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Four dances for broken consort from Thomas Morley 's First Book of Consort Lessons, 1599: MORLEY CONSORT. directed by DAVID MUNROW (recorder)
7.23* Boismortier Concerto in D, for bassoon and string orchestra: GEORGE ZUKERMAN
WÜRTTEMBURG CHAMBER ORCHESTRA conducted by JÖRG FAERBER
7.31* Locke Music for His Majesty's sackbutts and cor-netts
LONDON GABRIELI BRASS ENSEMBLE
7.43* Albinoni Oboe Concerto in B flat, Op 7 No 3
PIERRE PIERLOT , ANTIQUA MUSICA CHAMBER ORCHESTRA conducted by JACQUES ROUSSEL
7.52* Lully Suite: Amadis ENGLISH CHAMBER ORCHESTRA directed bv
RAYMOND LEPPARD (harpsichord) gramophone records
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Smetana Three Dances (The Bartered Bride)
NEW YORK PHILHARMONIC
ORCHESTRA. conducted by LEONARD BERNSTEIN
8.17* Dvorak Symphony No 5 LONDON SYMPHONY ORCHESTRA conducted by ISTVAN KERTESZ gramophone records
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Les Six
Auric Trio, for oboe, clarinet and bassoon: MEMBERS OF THE
CLARION WIND QUINTET
9.16* . Milhaud Catalogue de fleurs: IRÈNE JOACHIM (sop) INSTRUMENTAL ENSEMBLE conducted by MAURICE FRANCK
9.22* Honegger Sept pieces breves
JURG VON VINTSCHGER (piano)
9.29* Poulenc Chansons galllardes: GERARD SOUZAY (bar) DALTON BALDWIN (piano) gramophone records
Liszt and Berlioz: a morning of 19th-century music
9.45 Liszt
Some of his piano music and transcriptions of other composers, Berlioz included played by MALCOLM BINNS
A Grand Morning Concert given by Berlioz in the Hanover Square Rooms during his first visit to this country, on Thursday, 29 June 1848 Part 1
Overture: Roman Carnival LONDON SYMPHONY ORCHESTRA conducted by COLIN DAVIS Song: Le chasseur danois
JOHN SHIRLEY-QUIRK (baritone)
Three movements from the symphony: Harold in Italy YEHUDI MENUHIN (viola)
PHILHARMONIA ORCHESTRA conducted by COLIN DAVIS
Songs: Zaide; La belle voyageuse: SHEILA ARMSTRONG (sop) Adagio and Rondo from Mendelssohn's Piano Concerto No 2, in D minor: JOHN OGDON LONDON SYMPHONY ORCHESTRA conducted by ALDO CECCATO
Choeur et ballet des sylphes and Mephistopheles's song (The Damnation of Faust)
GABRIEL BACQUIER (bar), PARIS OPERA CHORUS AND ORCHESTRA conducted by GEORGES PRÊTRE
11.50* Concert Audiences in the 19th Century
HUGH MACDONALD talks about concert life in the 19th century and contrasts London audiences with those of other countries Berlioz visited in his travels around Europe.
