Fawdrey respectively, and arranged by them for broadcasting in collaboration with the producer, Rayner Hapenstall

Edgar Hunt (recorder)
Harry Danks (viola d'amore)
Robert Collet (piano)
Thurston Dart (harpsichord)

Talk by Sir Lewis Oasson
The Vedrenne-Barker seasons (1904-7) at the Court Theatre, London, established Bernard Shaw 's fame as a dramatist. Sir Lewis Casson discusses the way in which Shaw's plays developed the style of acting for which the Court Theatre became famous, and considers whether the Court Theatre influenced Shaw's work as a playwright.
(The recorded broadcast of July 9)

Hans Hotter (baritone)
Ernest Lush (accompanist)
Stille Liebe
Wer machite ditch so krank Alte Laute Erstes GrUn
Stirb. Lieb' und Freud! Wanderlust
(The recorded broadcast of July 21)