Time: GTS 7.0 am

Rossini Sonata No 2, in A, for string orchestra I SOLISTI VENETI conducted by CLAUDIO SCIMONE
7.16* Schubert Adagio and Rondo concertante in F LAMAR CROWSON (piano)
EMANUEL HURWITZ (violin) CECIL ARONOWITZ (viola) TERENCE WEIL (cello)
ADRIAN BEERS (double-bass)
7.31' Mendelssohn Violin Concerto in E minor PINCHAS ZUKERMAN
NEW YORK PHILHARMONIC
ORCHESTRA conducted by LEONARD BERNSTEIN

E flat: OSIAN ELLIS LONDON SYMPHONY ORCHESTRA conducted by RICHARD BONYNGE gramophone records

Corelli and Vivaldi
Vivaldi Concerto in A minor, Op 3 No 8
WALTER PRYSTAWSKI (violin) TOMOTADA SOH (violin)
LUCERNE FESTIVAL STRINGS conducted by RUDOLF BAUMGARTNER
9.18* Corelli Concerto Grosso in F, Op 6 No 6 VIRTUOSI DI ROMA conducted by RENATO FASANO
9.33* Vivaldi Concerto in G minor, Op 3 No 2
WALTER PRYSTAWSKI (violin) HERBERT SCHERZ (violin) KLAUS HEITZ (cello)
LUCERNE FESTIVAL STRINGS conducted by RUDOLF BAUMGARTNER gramophone records

by RICHARD POPPLEWELL Howells Sonata

conducted by STANFORD ROBINSON
Schubert Overture: Rosamunde Robert Fuchs Serenade No 4, in G minor
Arne, arr Tomlinson Georgian Suite

BARRY WILDE (violin)
RONALD LUMSDEN (piano) CARDIFF WIND ENSEMBLE
Mozart Divertimento in F (K 213)
11.24* Debussy Sonata
11.36' Alun Hoddinott Divertimento, Op 32
11.48* Mozart Sonata in E minor (K 304)
11.59* Seiber Serenade

JEAN RODOLPHE KARS (piano) BBC WELSH ORCHESTRA conducted by IRWIN HOFFMAN Part 1
Mozart Symphony No 35, in D major (Haffner) (K 385)
12.33* Prokofiev Piano Concerto No 5, in G major

A selected item from last Sunday's programme

Part 2 Brahms
Serenade No 1, in D major
(Given before an invited audience at The Assembly Rooms, City Hall, Cardiff)

Sonata No 1
MARJORIE MITCHELL (piano)

PATRICIA CLARK (soprano) WILLIAM BENNETT (flute)
GEORGE MALCOLM (harpsichord) John Stanley Cantata No 3, for soprano, flute, and harpsichord Rameau Suite in D, for harpsichord
Bach Sonata in B minor, for flute and harpsichord
Roussel Deux poemes de Ronsard, for flute and soprano Mozart Andante in F (K 616) (written for mechanical organ) Arne Cantata: The Morning, for soprano, flute, and harpsichord

A programme of recent records Johann Ludwig Bach Suite in G ENGLISH CHAMBER ORCHESTRA
LESLIE PEARSON (harpsichord) conducted by RAYMOND LF.PPARD
4.13* Purcell Anthem: Rejoice in the Lord alway
CHOIR OF KING'S COLLEGE,
CAMBRIDGE: LEONHARDT CONSORT conducted by DAVID WILLCOCKS
4.22* Mozart Violin Concerto No 1, in B flat (K 207) HENRYK SZERYNG
NEW PHILHARMONIA ORCHESTRA conducted by. ALEXANDER GIBSON

Xenakis Herma
GEORGES PLUDERMACHER (piano)
4.55* Bernd-Alois Zimmermann Ballet: Presence
SASCHKO GAWRILOFF (violin) SIEGFRIED PALM (cello)
ALOYS KONTARSKY (piano)
5.24* Stockhausen Piano Piece No 10: FREDERICK RZEWSKI gramophone records

From the South West
THE LYDCROFT SINGERS
BRISTOL YOUTH CHOIR
Sing music by Morley, Weelkes, Costeley, C. E. Miller , Kodaly, Bartok, and Vaughan Williams

MALCOLM MACDONALD looks at some musical events in the North during the next seven days

Personality and Power
Eight programmes on 20th-century leaders and their paths to power in widely-differing political systems. 1: Stanley Baldwin
Baldwin dominated the British political scene for nearly two decades. How did he rise so quickly from the relative obscurity of the back benches to the political summit, and succeed in staying there for so long?
Introduced by DR NORMAN HUNT , Lecturer in Politics at Oxford University
Others taking part include
LORD CITRINE, VISCOUNTESS DAVID-SON, SIR OSWALD MOSLEY , THE EARL OF SWINTON, and the voice Of STANLEY BALDWIN
Produced by GRAHAM TAYAR

A 30-lesson course in simple colloquial German for beginners by R, M. OLDNALL and EDITH R. BAER
1: Reisebiiro Atlas in Ansburg with ILSE SINGER
JORG SORENSEN, HANNAH NORBERT ANGELIKA SAHLA, ROLF RICHARDS
Broadcast script and production by EDITH R. BAER
(Repeated: Sat, 11.0 am R4)
(Details of accompanying books and records: pages 14 and 42)

Part 1: Arias
ANDREW FOLDI (baSS)
RICHARD VAN VROOMAN (tenor) ELISABETH SPEISER (soprano) BEROMUNSTER RADIO SYMPHONY ORCHESTRA conducted by ERICH SCHMID
Priifung des Kiissens (WoO 89) (bass)
Mit Madeln sich vertragen (WoO 90) (bass)
0 welch ein Leben! (WoO 91 No 1) (tenor)
Soil! ein Schuh nicht drucken (WoO 91 No 2) (soprano)
(Recording made available by courtesy of Swiss Radio)

An investigation in eight programmes into the developing relationship between art and its publics.
5: The Scientific Climate by c. H. WADDINGTON , Professor of Genetics, Edinburgh University, and author of Beyond Appearance

Part 2: Symphony No 9, in D minor (Choral)
GUNDULA JANOWITZ (soprano) ANNA REYNOLDS (contralto) WERNER HOLLWEG (tenor) KARL RIDDERBUSCH (baSS)
SINGVEREIN DER GESELLSCHAF1
DER MUSIKFREUNDE
BERLIN PHILHARMONIC ORCHESTRA conducted by HERBERT VON KARAJAN from the Vienna Festival
(Recording made available by courtesy of Austrian Radio)

DERYCK COOKE is currently working on a book on Wagner and has also recorded a much-discussed introduction to The Ring. In these two talks he considers some of the ways in which The Ring has been analysed and discussed in the past. He illustrates Wagner's symphonic methods rather than the dramatic significance of the leitmotiv.

LILLI MALANDRAKI (soprano) DONALD SWANN (piano) gramophone record

JAKOB STAMPFLI (bass)
SCHOLA CANTORUM BASILIENSIS conducted by AUGUST
WENZINGER Brandenburg Concerto No 5, in D major
Cantata No 32: Ich habe genug Brandenburg Concerto No 6. in b flat major
(From St John 's, Smith Square, London. Part of a concert in the 1970 English Bach Festival)