Sixth in a series of geven programmes
Norfolk Rhapsody No 1, in 1 minor: new PHILHARMONIA ORCHESTRA, conducted by SIR ADRIAN BOULT
Five Variants of Dives and Lazarus:JACQUES ORCHESTRA conducted by SIR DAVID WILLCOCKS
Fantasia on Christmas Carols: HERVEY ALAN (bass) CHOIR OF KING'S COLLEGE, CAMBRIDGE, LONDON SYMPHONY ORCHESTRA, conducted by SIR DAVID WILLCOCKS
Symphonic Impression: In the Fen Country NEW PHILHARMONIA orchestra, conducted by SIR ADRIAN BOULT : records

Listeners' record requests Gluck Orfeo ed Euridice. Act 2 (extracts)
MARILYN HORNE (meZZO-SOp) PILAR LORENGAR (soprano) CHORUS AND ORCHESTRA OF THE ROYAL OPERA HOUSE, COVENT GARDEN, conducted by SIR GEORG SOLTI
9.32. Schumann Symphony No 4, in D minor, Op 120 CLEVELAND ORCHESTRA conducted by GEORGE SZELL
9.57* Siegfried Wagner Violin Concerto
JENNY ABEL. NUREMBERG
SYMPHONY ORCHESTRA, COnducted by GILBERT GRAVINA

A magazine about the music and personalities in this year's Promenade Concerts.
Presented by Jeremy Siepmann
Producer PIERS BURTON-PAGE

conducted by ANTAL DORATI
YEHUDI MENUHIN (violin)
Barber Medea 's Meditation and Dance of Vengeance
Mendelssohn Violin Concerto in E minor
11.40* Interval Reading
11.50* Concert Part 2 Mahler
Symphony No 1. in D
(Given in Not) 1979 at the Royal Festival Hall London)

International Amateur Choral Competition
Second of 15 programmes Mixed Voice Choirs (2)
Canada: L'ENSEMBLE VOCAL DE LA FACULTE DE MUSIQUE DE L'UNIVERSITÉ DE MONTREAL; Netherlands: VIVA LA MUSICA; UK: EX CATHEDRA Introduced by Bernard Keeffe
(Organised by the BBC in association with the EBU)

Franck Sonata in A major Shostakovich Sonata , Op 40
RAPHAEL SOMMER (cello) DANIEL ADNI (piano)

Opera in three acts Music by Camille Saint-Sae ̈ns Libretto by FERDINAND LEMAIRE
(Sung in French: records)
THE PARIS ORCHESTRA AND CHORUS, conducted by DANIEL BARENBOIM Act 1

by Charles Baudelaire translated by Christopher Isherwood adapted for radio by Anthony Astbury.
Read by Norman Rodway.

Reflections on love, politics, art and religion which form a spiritual diary of Baudelaire's last years.

Act 2

Gerald Lamer

Act 3

AMADEUS QUARTET with MALCOLM BINNS (piano) Part 1
Mozart Quartet in D major (K 499)
Schumann Quartet in A major, Op 41 No 3

STEPHEN REA reads th* second of five parts Alfonso Sings

Part 2 Schumann
Piano Quintet in i flat major, Op 44
(Given on S February in QEH, London)

Direct from The Round House, London

New London Consort director Philip Pickett

anon Tuba Gallicalis

Dufay L'alta belleza tua; Vergene bella; Quel fronte signorille in paradiso

Johannes Tapissier Eya dulcis/Vale placens

Dufay Craindre vous vueil; Bon jour, bon mois after Walter Frye Ave regina (organ intabulation)

Dufay Navre je sui d'un dart penetratif; se la face ay pale

after Dufay Se la phase pale (organ intabulation)

anon Se la face ay pale (four-part arrangement)

All states declare their motives honourablc when they embark upon the use of force.
Is it ever right for states to intervene militarily in other countries to rescue hostages? Should the use of force be restricted to self defence?
Rosalyn Higgins , Professor of International Law at the University of Kent at Canterbury, reflects on the doctrine of humanitarian intervention and argues that the use of force may sometimes be justified.

anon La Spagna

Dufay Donnes l'assault a la fortresse; Adieu m'amour: Ce moys de may

Binchois Files a marier

Dufay Lamentatio sancte Matris ecclesie Constantinopotitane

after Binchois Jeloemors (organ intabulation)

Dufay Helas mon dueil

attrib Robert Morton L'homme arme (four-part arrangement)

by Alan Drury
with John Price as David

'You must excuse me if I appear to be going into unnecessary detail. I've found, over the last month, that the only way I've been able to get a perspective on things has been meticulously to reconstruct them in chronological order. That way ... I can begin to work out what I feel.'
David Adams finds his career as a teacher threatened by the allegations of a pupil. It is a traumatic experience and the calm with which he relates it cannot conceal its deep effect on him.

directed by ALEXANDER WIJNKOOP HEINZ HOLLIGER and BANS ELHORST (oboes)
Music by Albinoni, Zetenka and Johann Gottlieb Graun: records

Motet: Hör' mein Bitten FELICITY PALMER (soprano) HEINRICH SCHUTZ CHOIR with GILLIAN WEIR (organ) conducted by ROGER NORRINGTON : record