Opera in two acts by Lorenzo da Ponte
Music by Mozart
(sung in the original Italian)

Cast in order of singing:

Sisters, ladies of Ferrara:
Glyndebourne Festival Chorus
(Chorus-Master, John Pritchard)
Royal Philharmonic Orchestra
(Leader, David McCallum)
Conducted by Fritz Busch (who also plays the harpsichord continuo)
Produced by Carl Ebert

From Glyndebourne

Scene: Naples. The action takes place in a cafe and at the villa of the two sisters

Act 1

A study in method by Scott Goddard

(piano) .
Two Sonatas: C minor (L.352) and D minor (L.413) (Domenico Scarlatti)
Presto (Galuppi)
Malattiefia-Runiores de la Caleta
(Albcniz)
Canco i dansa No. 1 (Mompou)
Variations on a theme of Paganini
(Brahms) on gramophone records

by R. W. Ketton-Cremer
Thomas Gray 's Elegy in a Country Churchyard was published in the early months of 1751. The story of its first appearance is unusual and forms a curious episode in the literary history of the eighteenth century. R. W. Ketton-Cremer has had occasion to investigate the facts while preparing his biography of the poet.

Act 2
Le Nozze di Figaro': Saturday
Other broadtcas'ts from Olymdetbouirne in the Third Prognam.mie: 'Idomeneo' (July 14), ' Don Giovanni ' (July 19)

The Political Situation in France
After the Elections by Jean Massip , former President of the Foreign Press Association in London

A ballad chronicle by Rayner Heppenstall
Hamish Henderson. Jimmy Miller
Also taking part:
Hamilton Dvce. Duncan McIntyre
David Peel , Keith Pyott Ian Sadler. Thea Wells Produced by the author
The Catholic rebellion in the northern counties (A.D. 1569), precipitated by a project of marriage between the Duke of Norfolk and Mary Queen of Scots, is reviewed two years later, on the eve of the Duke's trial, by a legal adviser to the Privy Council and a secretary from York.

Thelma Reiss (cello)
John Hunt (piano)
Twelve Variations on a theme from
Handel's ' Judas Maccabaeus '
Seven Variations on Bei Mannern welche Liebe fiihlen ' from Mozart's ' Die Zauberflote '

How to Judge
Victorian Architecture
First of four talks by Nikolaus Pevsner