Last of four programmes Including large-scale chamber music by Brahms and Dvorak
Part 1
Symphony
Members of the BERLIN PHILHARMONICOctet Alfred Malacek (violin)
Rudolf Hartmann (violin) Kunio Tsuchiya (viola)
Heinrich Majowski (cello)
Rainer Zepperitz (double-bass) gramophone records
Part 2 gramophone records
Introduced by Steve Race
including
TEST MATCH
SPECIAL
England v.
New Zealand
FIRST TEST MATCH at Lord's
Third day
Commentary by: JOHN ARLOTT ALAN GIBSON
NEIL DURDEN-SMITH with comments and summaries by TREVOR BAILEY and W. E. MERRITT
Close-of-play summary by E. W. SWANTON
11.25-1.35*; 2.10*-3.35-
3.50*-4.15*; 4.35*-5.5*
5.10*-6.37 including lunch and close-of-play summaries
Sonata in B flat major, Op. 106
(Hammerklavier)
JOSEPH BANOWETZ (piano)
Broadcast on September 14, 1967
by G. M. ROWAN-ROBINSON
Lecturer in Mathematics at Queen Mary College, University of London
It was only recently that astronomers first discovered quasi-stellar radio sources. Their light, their behaviour, their disposition in the sky all revealed unusual features. One of the implications of these may be that we have already seen all the way round the universe.
Opera seria in two acts
Libretto by CATERINO MAZZOLA after METASTASIO
Music by Mozart
A concert performance recorded in the Royal Festival Hall sung in Italian
Cast in order of singing:
BBC SYMPHONY ORCHESTRA Leader, Eli Goren
Conductor, COLIN DAVIS
Broadcast on Jan. 29 (Radio 4)
ACT 1
Sc. 1: A room in Vitellia's house in Rome, 79 A.D.
Sc. 2: The Forum
Sc. 3: The Emperor's garden Sc. 4: The Forum
Lord Balogh
A Fellow of Balliol College, Oxford, Lord Balogh was Economic Adviser to the Cabinet from 1964 to 1967 and was created a Life Peer last year Next Saturday: third of four talks by David Phillips
ACT 2
Sc. 1: The Emperor's garden
Sc. 2: A hall in the Imperial
Palace
Sc. 3: A room in Vitellia's house Sc. 4: The Coliseum
Patricia Kern broadcasts by permission of Sadler's Wells Opera Company; John Constable by permission of the Gen. Administrator. Royal Opera House Covent Garden
† EDMUND RUBBRA talks about
Scriabin's achievement as a keyboard composer and discusses the nature of his style followed by an interlude at 10.55