and forecast for farmers and shipping

London Light Concert Orchestra
Conducted by Michael Krein with David Wise (violin)

A Christian's resources for daily Mving
5-The Sword of the Spirit
Service from Jesmond Parish Church, Newcastle upon Tyne. Vicar, the Rev. H. M. Bates. Preacher, Canon Gordon Ireson of Newcastle Cathedral
Introduction
0 Holy Spirit. Lord of grace (A. and M. 208)
Confession Psalm 46
Lesson: 1 Corinthians 2
(Continued in next column)
Benedictus
The Lord's Prayer; Versicles, and Collects
Address: 'God's word to us. and our prayer to God'
Lord, thy word abideth (A. and M. 243)
Prayers
Through all the changing scenes of life (A. and M. 290)
Blessing
Organist, George Sutcliffe
Next Sunday:
The Whole Armour of God

Fantasy. Over the Hills and Far Away
(Delius): London Philharmonic Orchestra, conducted by Sir Thomas Beecham. Bt.
Symphonic Variations for piano and orchestra (Franck): Moura Lympany (piano) witih the Philharmonia Orchestra, conducted by Walter Susskind
Ballet Suite. Checkmate (Bliss): Royal Opera House Orchestra. Covent
Garden, conducted by Robert Irving on gramophone records

Talk by Sir Arthur Grimble
When he was a young man Sir Arthur Grimble was ordered to set up a Lands Commission in the Gilbert Islands. As a result of one decision he came under the death-curse of a local witch-doctor. He knew that the slightest trace of illness on his part would be interpreted to mean that European officers could be influenced or constrained by native sorcery. That would mean an irreparable loss of prestige for the white race. He was the only white officer on the island, the nearest doctor was miles away, and he fell ill. Sir Arthur Grimble describes the rest of the story in this talk, the second of his series of three about magic in the Gilbert Islands.

A weekly review edited by Anna Instone and Julian Herbage
Introduced by Julian Herbage
Contents:
' Sir Walford Davies (died March 14. 1941).' by Alec Robertson
' Verdi's Rigoletto (produced March 11, 1851),' by Robert L. Jacobs
' Schoenberg's Pelleas and Melisande,' by Humphrey Searle

Five experts on films, theatre, books, radio and art
Conducted by Roger Manvell
12.11 Theatre: T. C. Worsley
12.20 Books: Walter Allen
12.28 Radio: Frank Tilsley
12.37 Art: Colin Maclnnes
12.45 Films: Virginia Graham

and forecast for farmers and shipping

Listeners' questions about the countryside answered by Eric Hobbis , Maxwell Knight , and Ralph Wightman
Question-Master, Jack Longlan4
Produced by Bill Coysh

Life with and without mother, as experienced in opera
Operatic excerpts on records
Presented by Philip Hope-Wallace

A programme of practical and scientific interest to gardeners and stock-keepers
Introduced by Roy Hay
Edward Hyanis presents his latest report on wine-making in England
Fred Streeter gives some advice on the week's work in the garden
Will Ingwersen talks about miniature gardens and how to plan them
Leslie Taylor discusses the incubation of duck eggs

Ballade in G minor. Op. 23 Three Studies, Op. 10:
No. 3. in E
No. 4, in C sharp minor
No. 5. in G flat (Black Keys)
Two Studies. Op 25:
No. 6, in G sharp minor No. 3. in F
Scherzo in C sharp minor. Op. 39 played by Julius Isserlis (piano)

A new serial play for broadcasting in three instalments
Adapted from Jane Austen's novel by H. Oldfield Box
[Starring] Dulcie Gray And Michael Denison with Edward Chapman and Belle Chrystall
(Michael Denison broadcasts by permission of Associated British Picture Corporation, Ltd.)
Anne Elliot, second daughter of the vain Sir Walter Elliot of Kellynch Hall in Somerset, was still in her teens when she fell deeply in love with a young naval officer. But her period of happiness was brief. Her lover had no money but his pay, and she was persuaded to break the engagement, believing that she did so in his interests. He immediately left the neighbourhood, feeling himself very ill-used. Seven years went by. Anne's delicate prettiness faded and lost its bloom. And then a strange combination of circumstances caused them to meet again.

Gwen Catley (soprano)
Barbara Howitt (mezzo-soprano)
Andrew Macpherson (tenor)
Ian Wallace (bass)
BBC Opera Orchestra (Leader, John Sharpe )
BBC Opera Chorus
(Trained by Alan G. Melville )
Conductor, Stanford Robinson
Excerpts from Thomas' opera
* Mignon '
Opening Chorus
Mignon's romance: Far away Her a land
Gavotte
You airy. darting swallow
I dream I am hearing voices Farewell Mignon
Filina is beauty's queen
Yes. for tonight I am the fairy queen Now the light of day is gone Lullaby
In her simplicity Finale
Programme devised by Harold Neden

Jack Wilson and Harry Engleman at two pianos
' A Camp in Wyre Forest': B.B.' describes a night he spent in a Worcestershire forest and tells something of its ancient history
5.25 Children's Service from Darlington Street Methodist Church, Wolverhampton. Conducted by the Rev. Eric Parsons
St. Paul described the Christian life as a race, and the Rev. Eric Parsons makes this description the theme of his talk. He illustrates it by referring to a famous Olympic champion who was a ireat Christian too. The service is conducted largely by children.

