Programme Index

Discover 11,128,835 listings and 280,216 playable programmes from the BBC

SYBIL MICHELOW (contralto) ROBERT TEAR (tenor)
JOHN BARROW (baritoneO
TILFORD BACH FESTIVAL CHOIR
Obbligati:
MARY MURDOCH , SARAH FRANCIS (oboe d'amore and cor anglaisD
Continuo :
DEREK STEVENS (chamber organ) GEOFFREY GAMBOLD (bassoon) OLGA HEGEDUS (cello)
ADRIAN CRUFT (double-bass)
TILFORD BACH FESTIVAL ORCHESTRA Leader, Kelly Isaacs
Conductor, DENYS DARLOW
Cantata No. 86: Wahrlich, wahrlich, ich sage euch
931* Cantata No. 87: Bisher habt ihr nichts gebeten in meinem Namen Broadcast on May 19. 1968

Contributors

Baritoneo:
John Barrow
Unknown:
Mary Murdoch
Oboe:
Sarah Francis
Unknown:
Derek Stevens
Bassoon:
Geoffrey Gambold
Cello:
Olga Hegedus
Leader:
Kelly Isaacs
Conductor:
Denys Darlow

Record Review
Contributed by STEPHEN DODGSON , TREVOR HARVEY PHILIP HOPE-WALLACE
Edited by Anna Instone and Julian Herbage introduced by JULIAN HERBAGE

Contributors

Unknown:
Stephen Dodgson
Unknown:
Trevor Harvey
Edited By:
Anna Instone
Edited By:
Julian Herbage
Introduced By:
Julian Herbage

Beati omnes qui timent Dominum Let God arise
Let mine eyes run down with tears
Voluntary in C major
Hear my prayer. 0 Lord
Blow up the trumpet in Sion
BBC CHORUS
MARTIN NEARY (organ)
Conducted by SEBASTIAN FORBES
From St. George the Martyr. Queen
Square. London

Contributors

Unknown:
Martin Neary
Conducted By:
Sebastian Forbes

Words by CHARLES RAMUZ Music by Stravinsky
English version by ROSA NEWMARCH
MELOS Ensemble
Stephen Waters (clarinet)
William Waterhou. se (bassoonO Philip Jones (trumpet)
Arthur Wilson (trombone) Emanuel Hurwitz (violin)
Adrian Beers (double-bass) James Blades (percussion)
Conducted by NORMAN DEL MAR
Produced by John Manduell and Hugh Stewart
Broadcast on June 17. 196R

Contributors

Unknown:
Rosa Newmarch
Clarinet:
William Waterhou.
Bassoono:
Philip Jones
Unknown:
Arthur Wilson
Violin:
Emanuel Hurwitz
Double-Bass:
James Blades
Conducted By:
Norman Del
Produced By:
John Manduell
Produced By:
Hugh Stewart
The narrator:
Deryck Guyler
The soldier:
Ronald Shiner
The devil:
Marius Goring
The Princess:
Petronella Barker

A Concert conducted by members of Rafael Kubelik 's Master Classes with the BBC TRAINING ORCHESTRA
Concert-Master, Peter Mountain from The Dome, Brighton
See page 43
During the Interval
Philip Moore talks to RAFAEL
KUBELLK and to some of the conductors in his Master Classes

Contributors

Unknown:
Rafael Kubelik
Unknown:
Peter Mountain
Talks:
Philip Moore

in conversation with David Sylvester
6: Barnett Newman with contributions about his work and influence by Harold Cohen and John Richardson
Although he belongs to the generation that brought about the breakthrough of American painting in the late forties and early fifties. Barnett Newman has always remained separate from the mainstream of Abstract Expressionism.
Another chance to hear some of the interviews recorded by David Sylvester in New York: third broadcast
(Frank Stella: May 18)

Contributors

Unknown:
Barnett Newman
Unknown:
Harold Cohen
Unknown:
John Richardson
Unknown:
Barnett Newman
Unknown:
David Sylvester
Unknown:
Frank Stella

A discussion between
The RT. HON. QUINTIN HOGG M.P , ANTHONY LESTER , barrister
ANTHONY Lewis , chief London Correspondent. New York Times ANTHONY LINCOLN, Q.C.
Chairman. ROBIN DAY
Produced by Daniel Snowman
Second broadcast followed by an interlude at 7.20

Contributors

Unknown:
Rt. Hon. Quintin Hogg M.P
Unknown:
Anthony Lester
Unknown:
Anthony Lewis
Produced By:
Daniel Snowman

From the Royal
Festival Hall, London
Claudio Arrau (piano)
London Philharmonic
Orchestra
Leader, Rodney Friend
Conductor, Bernard Haitink
Part 1: Beethoven
Piano Concerto No. 5, in E flat major (Emperor)
Last of three concerts in which Claudio Arrau plays Beethoven's last three Piano concertos.

Contributors

Leader:
Rodney Friend
Conductor:
Bernard Haitink
Unknown:
Claudio Arrau

by ERICH HELLER
Professor of Humanities at
Northwestern University. Illinois
Busoni's libretto differs significantly from the Faust story as developed by Goethe. In this it is like some other more recent versions: it takes as its model the original German puppet play and has Faust asking of Mephistopheles the gift of genius, not simply that of knowledge and power.
Recorded in Illinois
' Doktor Faust ': Monday, 8.0 p.m.

Contributors

Unknown:
Erich Heller

Based on the story by Nathaniel Hawthorne
The trilogy by Robert Lowell adapted by Archie Campbell
with Robert Beatty, David Bauer, Heron Carvic, Robert Howay

Boston, 1770: just before the Revolution. The American States are already seething with the ferment of revolt, and their 'rattle-snake' banner flaunts its warning challenge: 'Don't tread on me!' before the hated symbol of oppression - the Union Flag of Britain.
Citizens and others: Peter Baldwin Godfrey Kenton. Peter Tuddenham Margaret Wolfit , Joan Miller
Music composed and conducted by CHRISTOPHER WHELEN
Repetiteur, Arthur Tatler
Produced by ARCHIE CAMPBELL

('Benito Cereno': May 22)

Contributors

Unknown:
Robert Lowell
Adapted By:
Archie Campbell
Story By:
Nathaniel Hawthorne
Unknown:
Robert Beatty
Unknown:
David Bauer
Unknown:
Heron Carvic
Unknown:
Robert Howay
Unknown:
Peter Baldwin
Unknown:
Godfrey Kenton.
Unknown:
Peter Tuddenham
Unknown:
Margaret Wolfit
Unknown:
Joan Miller
Conducted By:
Christopher Whelen
Repetiteur:
Arthur Tatler
Produced By:
Archie Campbell
Produced By:
Benito Cereno
Narrator:
Edward Bishop
Robin:
Robert Howay
Boy:
Peter Bartlett
Ferryman:
David Bauer
First Redcoat:
Hector Ross
Barber:
Bill Nagy
Tavern-keeper:
John Pullen
Clergyman:
Wilfrid Carter
Prostitute:
Madi Hedd
Man in periwig:
Heron Carvic
Watchman:
John Bentley
Major Molineux:
Frederick Treves
Colonel Greenough (Man with the mask):
Robert Beatty

BBC Radio 3

About BBC Radio 3

Live music and the arts: broadcasts more live music than any other radio network. Classical music is its core. Genres include world and new music, jazz, speech and drama.

Appears in

About this data

This data is drawn from the Radio Times magazine between 1923 and 2009. It shows what was scheduled to be broadcast, meaning it was subject to change and may not be accurate. More