J. C. Bach Sinfonia in G, Op 6 No 1: NETHERLANDS CHAMBER ORCHESTRA conducted by DAVID ZINMAN
7.13* ltossini Duetto for cello and double-bass KENNETH HEATH RODNEY SLATFORD
7.26* Tchaikovsky
Souvenir de Florence NETHERLANDS CHAMBER orchestra, conducted by DAVID ZINMAN : records

Britten/Berkeley Mont Juic: A Catalan Suite LONDON PHILHARMONIC
ORCHESTRA, conducted by SIR LENNOX BERKELEY
8.16* arr Casals Song of the Birds: Sant Marti de' Canigo: PABLO CASALS (cello), who also directs PRADES FESTIVAL ORCHESTRA
8.23* Stanford The Blue
Bird: PENELOPE WALMSLEY CLARK -(soprano)
RICHARD HICKOX SINGERS
8.27* Finzi Grand Fantasy and Toccata. Op 38 PETER KATIN (piano) NEW PHILHARMONIA ORCHESTRA, conducted by VERNON HANDLEY
8.43* Vaughan Williams Silence and Music (A
Garland for the Queen)
EXULTATE SINGERS, COndUCted by GARRETT O'BRIEN
8.48* Fnlla Interlude and Dance (La vida breve) NEW YORK PHILHARMONIC
ORCHESTRA, conducted by LEONARD BERNSTEIN : records

Dowland
Second Booke of Songes or Ayres (1600): I saw my lady weep; If floods of tears: Fine knacks for ladies: Woeful heart; Shall I sue
THE CONSORT OF MUSICKE directed by ANTHONY ROOLEY Divisions on Loth to depart: ANTHONY BAILES (lute): records

(violin), with Ian Brown (piano)
Tartini Sonata in G minor (Devils Trill)
Bach Partita in D minor (swv 1004)
10.15* Interval Reading
10.20* Ruggiero Ricci Part 2
Franck Sonata in A
Paganini Moses Fantaisie (A public concert given last March in Cheltenham Town Hall, promoted by Cheltenham Borough Council)
BBC Birmingham

or The Jansen Connection Introduced bv Clive Bennett
In 1791. on his first London visit. Haydn came across the new
British grand pianos-heavier, more robust and with greater tonal variety than Viennese makes - and also heard great virtuosi like Clementi, Dussek and the celebrated
Therese Jansen. a Clementi pupil and recipient of many dedications. All this changed Haydn. On his second visit he too dedicated some sonatas to her, sonatas demonstrating how much he had learnt from his earlier encounters.
MELVYN TAN plays one of them and two other works Haydn probably heard in London on English instruments of the period.
Clementi Sonata in G minor. Op 34 No 2
Dussek The Sufferings of the Queen of France
Haydn Sonata in c (H xvi 50)

direct from Guildhall, City of London
Malcolm Smith (trumpet) BBC Concert Orchestra leader JOHN BRADBURY conducted by Marcus Dods
Mozart Overture: Idomeneo: Serenade in G (Eine kleine Nachtmusik) (K 525)
Hummel Trumpet Concerto in E Oat

Ian McDougall presents his weekly selection of foreign radio broadcasts. Producer BLAIR THOMSON

Part 2 Dvorak
Symphony No 7. in D minor (Presented in association with the Corporation of London)

A studio piano recital broadcast live last October Mozart Fantasy in c minor (K 396)
Reger Sonatina in F major, Op 89 No 3 Novak Slovak Suite
Brahms Intermezzo in B minor. Op 119 No 1

conducted by BRYDEN THOMSON
Anthony Hedges Festival Dances (first broadcast performance)
John Luke Rose
Symphony No 1 (The
Mystic (first performance) BBC Manchester

Records with Charles Fox

Introduced by Steve Race

in E minor, played by the MEDICI QUARTET
BBC Bristol

Chamber opera in one act by John Tavener Libretto by GERALD MCLAREN , based on a short story by THE NASH ENSEMBLE
Conductor SIMON RATTLE (Given as part of the 1977 Cheltenham Festival)

The fantasies of flight and freedom which animate the imagination of the 20s and 30s and generate its pervasive images of travel can be said to begin in the trenches.
In 1976 the American critic Paul Fussell won the National Book Award for The Great War and Modern Memory. He has now followed up that study of the literature of World War I with Abroad, and. in conversation with PHILIP FRENCH. he explains why he believes that travel writing was the key
British literary genre of the inter-war years.
Abroad: British Literary Traveling Between the Wars will be published by Oxford University Press on 19 March.

(staged version)
Music by Stravinsky Words by c. F. RAMUZ , translated by MICHAEL FLANDERS and KITTY BLACK
THE NASH ENSEMBLE conductor SIMON RATTLE (Given as part of the 1977 Cheltenham Festival)

Impromptu. Op 86
URSULA HOLLIGER (harp) gramophone record

It was a combination of chance and detective work that enabled the poet JOHN STALLWORTHY tO trace his ancestry through 250 years to roots in Buckinghamshire. The result is a sequence of poems which recreates a family's journey to the other end of the world, and its eventual return.
Readers Ann Aris , Judith Barker. Russell Dixon , Martin Jarvis.
Stephen Thorne. Anthony Wingate Producer FRASER STEEL BBC Manchester

Galuppi Trio-Sonata in c major, for flute, oboe, and continuo: record