Corrette Concerto in c (The happy shepherd's pleasures):
MICHELLE FROMENTEAU (hurdy-gurdy) CHAMBER ORCHESTRA conducted by ROGER COTTE
7.11* Cor ell Variations on La Follia: JEAN-CLAUDE VEILHAN (recorder), FRANÇOISE BLOCH (viola da gamba), DANIÈLE SALZER (harpsichord)
7.22* Grossi Sonata a cinque No 12: DON SMITHERS (trumpet), I musici
7.30* Vincent Sonata No 2 in A: PAUL DOMBRECHT (oboe) WIELAND KUIJKEN (Cello) ROBERT KOHNEN (harpsichord)
7.40* C. =P. E. Bach Symphony in A (Wq 182 No 4) ACADEMY OF ANCIENT MUSIC directed by CHRISTOPHER HOGWOOD : records
Grieg Suite: Peer Gynt
BOSTON pops ORCHESTRA, conducted by ARTHUR FIEDLER
8.26* Christian Sinding The Rustle of Spring, Op 32 No 3: JOHN OGDON (piano)
8.28* Johan Svendsen Romance in G: ARTHUR
GRUMIAUX (violin), NEW PHILHARMONIA ORCHESTRA conducted by EDO DE WAART
8.35' Conrad Baden Wind Trio No 1
0RNULF GULBRANSEN (flute) ERIK NIORD LARSEN (oboe) ERIK ANDRESEN (clarinet)
8.48* John Halvorsen Entry of the Boyars
BOURNEMOUTH SYMPHONY
ORCHESTRA, conducted by PAAVO BERGLUND : records
Bax String Quartet No 3, in F: AMICI QUARTET
Northern Ballad No 1
LONDON PHILHARMONIC
ORCHESTRA, conducted by SIR ADRIAN BOULT : records
COLIN BRADBURY
OLIVER DAVIES
Castelnuovo-Tedesco Son ata. Op 128 (first broadcast performance) Busoni Elegy
Rossini Fantasy
Cavallini Una lagrima sulla tomba dell' immortale Rossini
GABRIELI STRING QUARTET Bartok Quartet No 1
Haydn Quartet in I minor, Op 33 No 1
leader DENNIS SIMONS conductor
RAYMOND LEPPARD
JOHN BROWNING (piano)
Barber Medea 's Meditation and Dance of Vengeance
Gershwin Piano Concerto in F major
Carter Variations for orchestra. BBC Manchester
direct from the Library Theatre
Secular music in England 1470-1540, played by the Landini Consort
Rogers Covey-Crump (tenor)
Geoffrey Shaw (baritone) Margaret McCaul (bass viol) John Bryan
(recorders, curtal, shawm) Edward Huws Jones (tenor viol, lute)
Peter Syrus (rebec, fiddle, gittern, crumhorn)
' It takes me an awful long time to commit music to memory ... and with songs, for example, I can never learn a strophic song to save my life.'
Despite this self-confessed. though no doubt exaggerated revelation, Robert Tear has one of the widest repertoires of any tenor, ranging from Handel to Berg and Tippett, taking in Victorian songs and ballads on the way.
In this programme he talks to Alan Blyth about roles and music in his repertory.
With illustrations on record from Hugh the Drorer, Lulu, The Knot Garden, Belshazzar and other works.
Producer GRAHAM SHEFFIELD
played on period instruments and in an authentic style by ANNER BYLSMA Bach Suite No 3 in c (Bwv 1009); Sonata in G minor (BWV 1013) (an arrangement for cello piccolo of the A minor solo Flute Sonata); Suite No 4 in E flat (bwv 1010)
(mezzo-soprano) PHILIP WEST
(oboe and cor anglais) GILBERT KALISH (piano)
Schubert An mein Herz (D 860); lm Abendrot (D 799) Vaughan Williams Blake Songs, for voice and oboe Dan Welcher Abeja Blanca, for voice, cor anglais and piano
Schubert Die Manner sind mechant (D 866 No 3); Der Wachtelschlag (D 742)
Bernard Keeffe medium wave and mono only from 6.20
Antony Hopkins
by TOM MALLIN , adapted for radio by PENNY LEICESTER
An elderly failed actress reminisces about her life. This quasi-monologue was originally written as a stage performance for Sylvia Coleridge.
Directed by RICHARD WORTLEY followed by an interlude
JOHN LADE introduces Part 1 of Handel's Israel in Egypt in the performance recommended in last Saturday's Record Review.
Nos 7 and 8 Read by Stephen Murray. Ian Cross , Jonathan Newth and Julia Hills
A singing match between Corydon and Thvrsis constitutes Eclogue 7: each song of Thyrsis echoes and counters a point made by Corydon in his preceding song. In the eighth Eclogue there are two monologues: the first is that of Damon, who sings as a disappointed lover, the second that of Alphesiboeus, who gives voice to the thoughts of a deserted girl who seeks charms to bring back her lover Daphnis.
EDITH PEINEMANN (Violin) COLIN HORSLEY (piano)
Brahms Sonata in A, Op 100
Berkeley Sonatina
Schumann Intermezzo (FAE Sonata)
Brahms Scherzo (FAE Sonata)
Robert Cushman presents a personal view of musicals. This week: Early George Gershwin and Lyrics as Light Verse Producer
JONATHAN JAMES-MOORE
In Carnegie Hall, New York, on 20 December Erich Kleiber conducted the NBC Symphony Orchestra, with Claudio Arrau the soloist, in the following programme:
Borodin Symphony No 2, in B minor
Weber Konzertstiiek in F minor. Op 79, for piano and orchestra
Falla Introduction and Dance (La vida breve)
(Voice of America recording)