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Its People at Work-6
Professor JOHN HILTON
THIS EVENING Professor John Hilton will talk of nimble fingers and cunning hands. He will compare the craftsman and the skilled manipulator, and show where the hand still beats the machine, and where it has been,displaced by it.
He will talk of machines, of wonder machines, and monster machines, and machine tools. Of the power behind the machine, and of the fiddling work, and boring work, and drudgery that the machine has saved.
He will touch on the capital cost of machinery, and its maximum use ; on the displacement of labour ; on the progressive manager's dilemma, and the way through it.

Contributors

Unknown:
Professor John Hilton
Unknown:
Professor John Hilton

MAURICE ELWIN
The Monarch of the Microphone
COLLINSON and DEAN
Comedians
JACK COLLINGS
Xylophone Solos
RONALD FRANKAU
Entertainer
THE MODERNIQUES
In Modern Vocal Harmonies
MABEL CONSTANDUROS
In 'In the Tram'
Assisted by REGINALD PURDELL
THE B.B.C. THEATRE ORCHESTRA
Under the direction of S. KNEALE KELLEY

Contributors

Unknown:
Maurice Elwin
Unknown:
Jack Collings
Assisted By:
Reginald Purdell
Unknown:
Kneale Kelley

A Recital by TATIANA MAKUSHINA (soprano)
NICOLAS MEDTNER (pianoforte)
NICOLAS MEDTNER
Variations, Op. 54
(First Performance in London)
TATIANA MAKUSHINA
Day and Night, Op. 24 Life's Wagon, Op. 45 The Raven, Op. 52 Waltz, Op. 37
NICOLAS MEDTNER
Fairy Tales, Op. 51
In A and G (dedicated to Cinderella and Simple Simon)
TATIANA MAKUSHINA
Einsamkeit (Loneliness), Op. 18
Im Vorilbergehn (In passing by), Op. 6 Whisp'ring Nature faintly stirring,
Op. 24
Sie liebt mich (She loves me), Op. 15 Serenade, Op. 52
NICOLAS MEDTNER
Fairy Tales :
In C minor. Op. 8
In B flat minor, Op. 20
In F minor and E flat, Op. 26
NICOLAS MEDTNER, one of the foremost of twentieth-century Russian composers, can scarcely be considered as belonging to the post-War movement; indeed, he has often been called ' the Russian Brahms ', and his music is in the direct line of the tradition running through Beethoven and Brahms.
Practically all Medtner works belong to the chamber music genre ; he has written a number of songs, pianoforte pieces, and instrumental works, all constructed for intimate performance.
Although by no means without warmth and fancy, almost all he has written is, in the mind of the composer, absolute music. He writes nothing for the orchestra, since, in these days of orchestral colour, orchestral works imply almost always a programme ; nor for the stage, for which he appears to have no fondness ; even the music of his songs remains abstract so far as the text permits it. But this is not to say that his music -lacks poetry and imagination ; on the other hand, they are perhaps its distinguishing feature.
Since the War Medtner has made extensive tours in Europe. He has his own following in this country, and this programme will give pleasure to a great number of musicians who value the preservation of a tradition, which is, in these days, none too much in evidence in the music of modern composers. Medtner was born in December, 1879, and showed himself a brilliant student at the Moscow Conservatoire where, for a short time, he was later to become one of the Professors.

Contributors

Pianoforte:
Nicolas Medtner

National Programme Daventry

About National Programme

National Programme is a radio channel that started transmitting on the 9th March 1930 and ended on the 9th September 1939. It was replaced by BBC Home Service.

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About this data

This data is drawn from the Radio Times magazine between 1923 and 2009. It shows what was scheduled to be broadcast, meaning it was subject to change and may not be accurate. More