12.5* Berlioz in London: part 2 Hungarian March (The Damnation of Faust)
Aria: Unis des la plus tendre enfance (Gluck's Iphigénie en Tauride)
NICOLAI GEDDA (tenor) Song: La captive
JOSEPHINE VEASEY (mezzo-sop)
Aria: Ah! non giungé (Bellini's La Sonnambula)
JOAN SUTHERLAND (SOprano)
Bottesini's Grand Duo for violin, double-bass and orchestra: RUGGIERO RICCI
FRANCESCO PETRACCHI
ROYAL PHILHARMONIC ORCHESTRA conducted by PIERO BELLUGI
Invitation to the Dance (Weber, orch Berlioz)
LONDON SYMPHONY ORCHESTRA conducted by STANLEY BLACK Producer KEITH HORNER gramophone records
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Aeolian String Quartet
Haydn Quartet in E flat major, Op 71 No 3
Janacek Quartet No 2 (Intimate letters)
(From the Library Theatre Bradford. The seventh of 12 concerts promoted by Bradford City Libraries in association with the BBC)
Music composed or inspired by an 18th-century master
Rameau Pieces de clavecin en concert No 3, in A major: La popliniere: La timide: Tambourins
GAILIARD HARPSICHORD TRIO
Rameau Les soupirs; La joyeuse: Le lardon; La boiteuse; Lentretien des Muses; Les niais de Sologne (mono)
COLIN TILNEY (harpsichord)
Dukas Variations, Interlude and Finale (based on Rameau's Le lardon)
MALCOLM TROUP (piano)
Werner Egk French Suite after Rameau
MUNICH PHILHARMONIC ORCHESTRA conducted by RUDOLF KEMPE (Bavarian Radio recording)
Rameau Pieces de clavecin en concert No 5, in D minor: La forqueray; La cupis; La marais CALLIARD HARPSICHORD TRIO
A recital of afternoon and early evening ragas
RAM NARAYAN (sarangi)
SURESH TALWALKAR (tabla) YOGISH SAHOTA (tanpura)
Introduced by RAM NARAYAN Rag Gaud Sarang
Rag Multani ; Mishra Bhairavi
Strauss Four Last Songs Brahms Symphonv No 1
ANNELIESE ROTHENBERGER (sop) MUNICH PHILHARMONIC ORCHESTRA conducted by RUDOLF KEMPE
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(continued)
6.30 Getting Into Focus
Six programmes for the keen amateur photographer
6: New Trends. Where are the technical improvements leading photography? Are the audio-visual presentations the new challenge for amateurs? SIR GEORGE POLLOCK
RAY BEAUMONT CRAGG
MICHAEL TICKNER , DOUGLAS ARNOLD Introduced by BRIAN GEAR Producer ROY HAYWARD
6.50 Perspective The Session Men
With the help of guitarist DENNT WRIGHT. recording director JOHN BOYDEN , and ' fixer ' JOHN FLANA-GAN , LEONARD PEARCEY investigates the world of the freelance musician.
Producer GRAHAM TAYAR
7.10 New series
The Person for the Job
A practical guide, in five parts, to recruitment in business and industry
Presented by ROGER WILLIAMS 1: Establishing the Facts
The questions that should be answered before advertising a vacancy.
Series producer GORDON HUTCHINGS
(For publication see page 54)
presented by A. L. LLOYD 11: Sounds of Revelry
Illustrated by BBC Sound Archive recordings
Oratorio by Haydn
(sung in German)
A Fanfare for Europe concert uireci from me Royal Festival Hall, London
NEW PRILHARMONIA CHORUS chorus-master
WALTER HAGEN-GROLL
COLETTE BOURGUE
(harpsichord continuo) THE PARIS ORCHESTRA leader LUBEN YORDANOFF conducted by Sir Georg Solti Parts 1 and 2 9.20* H. C. Robbins Landon talks about some contemporary accounts of the first performance of Haydn's Creation.
9.40* The Creation, Part 3
Ireland and the Idea of News
Colin Seymour-Ure, senior lecturer in Politics at the University of Kent and author of The Press, Politics and the Public, examines some problems of reporting the facts and the background of recent events in Northern Ireland, and discusses them with John Whale of the Sunday Times, specialist on Ireland and author of Journalism and Government
Producer ANTHONY MONCRIEFF
Albinoni Concerto in c minor, Op 10 No 11: ROBERTO MICHELUCCI (violin), with I musici
Bach Cantata No 3: Ach Gott, wie manches Herzeleid
BOY TREBLE
PAUL ESSWOOD (counter-tenor) KURT EQUILUZ (tenor)
MAX VAN EGMOND (bass) VIENNA BOYS' CHOIR
CHORUS VIENNENSIS
VIENNA CONCENTUS musicus, directed by NIKOLAUS HARNONCOURT gramophone records
read in 12 parts by Ronald Pickup
Arranged by TERENCE TILLER 1: Julia
In which the precocious Juan has his first experience of love.
Don Juan , the most brilliant and witty long poem in English, is an anatomy of the Common Market of love and satirises the morals and manners of Europe.
Producer HALLAM TENNYSON
(Ronald Pickup is a National Theatre player)
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