Time: gts 7.0 am
Dvorak Overture: Othello
LONDON SYMPHONY ORCHESTRA conducted by ISTVAN KERTESZ
7.20* Tchaikovsky Variations on a Rococo theme
MSTISLAV ROSTROPOVICH (cello) LENINGRAD PHILHARMONIC ORCHESTRA conducted by GENNADI ROZHDESTVENSKY
7.40* Elonr The Wand of Youth: Suite No 1
LONDON PHILHARMONIC ORCHESTRA conducted by SIR ADRIAN BOULT gramophone records
A record request programme
Bccthnren Oratorio: Christ on the Mount of Olives
LISELOTTE REBMANN (soprano) REINHOLD BARTEL (tenor)
AUGUST MESSTHALER (bass)
SOUTH GERMAN CHORAL SOCIETY STUTTGART PHILHARMONIC
ORCHESTRA conducted by JOSEF BLOSER
Ravel
String Quartet in F DROLC QUARTET
Eduard Drolc (violin)
Jurgen Paarmann (violin) Stefano Passaggio (viola) Georg Donderer (cello)
9.33* Introduction and Allegro for harp, with flute, clarinet, and string quartet OSIAN ELLIS (harp)
MEMBERS OF THE MEI.OS ENSEMBLE gramophone records
leader MAURICE CAVANAGH conductor KENNETH ALWYN Sullivan Overture di ballo
Lecocq, arr Arnold Ballet Music: La fille de Madame Angot
Farrum Lake of the woods Kclly Divertissement
Third of seven weekly programmes including music by Martinu
Suk Four Pieces. Op 17 JOSEF SUK (violin)
JAN PANENKA (piano)
10.49* Martinu Piano Quintet EVA BERNATHOVA (piano) PRAGUE QUARTET gramophone records
BBC NORTHERN SYMPHONY ORCHESTRA leader REGINALD STEAD conducted by STANFORD ROBINSON Part 1
Berlioz Overture: Waverley
11.31* Schubert, orch Webern Six German Dances
11.39* Haydn Symphony No 53. in D major (The Imperial)
HUGH OTTAWAY talks about Sibelius's Sixth Symphony
Part 2
Mozart Theme and Variations (Divertimento No 15, in B flat major, K 287)
12.30* Sibelius Symphony No 6, in d minor
Octet in Hat major, Op 103
Duo No 1. in c major, for clarinet and bassoon (WoO 27) Rondino in e flat major, for wind octet (WoO 25) MELOS ENSEMBLE
Peter Graeme (oboe)
Sarah Barrington (oboe)
Gervase de Peyer (clarinet) Keith Puddy (clarinet)
William Waterhouse i bassoon) Patrick Milne (bassoon) Alan Civil ihorm
Shirley Hopkins (horn)
A weekly series of concerts before an invited audience in the Concert Hall. Broadcasting House, London, Wl.
1870-1939
French composer and organist A centenary commemoration of his birth
MME TOURNEMIRE , his widow. talks to MADEAU STEWART about his life and work illustrated by recordings
including songs from Eva, The Maid of the Mountains, Paaanini, The Student Prince, and Balalaika
AMBROSIAN LIGHT OPERA CHORUS
NEW PHILHARMONIA ORCHESTRA conducted by RICHARD BONYNGE gramophone records
conducted by MEREDITH DAVIES Berlioz Overture: King Lear
3.17* Dvorak Symphony No 9, in E minor (From the New World)
from the Metropolitan Cathedral of Christ the King, Liverpool
Psalms 4, 90, 133 (Plainsong)
Lessons: Wisdom 3, vv 1-9; Revelation 7, vv 9-17
Canticles (Howells, in B minor) Anthem: Justorum animae (Byrd)
Master of the MusicPHILIP DUFFY Organist TERENCE DUFFY
The Fall of the Leafe and other seasonal music by Glazunov, Faure, Debussy, Stravinsky, and Takemitsu (November Steps)
Records chosen by the under-20s. introduced by CHRISTOPHER HOGWOOD
Present-day jazz on records Introduced by CHARLES FOX
PAUL DOE looks at some musical events in the Midlands, East Anglia. and Wales during the next seven days.
A course of 40 lessons for beginners or near-beginners written by BRIAN DUTTON and ANGEL GARCIA DE PAREDES 4: En el hotel (ii)
Presented by Jacinta Castillejo and Pablo Soto, with Antonio Lopez, Cesar Milego, Carlos Novi
(Details of accompanying book and records: page 15)
Seven programmes on the place of General Studies in vocational training.
4: A discussion on discussion
Classroom discussion is one of the most frequently used teaching methods and perhaps one of the most difficult. How should such a discussion be structured? Should it be teacher-dominated or should the teacher be neutral?
An enquiry by ALLAN KINGSBURY , Principal of Wansfell College, Theydon Bois. with contributions from ROBERT IRVINE-SMITH , PAT HAIKIN , and LEON CRICKMORE. Produced by EDITH R. BAER
The composer HUGH WOOD shows how late in the 19th century it was before Beethoven's reputation caught up with his achievements, and he also considers Beethoven's significance for music and for musicians in our own time.
From the Royal Festival Hall London
ZARA NELSOVA (cello)
ELIZABETH HARWOOD (soprano) JOSEPHINE VEASEY (mezzo-soprano)
RONALD DOWD (tenor) NORMAN BAILEY (baSS) BBC CHORUS
BBC CHORAL SOCIETY LSO CHORUS
BBC SYMPHONY ORCHESTRA leader ELI GOREN conductor COLIN DAVIS Part 1: Hugh Wood Cello Concerto
by MICHAEL HOWARD. Fellow Of Ail Souls College, Oxford
Column versus line, at Waterloo or Trafalgar, can be interpreted in ways not unlike those we apply to Goethe or Beethoven. Romantic and Classical patterns can be seen in the very choreography of 19th-century war -the shape of its formations and tactics
Part 2: Beethoven
Symphony No 9, in D minor (Choral)
(Elizabeth Harwood and Josephine Veasey broadcast by permission of the General Administrator, Royal Opera House Covent Garden; Norman Bailey by permission of Sadler's Wells Opera)
Songs:
At the ball Serenade
In this moonlight (sung in Russian)
SERGEI LEMESHEV (tenOr) IVAN KOZLOVSKY (tenor) with piano accompaniment gramophone record
played by EDITH VOGEL (piano)
Sonata in F minor, Op 5
11.2* Four Ballads, Op 10
