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Suk Serenade in E flat, for string orchestra
STUTTGART CHAMBER ORCHESTRA conducted by KARL MÜNCHINGER
7.32* Strauss Suite: Der Rosenkavalier
PHILADELPHIA ORCHESTRA conducted by EUGENE ORMANDY gramophone records
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Arne Overture No 4, in F
ENGLISH CHAMBER ORCHESTRA directed by EMANUEL HURWITZ (violin)
8.13* Mendelssohn Piano Concerto No 2, in d minor RUDOLF SERKIN
COLUMBIA SYMPHONY ORCHESTRA conducted by EUGENE ORMANDY
8.36* Grieg Holberg Suite ACADEMY OF
ST MARTIN-IN-THE-FIELDS directed by NEVILLE MARRINER gramophone records
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Offenbach and Messager
Act 1 of Offenbach's Ballet: Le Papillon
LONDON SYMPHONY ORCHESTRA conducted by RICHARD BONYNGE gramophone record
MALCOLM BINNS (piano) BBC WELSH ORCHESTRA leader COLIN STAVELEY conducted by EDUARDO MATA
Cimarosa Overture: II maestro di cappella
Gershwin Piano Concerto in F
Beethoven Symphony No 7, in A
Kenneth Sillito (violin) Keith Puddy (clarinet) Keith Harvey (cello)
John Streets (piano)
Milhaud Suite for violin, clarinet and piano
Shostakovich Piano Trio No 2, in E minor
Brahms Clarinet Trio in A minor, Op 114
DOUGLAS CUMMINGS (CellO) BBC CONCERT ORCHESTRA leader ARTHUR LEAVINS conductor ASHLEY LAWRENCE Part 1
Weber Overture: Euryanthe FaurS Pavane
Saint-Saens Cello Concerto No 1, in a minor
Berkeley and Britten Mont Juic: suite of Catalan dances
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Part 2
Herbert Chappell Overture: Panache
Satie Trois Gymnopédies
Dvorak Symphonic Variations on an original theme
The last in a series of sixprogrammes in which the BBC NORTHERN SINGERS conductor STEPHEN WILKINSON give two performances of a contemporary choral work introduced by the composer who contrasts it with a choral classic of his choice.
Today Geoffrey Burgon introduces his The Golden Eternity and movements from Machaut's Messe de Nostre Dame with MAIR JONES (harp) KEITH SWALLOW (piano)
GABRIEL WOOLF (speaker)
played by GERALD ROBBINS
Dvorak Poetic Impressions, Op 85: No 11, Gossiping; No 6, Sad memories; No 10, Bacchanal
Chopin Fantaisie in F minor
Albiniz Evocaci6n; El Puerto; Triana (Iberia)
Delibes Ballet: Sylvia. Act 2 NEW PHILHARMONIA ORCHESTRA conducted by RICHARD BONYNGE
4.0* Lambert The Rio Grande
JEAN TEMPERLEY (mezzo-soprano) CHRISTINA ORTIZ (piano) LONDON MADRIGAL SINGERS
LONDON SYMPHONY ORCHESTRA conducted by ANDRÉ PREVIN
4.18' Lord Berners Ballet Suite: The Triumph of Neptune (mono) PHILADELPHIA ORCHESTRA conducted by SIR THOMAS BEECHAM
ALFRED DELLER (counter-tenor) HANS-MARTIN LINDE (recorder)
GUSTAV LEONHARDT (harpsichord) COLLEGIUM AUREUM leader FRANZ-JOSEF MAtER
Telemann Suite in A minor, for recorder, strings and continuo Buxtehude Cantata: Jubilate Domino
Bach Concerto in D minor, for harpsichord and strings
A two-part sequence of music for the early evening.
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(continued)
6.30 Workface Europe
A 12-part dramatised case-study in industrial relations, written by JON ROLLASON and KEITH WILLIAMS
8: The End of the Honeymoon Schmidt-Faber 's inspectors reject the first batch of Astley's components. But their motives are suspect, perhaps.
7.0 The Impact of Coal
An environmental case-study 2: Home Fires Burning
Coal is still the source of most domestic heat and light. ROBIN BRIGHTWELL traces its influence on home life through the centuries.
(BW-v 1005) played by Nell Gotkovsky
(Part of a concert recorded at the Farrer Theatre, Eton College, during the 1971 Windsor Festival)
direct from the Philharmonie BBC SYMPHONY ORCHESTRA leaders ELI GOREN and BELA DEKANY conductor Pierre BOULEZ Part 1 Bartok Music for strings, percussion and celesta
on gramophone records
Part 2 Boulez
Figures/doubles/prismes
Julian Glover reads a story from Tales from the Calendar by BERTOLT BRECHT translated by YVONNE KAPP
Part 3
Schoenberg Accompaniment to a film scene
Debussy Iberia (Images)
1874-1936
Kingsley Amis introduces a selection of poems and prose passages by a writer to whom he feels a strong personal attachment as ' the first living grown-up writer I ever read.' He underlines Chesterton's frequent success in creating ' an elevated melodrama of fantastic happenings, heavily charged atmosphere, strangely lighted background and rhetorical dialogue: a sort of prose opera in a lavish production.' Reader GARY WATSON
Producer GEORGE MACBETH followed by an interlude
(piano)
Mozart Fantasia in » minor (K 397); Sonata in B flat major (K 570)
Schumann Fantasiestucke , Op 12
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