Programme Index

Discover 11,128,835 listings and 281,986 playable programmes from the BBC

Orchestra
Conducted by Havelock Nelson
Stuttcart Light Orchestra Conducted by WILLY MATTES
Paul Bonneau AND HIS Orchestra
Recordings made available by courtesy of South German and French Radios

Contributors

Conducted By:
Havelock Nelson
Conducted By:
Willy Mattes
Conducted By:
Paul Bonneau

Franz Liszt
First of two programmes tn which some of Liszt's piano pieces are performed, together with the music from which they were derived. Margaret PRICE (soprano) accompanied by JAMES LOCKHART sink's Liszt's three settings of sonnets by Petrarch, and David Wilde plays Liszt's own arrangement of them for piano
Broadcast on March 16, 1968
March 17

Contributors

Unknown:
Franz Liszt
Accompanied By:
James Lockhart
Accompanied By:
David Wilde

A Third Programme enquiry by Gerald Leach
Second of five enquiries into education for some of the professions.
What sort of people should tomorrow's engineers be-scientists or technologists: specialists or generalists? And how should they be educated to do their job of exploiting the resources of nature for man's good?
GERALD LEACH discusses these questions with SIR JOHN BAKER
PROFESSOR G. BOSWORTH
PROFESSOR F. R. BRADBURY Sir ROBERT COCKBURN DR. NORMAN MACLEOD PROFESSOR M. SEAMAN
PROFESSOR S. A. TOBIAS SIR FREDERICK WARNER and some students in training
Produced by ARCHIE CLOW
Tomorrow's Clergy: March 10

Contributors

Unknown:
Gerald Leach
Unknown:
Gerald Leach
Unknown:
Sir John Baker
Unknown:
Professor G. Bosworth
Unknown:
Professor F. R. Bradbury
Unknown:
Sir Robert Cockburn
Unknown:
Dr. Norman MacLeod
Unknown:
Professor M. Seaman
Unknown:
Professor S. A. Tobias
Unknown:
Sir Frederick Warner
Produced By:
Archie Clow

Champignol malgré lui
A farce by Georges Feydeau translated and adapted by PETER MYER with Richard Briers
Cwen Watford , and John Moffatt
Time: The Nineties
Scene: A Paris Apartment: a military Establishment. Clermont; Mme. Rivolete's house near Clermont.
Confusion. Panic. Norma! life upset. The most dreaded event most decidedly happening. The most unwanted visitor most unexpectedly arriving. Identities mistaken.
Characters in order of speaking:
Produced by JOHN TYDEMAN
Second broadcast

Contributors

Unknown:
Georges Feydeau
Adapted By:
Peter Myer
Unknown:
Richard Briers
Unknown:
Cwen Watford
Unknown:
John Moffatt
Produced By:
John Tydeman
Saint-Florimond:
Richard Briers
Angele, Champignol's wile:
Gwen Watford
Joseph, a servant:
John Baddeley
Charlotte, a maid:
Rosalind Shanks
Romeo:
Andre van Gyseghem
Mauricette Romeo's daughter:
Pamela Miles
Dufoulay:
Michael Spice
Captain Camaret:
Simon Lack
Adrienne, Camaret's daughter:
Helen Weir
CSlestin:
Graham Armitage
Police Sergeant:
John Pullen
Champignol:
John Moffatt
Lt Ledoux:
Fraser Kerr
Lafauchette:
Antony Viccars
Prince of Valence:
John Humphry
Major Fourrageot:
Peter Pratt
Corporal Grosbon:
Victor Lucas
Sgt Bélouette:
Frederick Treves
Barber:
John Baddeley
Jerdme, a butler:
David Brierley

ILSE WOLF (soprano)
MARTIN Isepp (piano)
Mendelssohn Friihlingslied (Es brechen 1m schallenden Reigen)
Es w6iss und rath es doch keiner Die Liebende schreibt Der Blumenstrauss
Minnelied (Wie der Quell so lieblich)
Hexenlied
Wolf Wenn du zu den Blumen gehst Nachtzauber: Der Musikant Die Nacht; Epiphanias

Contributors

Piano:
Mendelssohn Friihlingslied
Unknown:
Wolf Wenn

Is there equality before the law?
ANTHONY LESTER , a barrister, gives the third talk in this series
Introduced by MICHAEL ZANDER 4: Is the law too rigidt by Norman S. Marsh , Q.c: March 14
Second broadcast followed by an interlude at 10.55

Contributors

Unknown:
Anthony Lester
Introduced By:
Michael Zander
Unknown:
Norman S. Marsh

BBC Radio 3

About BBC Radio 3

Live music and the arts: broadcasts more live music than any other radio network. Classical music is its core. Genres include world and new music, jazz, speech and drama.

Appears in

About this data

This data is drawn from the Radio Times magazine between 1923 and 2009. It shows what was scheduled to be broadcast, meaning it was subject to change and may not be accurate. More