Programme Index

Discover 11,128,835 listings and 281,433 playable programmes from the BBC

William Schuman and his Contemporaries
Schuman Carols of Death Choir of King's College, Cambridge/
Stephen Cleobury Copland Inscape New York PO/
Leonard Bernstein
Schuman Symphony No 9 (The Ardeatine Caves) Philadelphia Orchestra/ Eugene Ormandy Records

Contributors

Unknown:
William Schuman
Unknown:
Stephen Cleobury
Unknown:
Leonard Bernstein
Unknown:
Eugene Ormandy

Liszt Hungarian Rhapsody No 15 Solomon (piano)
10.07 Dvorak, arr Ingman
Octet Serenade
Members of the Czech
Nonet
Helena Hnykova (violin) Frantisek Kuda (piano)
10.37
Britten Serenade for tenor, horn and strings
Peter Schreier (tenor)
Peter Damm (natural horn) Slovak CO/
Bohdan Warchal
11.02 Bridge Meditation
Spring Song
Bernard Gregor-Smith (cello)
Yolande Wrigley (piano)
11.09 Liszt
Hungarian Fantasy Solomon (piano) Philharmonia/
Walter Susskind Records

Contributors

Violin:
Helena Hnykova
Piano:
Frantisek Kuda
Piano:
Britten Serenade
Tenor:
Peter Schreier
Tenor:
Peter Damm
Unknown:
Bohdan Warchal
Cello:
Bernard Gregor-Smith
Piano:
Yolande Wrigley
Unknown:
Walter Susskind

Rigoletto
The fourth of five programmes from a memorable period in her career features
Maria Callas in a recording of Verdi's opera made in September 1955. Sung in Italian.
Chorus and Orchestra of the Teatro alia Scala, Milan/Tullio Serafin Act
3.05 The Earl of Harewood reflects on this recording of Rigoletto and on Callas's performance as Gilda.
3.10 Acts 2 and 3

Contributors

Unknown:
Maria Callas
Gilda:
Maria Callas (sop)
Rigoktto:
Tito Gobbi (bar)
The Duke of Mantua:
Giuseppe Di Stefano (tenor)
Sparafucile:
Nicola Zaccaria (bass)
Maddalena:
Adriana Lazzarini (mezzo)
Giovanna:
Giuse Gerbino (mezzo)
Count Monterone:
Plinio Clabassi (bass)
Marullo:
Willlam Dickie (bar)
Borsa:
Renato Ercolani (tenor)
Count Ceprano:
Carlo Forti (bass)
Countess Ceprano:
Elvlra Galassi (sop)
An usher:
Vittorio Tatozzi (bass)
A page:
Luisa Mandelli (sop)

Live from the Royal Albert Hall, London.
Della Jones (mezzo)
David Wilson-Johnson (baritone)
Colin Carr (cello)
BBC Philharmonic, conductor Peter Maxwell Davies

Mozart is less prominent in this season of Proms. Here one of his shorter works - a memorial piece composed in 1785 for two fellow masons - precedes conductor Sir Peter Maxwell Davies's own Black Pentecost of 1982, commissioned by the Philharmonia and written in response to the threat of uranium mining in the Orkneys. It offers a bleak vision of a community destroyed for financial gain.

Mozart Masonic Funeral Music (K477)
Peter Maxwell Davies Black Pentecost

8.25 Anthony Burton talks to Peter Maxwell Davies about his approach to interpreting music and conducting, not just his own compositions, but the music of earlier great composers.

8.45 Tchaikovsky Variations on a Rococo Theme
Beethoven Symphony No 8 in F

Contributors

Mezzo:
Della Jones
Baritone:
David Wilson-Johnson
Cellist:
Colin Carr
Musicians:
BBC Philharmonic Orchestra
Conductor/Interviewee:
Peter Maxwell Davies
Interviewer:
Anthony Burton

John Mark Ainsley (tenor) Julius Drake (piano) Schubert Aufdem
Wasser zu singen; Am
Strome; Aufdem See; Die Forelle; Des Fischers Uebesgluck; An eine
Quelle; Derjungling am
Bache; Lied eines Schiffers an die Dioskuren; Erlafsee; Der Schiffer

Contributors

Tenor:
John Mark Ainsley
Piano:
Julius Drake
Piano:
Schubert Aufdem

Composer and pianist
Mike Westbrook talks to Geoffrey Norris in the second of eight programmes. Though he had a regular sextet in the late sixties, it was
Westbrook's Concert Band that his record company wanted to record. After the albums Release and Marching Song, he wrote the even more ambitious
Metropolis, which includes sections of collective improvisation.

Contributors

Talks:
Mike Westbrook
Unknown:
Geoffrey Norris

BBC Radio 3

About BBC Radio 3

Live music and the arts: broadcasts more live music than any other radio network. Classical music is its core. Genres include world and new music, jazz, speech and drama.

Appears in

About this data

This data is drawn from the Radio Times magazine between 1923 and 2009. It shows what was scheduled to be broadcast, meaning it was subject to change and may not be accurate. More