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Melody in Music-VI
The Berlin Philharmonic Orchestra, conducted by Furtwangler : Overture, Fingal's Cave (The Hebrides) (Mendelssohn). Menuhin (Violin) and The London Symphony Orchestra, conducted by Sir Landon Ronald : Concerto No. 1 in G minor, Op. 26 (Max Bruch). The Vienna Philharmonic Orchestra, conducted by Clemens Krauss: Symphony No. 3 in F, Op. 90 (Third Movement, poco allegretto) (Brahms).

Contributors

Conducted By:
Sir Landon Ronald
Unknown:
Max Bruch
Unknown:
Clemens Krauss

Interlude III
' Lepanto and the Pirates '
The Battle of Lepanto was fought in 1571 between the fleets of the Christian League under Don John of Austria and of Turkey under Ali Pasha. The Christian League had been formed mainly at the instigation of Venice, whose sea-going trade was threatened by the marauding activities of the Turks. Lepanto was the last great battle to be fought with oar-propelled vessels on both sides.

Contributors

Unknown:
Don John
Unknown:
Ali Pasha.

Frederick Grinke (Violin)
Dorothy Manley (Pianoforte)

The composer's own notes on his sonata are as follows: The first movement is mainly of a slow and expressive character. In form it follows the lines of classical sonata-form. In addition to the two main themes, which are clearly defined, several other ideas are introduced, some of which play important parts in tho succeeding Variations and Finale. The Theme of the Variations is dual in nature, the main tune, diatonic in character, being followed by a 'Ritomello' in which a certain affinity to Oriental folk-music is possibly suggested.
Variation I. - A 'Pastorale,' mainly in five-eight time; note the bleak, hollow nature of the accompanying harmonies. II. - A 'Reverie,' passages of a dreamy character, in which the suggestion of tolling bells may be observed. III. - Intermezzo. A quiet movement of contrapuntal character, intimate in feeling. IV. - 'Dance.' The title speaks for itself. V. - Introduction and Finale. On a much bigger scale than any of the preceding, it should be regarded as the summing-up of the whole work, and not merely as the last of the set of variations.

Contributors

Violinist:
Frederick Grinke
Pianist:
Dorothy Manley

Mr. G. K. CHESTERTON
In 1932, 15,279 books were published in the United Kingdom; this represented an advance of 403 on 1931, and the indications are that the figures are still going up. Among the honourable and hard-working company of critics, who stand like a filter between the reading public and this torrent of print, the broadcasting critics hold a key position. Mr. G. K. Chester ton and his partner in this onerous duty-Mr. Desmond MacCarthy-have a further claim upon the gratitude of the listeners who depend upon them for news of the new books; their criticism has the supreme virtue of remaining unwritten.

Contributors

Unknown:
Mr. G. K. Chesterton
Unknown:
Mr. G. K. Chester
Unknown:
Mr. Desmond MacCarthy-Have

' Climate and Character'
A Discussion between Mr. ARTHUR BRYANT (Educational Adviser, Bonar Law College, Ash-ridge), and Professor H. J. FLEURE , D.Sc. There can be little doubt that the weather, opening gambit and main staple of national conversation, profoundly influences the character of Englishmen. To what extent, and in what national traits this influence is revealed; and whether local influences of moorland, valley, and sea can be discerned, Mr. Arthur Bryant will attempt to reveal tonight in discussion with Professor Fleure.
Listeners interested in this series will find a full bibliography in Mr. H. W. Nevinsons pamphlet ' Ourselves,' obtainable from the Publications Department, Broadcasting House, W.I, price 6d., 7d. post free.

Contributors

Unknown:
Mr. Arthur Bryant
Unknown:
Professor H. J. Fleure
Unknown:
Mr. Arthur Bryant
Unknown:
Mr. H. W. Nevinsons

National Programme Daventry

About National Programme

National Programme is a radio channel that started transmitting on the 9th March 1930 and ended on the 9th September 1939. It was replaced by BBC Home Service.

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About this data

This data is drawn from the Radio Times magazine between 1923 and 2009. It shows what was scheduled to be broadcast, meaning it was subject to change and may not be accurate. More