Today's story is "Ollie the Octopus" written and told by Rolf Harris
(Colour)

The engineering programme
Introduced by Arthur Garratt
(First shown on BBC1)

with Peter Woods
Weather
(Colour)

The last programme in a series about best-known images in art.

Radio Times readers were asked to write in with their suggestions for the most outstanding painting or sculpture missing from the team that has been suggested.
The four artists with the most votes are Renoir, Botticelli, Dali, and Michelangelo, but the final result is not being announced until tonight, when a speaker specially chosen for the subject will introduce the 'twelfth man.'

(Colour)

The people, the stories, and the action behind the one commodity no one can do without - money. Together with the Money-Minder
(Colour)

Exactly 70 years ago this week, three lighthouse-keepers vanished mysteriously from the remote Hebridean Flannan Isles. The islands have generated mystery ever since St Flannan, according to legend, landed there in a stone boat 1,300 years ago.
Tonight Finlay J. Macdonald tells his story of the Flannan Isles.
(From Scotland)
(The crofter's son returns to Flannan: page 4)
(Colour)

Television's fastest spectacular bringing back the Magic of the Minstrels

Starring The Mitchell Minstrels
featuring John Boulter, Dai Francis, Margaret Savage, Andy Cole, Peter Kaye
with The Television Toppers
and Les Rawlings, Elspeth Hands, Delia Wicks, Les Want, Jean McGuire, Benny Garcia, Stromboli and Silvia
Guest star Semprini

(The Black and White Minstrels are appearing in "Magic of the Minstrels" at the Victoria Palace, London, and in The Black and White Minstrel Show at the New Theatre, Hull)
(Colour) (First shown on BBC1)

(Colour)

with Joan Bakewell, Michael Dean, Tony Bilbow, Sheridan Morley
(Colour)

Starring Nikolai Cherkasov

The second part of Ivan the Terrible tells how Ivan returns to Moscow to face his enemies - Metropolitan Philip, and Euphrosyne who is plotting to have her son Vladimir proclaimed Tsar.
Eisenstein was fascinated by colour, and the last section of the film - transmitted in colour for the first time - shows the striking way in which he employs colour to increase dramatic tension.

(This Week's Films: page 11)