Time: cts 7.0 am
Berwald Symphony in flat (1845)
LONDON SYMPHONY ORCHESTRA conducted by SIXTEN EHRLING
7.33* Dvorak Romance for violin and orchestra: ISAAC STERN PHILADELPHIA ORCHESTRA conducted by EUGENE ORMANDY
7.47* Lalo Norwegian Rhapsody: SUISSE ROMANDE ORCHESTRA conducted by ERNEST ANSERMET
Morning Concert: part 2
ROYAL PHILHARMONIC ORCHESTRA conducted by vilem tausky
8.11* Ravel Piano Concerto in G
JULIUS KATCHEN LONDON SYMPHONY ORCHESTRA conducted by ISTVAN KERTESZ
8.34* Rimsky-Korsakov Suite: Le coq d'or BOSTON POPS ORCHESTRA conducted by ARTHUR FIEDLER gramophone records
Chopin
Twenty-four Preludes. Op 28 RAFAEL orozco (piano) gramophone records
Another in a series of programmes on Tuesday mornings, each devoted to music composed in the same year
Liszt Am Grabe Richard Wag ners: MACGIBBON STRING QUARTET with HILARY WILSON (harp) PAUL HAMBURGER (piano)
Dvorak Scherzo capriccioso LONDON SYMPHONY ORCHESTRA conducted by ISTVAN KERTESZ (gramophone record)
Faure Barcarolle No 1, In A minor: JEAN HARVEY (piano)
Rimsky-Korsakov Tu et vous, Op 27 No 2
ALAN JONES (baritone)
WINIFRED DAVEY (piano)
Busoni Etudes Nos 1. 4 and 5 (Op 16): JEAN HARVEY (piano) Brahms Symphony No 3, in F AMSTERDAM CONCERTGEBOUW
ORCHESTRA conducted by BERNARD HAITINK (gramophone record) Debussy Mandoline
ALAN JONES. WINIFRED DAVEY Bruckner Symphony No 7
BERLIN PHILHARMONIC ORCHESTRA conducted by KARL BOHM
(Recording made available by courtesy of rias Berlin)
IFOR JAMES (horn)
BBC WELSH ORCHESTRA conducted by ARTHUR DAVISON Part 1
Haydn Symphony No 93, in 0
12.38* Strauss Horn Concerto No 1, in E flat
A selected item from last Sunday's programme,
Part 2
Beethoven Overture: Egmont
1.29* Schumann Symphony No 4 (Given before an invited audience in the Assembly Rooms, City Hall, Cardiff)
Third of four programmes
Byrd Lamentations; Laudate pueri; Defecit in dolore; Tristitia et anxietas: Exalt thyself; Miserere mei; Laetentur coeli CLERKES OF OXENFORD conductor DAVID WULSTAN from the Chapel of Magdalen College
2.55* Bach Six Schubler Chorale Preludes: DAVID lumsden at the organ of New College
conductor ASHLEY LAWRENCE with VALERIE TRYON (piano) NORMAN BURGESS (trumpet)
David Morgan Overture: Spring Carnival
Shostakovich Concerto for piano, trumpet and string orchestra
Tchaikovsky Suite No 4 (Mozartiana)
with David Munrow
The Turn in the Road
A programme of live electronic music recorded by the Sonic Arts Union during their visit to this country last April.
Robert Ashley Fancy free (Illusion Model IV)
Gordon Mumma Swarm
Alvin Lucier The Duke of York David Behrman Players with circuits
(first broadcast performances in this country) Also taking part:
MARY LUCIER. KATHARINE MORTON Introduced by Michael NYMAN
Present-day jazz on records Introduced by CHARLES FOX
HAROLD ROSENTHAL looks at some musical events in the North during the next seven days.
6.30 The Arab Heritage (medium wave)
Ten programmes
6: The Emergence of Modern Arab Societies
GORDON WATERFIELD , the author, traces the origins of today's Arab states after the break-up of the Ottoman empire, and the influence of European culture upon them.
Producer IAN GRIMBLE
7.0 Workface
(medium wave)
A 20-part case study, Script by BENNETT STRUTTON , with analytical commentary by PAT LOWRY 8: Tactics or Strategyr
' ... we haven'initiated any long-term systems of management, maybe it's because we've been too fully occupied with bush fires." (Cunningham, Personnel Manager, London Plant) with MALCOLM HAYES , LESLIE HERITAGE JOHN HOLLIS , GODFREY KENTON
LEO MAGUIRE , MICHAEL MCCLAIN JON ROLLASON , FREDERICK TREVES Producer JOHN TURTLE
KYUNG WHA-CHUNG (violin)
BBC SCOTTISH SYMPHONY
ORCHESTRA, led by HUGH BRADLEY conductor CHRISTOPHER SEAMAN from the Usher Hall Part 1
Dvorak Symphonic Variations on an original theme
7.54* Walton Violin Concerto in B minor
1: Dr Johnson's Prayers
PHILIP hobsbaum, in the first of three revaluations of great English critics, explains why he sees Dr Johnson as someone with ' a sensibility at once sensual and devout, romantic and self-critical.' He argues that Johnson's prayers and meditations reveal a man more human and passionate than we usually reckon with. (Tomorrow, 8.15 pm: Coleridge)
Part 2 Beethoven
Symphony No 2, in D major
(Given in association with the Corporation of the City of Edinburgh)
by JOHN CHARAP , With NICHOLAS KEMMER and RICHARD EDEN
Werner Heisenburg , one of the 'great ones' of physics, is now 70. In spite of his recent autobiographical book Physics and Beyond, his personality remains enigmatic to most people. Dr Charap, together with two physicists influenced by Heisenburg. fills some of the gaps in our understanding of a great intellectual.
FELICITY PALMER (soprano) CHRISTOPHER KEYTE (baSS) TREVOR WILLIAMS (violin) MARY RYAN (flute)
MARY MURDOCH (oboe)
TILFORD BACH FESTIVAL CHOIR DEREK STEVENS (organ and harpsichord continuo)
TILFORD BACH FESTIVAL ORCHESTRA leader TREVOR WILLIAMS conductor DENYS DARLOW Part 1
Buxtehude Cantata: Wachet auf, ruft uns die Stimme
C. P. E. Bach Concerto in D minor, for flute and string orchestra
as a Stage Producer
Cathleen Nesbitt played Perdita in Granville-Barker's production of The Winter's Tale in 1912. He virtually retired from active work in the theatre in 1921, but in 1940 he was persuaded to return to London to co-produce King Lear with Lewis Casson , and Miss Nesbitt played Goneril.
In conversation with MICHAEL ELLIOTT she recalls working with this now legendary man of the theatre,
Part 2
Buxtchude Cantata: All soleh dein Gut wir preisen
Bach Cantata No 140: Wachet auf, ruft uns die Stimme
(A public concert given in Tilford Parish Church on 14 May 1971)