from page 41 of ' New Every Morning'
Carol Squire (soprano)
Harold Bradbury (tenor)
at the Organ of the Granada,
Clapham Junction
HENLEY ROYAL REGATTA Programmes may be broken into between noon and 6.0 for broadcasts from Henley. The races to be covered and the probable times will be announced at noon and 2.0
A glimpse of preparations for the broadcast from the Argyle Theatre, Birkenhead, in the Northern programme this evening
The Parade of Heavy Horses
Described by W. S. Mansfield and John Green , from Windsor Great Park
from the Granada, Clapham Junction
Gentlerhen v. Players
A commentary during the second day's play, by P. G. H. Fender , from
Lord's
Conducted by Arnold Perry
Frederick Stone - (pianofortes)
May Turtle -
A report on the morning's racing and prospects for the afternoon from Henley
A commentary on the Women's Singles Semi-Finals, by F. H. Grisewood and H. B. T. Wakelam , from the Centre Court, Wimbledon
played by Victor Silvester and his Ballroom Orchestra
An account of today's play, by F. H. Grisewood , from the Centre Court,
Wimbledon
The London Palladium Orchestra, conducted by Richard Crean : Marche symphonique (Savino)
Herbert Ernst Groh (tenor): Girls were made to love and kiss (Paganini) ; and Maxim's (The Merry
Widow) (Lehdr)
The London Palladium Orchestra, conducted by Clifford Greenwood : Three Dream Dances (Coleridge-Taylor)
Miliza Korjus (soprano): There'll come a time ; and One day when we were young (The Great Waltz) (Johann Strauss )
The London Palladium Orchestra, conducted by Clifford Greenwood : Svlvia Dances ; and Cupid's Carnival (Suite, Sylvan Scenes) (Percy Fletcher )
Gentlemen v. Players
A commentary during the second day's play, by P. G. H. Fender , from
Lord's
including Weather Forecast
' The Royal Show '
Anthony Hurd introduces personalities in the show yard from Windsor Great Park
This evening, as a change from his ordinary talk, Anthony Hurd has gone down to the Royal Show at Windsor, and here-where the farming elite from all over the country are gathered-he will bring to the microphone some of the more outstanding personalities of the agricultural world. It is also his intention to look out for distinguished foreign visitors who may have some interesting things to .say about this great Centenary Royal Show and about Britain's livestock in general.
The Show contains a number of outstanding displays, notably the old English farm, the modern electric farm, and the magnificent dairy exhibit. It is hoped that the people in charge of some of such exhibits will come to the microphone, as well as experts on up-to-date farm implements and agricultural machinery.
by Gerald Cassen (bass)
Gerald Cassen , who has not infrequently been compared with Chaliapin,' was born in Riga, but went to Johannesburg at the age of ten, where he spent much of his early life. While living there with his music-loving parents, he studied under Cavatero Margotini on whose advice he went to study in Milan. Thereafter he returned to Johannes burg and toured South Africa with Margaret Fairless. Returning to Europe, he continued to study in Berlin.
In 1936 Cassen sang at Covent
Garden with the British Music Drama Opera Company, and in 1937 appeared during the International season with Sir Thomas Beecham. Last April he sang ' Tannhauser ' at the Worthing Music Festival.
' A Visit to the Watussi'
Martin Birnbaum
with Mario Lorenzi at the harp assisted by Robert Murchie (flute) George Hurley (violin)
A Boarding-House Saga
Written and remembered by C. Denier Warren. Original lyrics by Pete Warren. Original music by Charles Tovey. Orchestrations by Wally Wallond
Cast
(by permission of the Hastings Pier Co.)
Mr. and Mrs. Van de Climber (from
U.S.A.)
Vic Wise and AIda Campbell
Elsie, Johnnie, Winnie, and Horace Hemsley
(by kind permission of Harry) and Otis Harbottle (the proprietor and ex ' gentleman's gentleman played by C. Denier Warren
The action takes place in the ' grounds' of 60, Acacia Drive, Silver's Green, where Colonel
Trumper is giving a garden party
The Three in Harmony
The Three Musketeers
John Reynders and his Orchestra
Produced by Ernest Longstaffe
including Weather Forecast and Forecast for Shipping
Sonata in A for violin and pianoforte
1 Allegretto ben moderato. 2 Allegro. 3 Recitativo-Fantasia. 4 Allegro poco mosso played by Henry Hoist (violin) and Frank Merrick (pianoforte)
Cesar Franck 's Violin Sonata in A was written specially for that great violinist Ysaye and the hardly less distinguished pianist, Mme. Bordes-Pene. It is one of Franck's most perfect works, particularly with regard to construction and purity of style. Melodically the whole work grows out of the little figure (D-F sharp-D), which is heard at the beginning of the work.
The first movement is full of poetry, the second is an impassioned allegro, and the third an exquisite soliloquy. The fourth consists of a clever and effective piece of writing in canon based on themes from previous movements, after which comes a development section based on all the principal themes of the work, and finally a brilliant conclusion.
from the Concert Hall,
Broadcasting House
Theme: Receiving without giving'
Hymns, 0 Lord of heav'n, and earth, and sea (A. and M. 365, vv. 1, 4, 9)
When I survey the wondrous cross
(S.P. 133 ; A. and M. 108)
Psalm c
Reading from a chapter in the book
'The Heating Cross' (H. H. Farmer)
from the Grand Hotel, Torquay
Listen to
Gene Gerrard the famous comedian
Sylvia Cecil the popular singer
Bennett and Williams the funny fellows with their phono-fiddles
Carl Carlisle understudying the stars and dance to
Harry Evans and his Dance Band
Presented by Leslie Bridgmont
with Rita Williams from the West Cliff Theatre Ballroom, Ramsgate
Extracts from the journal of a girl read by Jill Furse
(by permission of Howard Wyndham and Bronson Albery ) with an introduction by Sylva Norman
