Feminist Debates:
Psychoanalysis

Music, news and weather with Piers Burton-Page , including at approximately
7.20 Weelkes
The Cries of London
Suzie Le Blanc (soprano) Circa 1500, director Nancy Hadden
7.45 Mozart Divertimento in F (K253)
Amadeus Winds
8.10 Brahms Die Mainacht, Op 43 No 2 Jessye Norman (soprano) Geoffrey Parsons (piano)
8.30 Leopold Mozart
Trumpet Concerto in D Leszek Zebura (trumpet) Warsaw Chamber Orchestra, conductor Marek Sewen
Discs

Presented by Raymond Calcraft.
2: Landscapes in Sound. Rodrigo
Serenata espanola Gregory Allen (piano) Concierto de estio
Agustín Leon Ara (violin) London Symphony
Orchestra, conductor Enrique Batiz
Junto al Generalife
Pepe Romero (guitar) Falla Noches en los jardines de
Espana Gonzalo Soriano (piano) Spanish National
Orchestra, conductor Ataulfo Argenta

Conductor Martyn Brabbins
Rebecca Hirsch (violin)

John Maxwell Geddes Dances at Threave (first performance)
Glazunov Violin Concerto in A minor
Tchaikovsky Symphony No 6 in B minor (Pathetique)

Yuri Bashmet (viola)
Brahms Viola Sonata in E flat, Op 120 No 2
Mikhail Muntyan (piano)
Hindemith Trauermusik
Moscow Soloists
Discs

Corelli's English Followers John Ravenscroft was a pupil of Corelli in Rome.
London Baroque perform a selection of his trio sonatas; these are set in the context of concertos by Corelli himself.

conductor Adrian Leaper Roderick Elms
(piano/harpsichord) Remo Lauricella
Overture: Fleet Street Bax
Morning Song (Maytime in Sussex)
Frederic Curzon Simonetta
Walter Leigh
Harpsichord Concertino Haydn Wood
Suite: London Cameos

(piano)
Mozart Piano Sonata in A (K331)
Brahms Eight Pieces, Op 76
Rhapsody in G minor, Op 79 No 2
Schumann Fantasy in C, Opl7
(Given in 1991 at the Queen Elizabeth Hall , London)

Thinks't Thou Then by thy Feigning
Come away, Come Sweet Love
Would my Conceit
Away With these Self-Loving Lads
Rufus Miiller (tenor)
Christopher Wilson (lute) Discs

City of London Sinfonia, conductor Richard Pittman Steven Mackey Square Holes, Round Pegs Chou Wen-Chung Landscapes
Gloria Coates Music on Open Strings

A six-part series in which Max Easterman looks at developments that took place in jazz up to the 1940s, often triggered by non-musical events. In each programme, he concentrates on a single year. 3:
A time of segregation by musical style - night-clubs wanted hot, and therefore black, music; restaurants wanted the lighter, more decorous music of white bands.
The more adventurous music was recorded by the orchestras of Retcher Henderson , Benny Moten , Duke Ellington and Earl Hines.

with Edward Greenfield. Producer Alan Hall

From the Royal Albert Hall, London.

Oslo Philharmonic Orchestra, conductor Mariss Jansons
Yuri Bashmet (viola)

Ragnar Soderlind Trauermusik

Bartok Viola Concerto

Stravinsky Suite: The Firebird (1919 version)

8.30 Jan Smaczny on the background to Dvorak's 8th Symphony.

8.50 Dvorak Symphony No 8 in G

(The appearance by the Oslo PO has been made possible by support from Hydro)

2: Questions of How? and Why?
Art historian Professor Sir Ernst Gombrich talks to Bridget Riley about the aims of her art and about the experience of colour and the way its effects are achieved in paint.

Daniel Adni (piano)
Reger Sonatinas : in F,
Op 89 No 3; in A minor, Op 89 No Schumann
Faschingsschwank aus Wien, Op 26

Margaret Drabble ,
Fay Weldon , Beryl Bainbridge , Maureen Duffy and Nell Dunn all began writing novels in the 1960s.
However, their experiences of the swinging decade differ. In this programme they talk to writer Michele Roberts about their work and how it reflected both new-found freedoms and growing frustrations.

conductor Jerzy Maksymiuk Gorecki Three Pieces in Olden Style
Haydn Symphony No 85 in B flat (La Reine)
Bartok Divertimento for Strings