Piano Quintet played by Aleph String Quartet:
Alan Loveday (violin)
Reginald Morley (violin)
Max Gilbert (viola)
Harvey Phillips (cello)
Leonard Cassinl (piano)
The Choice between
Yesterday and Tomorrow
Last of three talks by T. H. Marshall
Professor Marshall considers the dilemma of the German people who, having no established present or acceptable recent past, must seek their foundations of thought and feeling either before 1914 or in a future that is still remote and highly speculative.
'The Seven Last Words'
Pamela Woolmore (soprano)
Kathleen Joyce (contralto)
Raymond Nilsson (tenor) Bernard Steel (baritone)
BBC Chorus
(Chorus-Master. Leslie Woodgate ) London Symphony Orchestra
(Leader, George Stratton ) Conductor, Josef Krips
John Heath-Stubbs talks about the use made of the city image by such modem poets as Guillaume Apollinaire , Hart Crane , and T. S. Eliot
Freely translated into English verse and adapted for broadcasting by Terence Tiller
Music composed by Elizabeth Poston
Orchestra conducted by Cyril Gell with Gordon Clinton (baritone) and a male voice chorus
(Continued in next column)
Production by Terence Tiller
Between the two Cornish plays, from approximately 9.25 to 9.40, there will be gramophone records of early seventeenth-century organ music played on an organ of the period
Translated into English verse and adapted for broadcasting by Terence Tiller
Music composed by Elizabeth Poston
Orchestra conducted by Cyril Gell
Production by Douglas Cleverdon
(1881-1945)
Later piano works played by Gordon Watson
With drums and pipes; Musiques nocturnes (Suite: Out of Doors, 1927)
From Mikrokosmos (1940):
. Bagpipe: Harmonics; Melody in the mist; Wrestling; Minor seconds, major sevenths; Bulgarian Dances, Nos. 3 and 6 Second of two programmes devised by Humphrey Searle
Talk by Lord David Cecil
The Feltkamp Trio: Johan Feltkamp (flute)
Piet Lentz (viola da gamba)
Janny van Wering (harpsichord)