' Taxi Both Ways '
Sam Pollock suggests that it is wise to keep a bit for the road back

Shipping and general weather forecasts.

Louis Kentner (piano)
BBC Symphony Orchestra
(Leader, Paul Beard)
Conducted by Sir Adrian Boult
Conte feerique, Op. 29 R
Rimsky-Korsakov

6.33 app. Piano Concerto in A (K.488)...Mozart

6.59 app. Symphony No. 4. in E minor...Brahms

Tales of fantasy made a special appeal to Rimsky-Korsakov as is evident in several of his operas and instrumental works. His 'Fairy Tale' or 'Legend,' written in 1879-80. is prefaced by a quotation from Pushkin that tells of a place on the seashore where a wise cat is tied by a golden chain to an oak tree. 'There are marvels in that place: there dwells a Russian spirit; there everything breathes Russia. I have been there... the wise cat has told me his tales. I remember one of them: here it is...' In his memoirs Rimsky-Korsakov says that this quotation is frequently misunderstood. In his music he made no attempt to suggest the cat and the other marvels. The fairy-tale he related was his own, to be interpreted by each listener according to his fancy. He merely wished to emphasise that it was both Russian and magical, and as though it were one of the cat's fairy-tales he had retained in his memory.
(Harold Rutland)

by young people of Shrewsbury. From Abbey Foregate Congregational Church. Organist, Donald Wright. Introduced by the Rev. Wilfrid Garlick , Vicar of St. George's, Stockport
From all that dwell belbw the skies
Breathe on me. breath of God
Through the night of doubt and sorrow
Come. thou Holy Spirit. come
Thy hand. 0 God. has guided

The third of four services for under-twenties on What must I believe to be a Christian? '
Conducted by the Rev. Wilfrid Garlick
From Shrewsbury
Concluding broadcast, from the Medway Towns. April 8

Appeal on behalf of the Gardeners' Royal Benevolent Institution, by Fred Streeter
Contributions will be gratefully acknowledged and should be addressed to [address removed]
The Gardeners' Royal Benevolent Institution was founded in 1839 after a series of bad harvests had caused terrible hardship among the aged poor and infirm of this coun'ry. Throughout [he intervening 112 years the care of old gardeners and their widows has been carried out entirely by voluntary contributions, the Institution being in no way State aided.
Today there arc 225 pensioners, while assistance from the Good Samaritan Fund is also given to those in temporary distress. Many of these old people are crippled wi'h rheumatism and arthritic and need extra nourishment, fuel, and other comforts, but funds are also urgently needed to extend the pension list. to do away with the waiting list, and to establish a residential home to which Rardeners and their wives, or their widows, may be welcomed when they are no longer able to care for themselves or are lonely or homeless as a result of having- to give up work.

A story of a man of character by Thomas Hardy
Dramatised for broadcasting by Desmond Hawkins
Music composed by Ralph Vaughan Williams
10— ' To this I put my name '
Other parts played by William Haming , Norman Kendall. and Michael Bradford
Produced by Owen Reed in the BBC's West of England studios
The night of the skimmity ride, with its terrible consequences was followed by a restful lull in the affairs of Casterbridge, and Elizabeth-Jane now completes her story in a quieter mood. The death of Lucetia puts an end to the feud between Michnel Henchard and Donald Farfrac. The dangerous secrets ol Henchard's past life are secrets no !ong-.'r. and no further tragedy can come from them-his only fear now :s that Captain Newson may one day return 10 Casterbridge and claim Elizabeth-Jane as his daughter. Until that happens he is conteni to settle down quietly in the care of Elizabeth-Jane, who is the only comfort left in his life. She. no doubt, thinks sometimes of the widowed Farfrae and what might have been. But in the main these are uneventful days in Casterbridge, until some new topic invades the scene.

A series of pre-festival talks on the present-day responsibilities and opportunities of the British people. Whenever valid, 1851 is taken as a point of comparison
5-The Function and Patronage of Art by John Summereon ,.
Curator of Sir John Soone 's Museum

A play for radio based on fact by C. E. Webber
Also taking part: Madeleine Vacher. Jean Thomson , and Thelma Pigott
Produced by Frederick Bradnum

Antonio Brosa (violin) Kathleen Long (piano)

' The Way of the Cross '
Psalm 86 (Broadcast Psalter)
Colossians 1. vv. 1-6 and 9-27
When I survey the wondrous Cross
(A. and M. 108)
St. Luke 9. vv. 23 and 24