Relayed from St. Marnock's Parish
Church, Kilmarnock
Order of Service
Psalm xxiii (Tune, Crimond) Prayer
Anthem, Holy Blessed Trinity (Tchaikovsky)
Lesson Prayer
Hymn, 0 come, 0 come, Immanuel
(Rv. C.H. 149; A. and M. 49; S.P. 66)
Address by the Rev. W. B. C. BUCHANAN
Psalm xcii, 1-4, To render thanks unto the Lord (Tune, Kilmarnock)
Blessing
Organist, J. CECIL CUMBERLAND

ANNE WOOD (contralto)

Leader, Bernard Reillie
Conducted by KNEALE KELLEY
ALEXANDER HENDERSON (bass)

with DIANA CLARE

Excerpts from Operas
1—' The Pearl Fishers'
(Bizet)
Beniamino Gigli (tenor); Giuseppe de Luca (baritone) with Orchestra: Del Tempio al limitar (In the depths of the Temple)
Beniamino Gigli (tenor) with Orchestra, conducted by Eugene Goossens: Mi par d'udir ancora (I still seem to hear)
Toti Dal Monte (soprano) with members of La Scala , Milan, Chorus, conducted by G. Nastrucci : Brahma gran Dio (Brahma, great Deity)
Toti Dal Monte (soprano) with members of La Scala Orchestra, Milan, conducted by Carlo Sabajno : Siccome un di caduto il sole (Leila's Cavatina)
2—' The Fair Maid of Perth '
(Bizet)
The London Philharmonic Orchestra, conducted by Sir Thomas Beecham , Bt. : Prelude and Gypsy Dance.
Marcel Journet (bass) with Orchestra : Quand la flamme de l'amour
3-Werther
(Massenet)
Orchestra of the Opera Comique,
Paris, conducted by Louis Masson : Clair de lune (Moonlight)
Georges Thill (tenor) with Orchestra:
J'aurai sur ma poitrine
Orens (mezzo-soprano) ; Ansseau
(tenor), with Orchestra, conducted by Piero Coppola : Duet (Act 3), Oui, c'est moi

Relayed from The Alexander Orphanage
Order of Service
Introductory Prayer
Hymn, Praise my soul, the King of Heaven (A. and M. 298 ; S.P. 623)
Lesson, Psalm xxxiv
Hymn, There is a green hill far away
(A. and M. 332 ; S.P. 131)
Prayers
Anthem, Non nobis domine (Quilter)
(Poem by Rudyard Kipling )
Address by the Rev. GEORGE SMISSEN ,
M.C.
Hymn, Jesu, Lover of my soul (A. and M. 193 ; S.P. 542)
Blessing
Organist and Choirmaster,
LESLIE WOODGATE

A Play of 1918 by GEOFFREY WHITWORTH
This series of little Biblical dramas began in October last year with the first of a trio of plays by Mona Swann. To-night's play, Father Noah, was written by Geoffrey Whitworth during the war, in 1918, and, like the author's Haunted Houses, has been a great favourite with amateur societies.
The writing is on a very high leve' and has won the praise of the leading critics. Nothing is forgotten on the ark, where there is even fresh earth for the worms, and there is instant appeal in Noah's little grandchild Rachel.
' The whole world that God created is in the walls of this ark', and the terrible thought comes to Noah when his sons quarrel over their inheritance: ' Is the world worth saving ? ' There is imagination and the essence of drama in Geoffrey Whitworth 's play from the opening and through the crisis until the fall of the curtain.

Solo violin, EDA KERSEY
THE BBC ORCHESTRA
(Section E)
Led by MARIE WILSON
Conducted by JOHN BARBIROLLI

' Angelina of Intro d'Acqua '
By HELEN H. COLVILL
Told by MICHELINE PATTON

CHARLES PANZERA (baritone)
ARTHUR BENJAMIN (pianoforte)
Berceuse, Ma poupee chérie. .de Sévérac
Charles Panzera , one of the finest French singers living, began his musical career in the most romantic way. When the War broke out he had had only a superficial musical education, but he was fond of singing and used to sing with his comrades in the trenches. Then one day while on leave in Paris, he happened to be passing the Conservatoire of Music. Some sudden impulse made him step inside and-he himself hardly knows how-he found himself in the presence of Gabriel Faur6. Faure heard him sing and was struck by his powers. Before he returned to the front, Panzera had passed the entrance examination of the Conservatoire, though it was only after the signing of the Armistice that he was able to begin to study.

Relayed from Peterborough Cathedral
Order of Service
Hymn, Come, Thou long-expected
Jesus (A. and M. 640)
Prayers and Responses Psalm lxxxv
Lesson, Romans viii, 18-30 Magnificat (Stanford) in C
The Creed, Versicles, and Responses Collects
Anthem, This sanctuary of my souf
(Charles Wood)
Address by the Rt. Rev. THE LORD
BISHOP OF PETERBOROUGH
Hymn, Through the night of doubt and sorrow (A. and M. 274 ; S.P. 678)
Blessing
Organist and Choirmaster,
HENRY COLEMAN

An Appeal on behalf of THE MUSICIANS' BENEVOLENT FUND by VISCOUNTESS SNOWDEN
The Musicians' Benevolent Fund is a registered charity for the assistance of sick, aged, and necessitous members of the musical profession. It is supported entirely by voluntary subscriptions and helps every class of musician in Great Britain.
Today thousands of musicians are unemployed, principally because of the advance in mechanical music. Their distress is particularly acute just now with the approach of winter, and the Musicians' Benevolent Fund is endeavouring to relieve the hopeless outlook of musicians in their declining years, and to save them from the infirmary or workhouse.
At the present moment the Musicians'
Benevolent Fund is carrying on With a debt of £4,000 owing to the constant drain on its slender resources.
Contributions will be gratefully acknowledged, and should be addressed to [address removed].

including Weather Forecast

ESME MARSHALL (soprano)
Relayed from The Park Lane Hotel (Soloist, ALBERT SANDLER> )
(At the pianoforte, J. A. BYFIELD)