Time: gts 7.0 am

Mendelssohn Overture: Ruy Bias LONDON SYMPHONY ORCHESTRA conducted by andre PRÉVIN
7.13* Beethoven Violin Concerto in D: JOSEF SUK
NEW PHILHARMONIA ORCHESTRA conducted by SIR ADRIAN BOULT

Morning Concert: part 2
conducted by SIR ADRIAN BOULT
8.26* Delius Brigg Fair: an English rhapsody
ROYAL PHILHARMONIC ORCHESTRA conducted by SIR THOMAS BEECHAM
8.42* Bliss Suite: Things to come
LONDON SYMPHONY ORCHESTRA conducted by THE COMPOSER gramophone records

Chopin
Piano Concerto No 1, in e minor MAURIZIO POLLINI
PHILHARMONIA ORCHESTRA conducted by PAUL KLETZKI gramophone record

conducted by MICHAEL MOORES
Music by Flotow, Hfrold, James Langley , Gamley and Peter Hope

Spohr Six German Songs, Op 103, for voice, clarinet, piano
Mozart Piano Sonata in b flat (K 281)
Hummel Quartet in E flat, for clarinet and string trio
SYBIL MICHELOW (mezzo-soprano) CELIA ARIELI (piano) THEA KING (clarinet) RICHARDS STRING TRIO

by JANE PARKER-SMITH , recorded in Westminster Cathedral
Buxtehude Prelude and Fugue in D
Franck Choral No 1, in e
Durufie Prelude and Fugue on the name Alain Jongen Toccata

HAZEL HOLT (soprano)
BBC NORTHERN SYMPHONY ORCHESTRA, conducted by FREDERIK PRAUSNITZ Part 1
Mozart Symphony No 32 (K 318)
12.26* Gerard Schtirmann Chuench'i: a cycle of songs from the Chinese
12.46* Smetana Symphonic Poem: Vltava (Ma vlast)
1.0
News; Weather
1.5 The Concert Interval
JAMES BLADES talks to JOHN AMIS about his life as a concert artist and also his recent book on percussion.
1.20 Midday Prom: part 2 Schumann Symphony No 2
(Before an invited audience In the Town Hall, Manchester)

Part I
Schtitz Motet: Ein Kind ist uns geboren: GÛNTHER ARNDT CHOIR conducted by GUNTHER ARNDT
0
2.12* Bach Motet: Singet dem Herrn ein neues Lied: AEOLIAN SINGERS,MARTIN NEARY (organ) conducted by SEBASTIAN FORBES
2.28* Brahms Warum ist das Licht gegeben; Ich aber bin elend; Ach, arme Welt: Wenn wir in höchsten Noten sein NEW ENGLISH SINGERS conducted by SIMON PRESTON

Professors of Music discuss musical education Sir Jack Westrup
Professor of Music at the University of Oxford until last year Theory and Practice

Part 2 Brahms
Ein deutsches Requiem
ELISABETH SCHWARZKOPF (SOpranO) DIETRICH FISCHER-DIESKAU (bar) RALPH DOWNES (organ)
PHILHARMONIA CHORUS AND
ORCHESTRA conducted by OTTO KLEMPERER gramophone records

with David Munrow

played in the context of an orchestral concert
MANOUO PARIKIAN (violin) BBC SYMPHONY ORCHESTRA conducted by ERICH SCHMID
Brahms Serenade No 2, in A Goehr Violin Concerto
Schoenberg Variations, Op 31
(Given before an invited audience in BBC Studio 1, Maida Vale, London, in March 1969)

HAROLD ROSENTHAL on music in London and the South East during the coming midweek.

6.30 Amici, buona seral (medium wave)
Italian for beginners 16: L'arrivo dt Carta
Written and presented by HUGH SHANKLAND and ERNESTO MUSSI , with SILVIA GAVUZZO and MARISA DILLON-WESTON
(Monday's broadcast)
(Book and records: see p 12)
7.0 Musical Interpretation (medium wave) 1: The Problem
Music ' is a fluid art; it moves in sound. And how it moves depends on the interpreter, who must try, as honestly as he can. to do what the composer wanted.'
Introducing this series of ten programmes SIR JACK WESTRUP explains why doing what the composer wanted, however detailed his instructions, presents many problems for the interpreter, whether conductor performer, or editor. Producer DAVID EPPS

Gesualdo Three Madrigals HAMBURG CAPPELLA VOCALE directed by MARTIN BEHRMANN Marenzio Solo e pensoso DELLER CONSORT gramophone records

from the Queen Elizabeth Hall leader JOSÉ-LUlS GARCIA
KENNETH HEATH (cello continuo) JOHN CONSTABLE
(harpsichord continuo) conducted by HANS-MARTIN lindi
Part 1
Telemann Suite in A minor, for recorder and string orchestra HANS-MARTIN LINDE
8.13* Bach Brandenburg Concerto No 3, in G major
8.28* Handel Organ Concerto No 13, in F: MICHAEL SCHNEIDER

3: The Inspector Calls
In the last of his talks PHILIP HOBSBAUM discusses the work of Matthew Arnold , where he sees 'a a close relationship between Arnold's theory as a school inspector and his practice as a critic.' He argues that for Matthew Arnold , perhaps even more than for Coleridge and Johnson, a sense of personal loss, coupled with his own creative preoccupations as a poet, is central to many of his insights.

Part 2 Bach
Cantata No 55
JOHN ELWES (tenor) PETER GRAEME
(oboe d'amore obbligato)
MICHAEL SCHNEIDER (organ continuo)
SALTARELLO CHOIR
9.16* Brandenburg Concerto No 1, in f major
jose-luis GARCIA (violin) IAN HARPER (horn)
ANTHONY RANDALL (horn) PETER GRAEME (oboe)

by DON HAWORTH with Freddie Jones , Rosalie Crutchley A young man moves to the home of a late uncle to sort out the estate. He becomes increasingly obsessed with the couple who look after the house and their family....
Producer TONY cliff

THOMAS HEMSLEY (baritone) PAUL HAMBURGER (piano)
Schubert Songs from mythology: An die Leier; Aus Heliopolis 1: Nachtstuck; Fragment aus dem Aeschylus; Aus Helio polis II
Wolf Morike Lieder

Popular poems of the cumulative kind exist inmany societies. HUGH SYKES DAVIES , writer, critic and Fellow of St John's College, Cambridge, thinks he has found in this poetic pattern the key to a mystery that has puzzled some prehistoric archaeologists.

Part 2 Wilfred Josephs
Song-cycle: Death of a young man (first performance)