Time: GTS 8.0 am

Telemann Concerto in D
WILLIBALD BAUER (trumpet) KARL BENZINGER (trumpet) JOSEF WIEND (trumpet) MANFRED CLEMENT (Oboe)
MUNICH PRO ARTE ORCHESTRA conducted by KURT REDEL
8.17* Michel Corrette Flute Concerto in E minor KLAUS POHLERS MAINZ CHAMBER ORCHESTRA conducted by GÜNTER KEHR
8.25* Mozart Sinfonia Concertante in E flat (K Anh 9) HAAKON STOTIJN (oboe)
BRAM DE WILDE (clarinet) JAN BOS (horn)
THOM DE KLERK (bassoon)
NETHERLANDS CHAMBER ORCHESTRA conducted by SZYMON GOLDBERG gramophone records

EMIL GILELS (piano)
CHRISTA LUDWIG (mezzo-soprano) WALTER BERRY (baritone) erik WERBA (piano)
Schubert Six Moments musicaux (D 780)
9.35* Wolf Songs
Herr, was tragt der Boden hier; Nun wandre, Maria; Muhvoll komm' ich und beladen: Ach, wie lang die Seele schlummert (Spanisches Liederbuch)
Wo find' ich Trost?: Frage und Antwort; Nimmersatte Liebe; Zur Warnung; Auftrag; Selbstgestandnis; Abschied (Morike Lieder)
Mignon 1: Heiss mich nicht reden; Mignon 2: Nur wer die Sehnsucht kennt; Mignon 3: So lasst mich scheinen (Goethe Lieder)
Wohl denk' ich oft; Alles endet; Fiihlt meine Seele (Michelangelo Lieder)
Herz, verzage nicht geschwind; Geh', Geliebter, geh' jetzt!; Wer sein holdes Lieb verloren; In dem Schatten meiner Locken; Treibe nur mit Lie-ben Spott; Mogen alle bosen Zungen (Spanisches Liederbuch)
10.49* Schubert Sonata in A minor (D 784)
(Recordings made available oy courtesy of Austrian and Belgian Radios)

Introduced by JOHN LADE
Building a Library: Rossini'i The Barber of Seville, by RICHARD OSBORNE
Recent chamber music records: reviewed by JOAN CHISSELL

Introduced by STEVE RACE

Boccherini Quintet in c major, Op 37 No 7, for two violins, viola, and two cellos
Mendelssohn Octet in E flat major
ACADEMY OF
ST MARTIN-IN-THE-FIELDS Iona Brown (violin)
Neville Marriner (violin) Malcolm Latchem (violin) Trevor Connah (violin) Stephen Shingles (viola) Kenneth Essex (viola) Kenneth Heath (cello) Denis Vigay (cello)
(A BBC Lunchtime Concert broadcast from St John 's, Smith Square, London, SW1, in May 1970)

A personal choice of records presented by Denis Matthews
2.6* Purcell's Trumpet Sonata in D: 2.12* DENNIS BRAIN playing Mozart's Horn Concerto in E flat (K 495); 2.33* Beethoven's Choral Fantasia in c minor; 2.54* SVIATOSLAV richTER playing Schumann's Introduction and Allegro appassionato in G: 3.12* janos STARKER, soloist in Bloch's Rhapsodie hébraÏque: Schelomo, and at 3.37* The Carnival of the Animals by Saint-Saens

JOHN AMIS talks to the artists-composers, conductors, or performers - most closely concerned with the highlights of next week's broadcast music.
This week he joins COLIN DAVIS , PIERRE BOULEZ , and the BBC Symphony Orchestra on their tour of Germany and Switzerland.

A music drama in three acts by WAGNER
English translation by ANDREW PORTER
Sadler's Wells Opera at the London Coliseum Cast in order of singing:
SADLER'S WELLS CHORUS chorus-master HAZEL VIVIENNE SADLER'S WELLS ORCHESTRA leaders BARRY COLLINS and HOWARD BALL conducted by REGINALD GOODALL Produced by GLEN BYAM SHAW and JOHN BLATCHLEY
The action takes place in legendary times.
Prelude: The Valkyries' rock
Act 1: Sc 1: The hall of the Gibichungs
Sc 2: The Valkyries' rock
(Radio Times People: page 5)

In 1860 in Paris a young Belgian journalist introduced Wagner to Rossini. He kept careful notes of the discussion, and immediately afterwards went home and wrote them up as a verbatim conversation
Rossini, then 68, reminisced about Weber, Mendelssohn, and Beethoven, while the 47-year-old Wagner was anxious to tell the older man about his theories of music drama New translation by GEOFFREY SKELTON
Produced by DANIEL SNOWMAN

Act 2
The hall of the Gibichungs

ANDREW PORTER discusses with John SPURLING the problems of making his new English translation of Gotterdammerung.
(A continuation of the conversation broadcast in The Arts This Week on 4 February)

Act 3
Sc 1: A wooded place on the Rhine; Sc 2: The hall of the Gibichungs

RONALD STEVENSON considers some recent writings about tonality, George Graham 's Tonality and Musical Structure, the theory of ' metatona»ty ' published in the 1950s by Claude Ballif , and a 12-note tonal theory by the Czech writer Josef Rut.