Programme Index

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Poulenc and the Melodie by PIERRE BERNAC
Two Purcell Discoveries by HOWARD FERGUSON
Verdi and Victor Hugo by PHILIP HOPE-WALLACE Dialogues and a Diary book review by ROBERT HENDERSON
Edited by Anna Instone and Julian Herbage
Introduced by JULIAN HERBAGE

Contributors

Unknown:
Howard Ferguson
Unknown:
Victor Hugo
Review By:
Robert Henderson
Edited By:
Anna Instone
Introduced By:
Julian Herbage

ANNON LEE SILVER (soprano) HELEN WATTS (contralto) NIGEL ROGERS (tenor)
MICHAEL RIPPON (baritone)
GERAINT JONES SINGERS
Obblioati:
Celia Nicklin
(oboe and oboe d'amore)
Susan Leadbetter (oboe d'amore) Geoffrey Gainbold (bassoon)
Continuo:
Alan Harverson (chamber organ and harpsichord)
Ambrose Gauntlett (cello)
J. Edward Merrett (double-bass) GERAINT JONES ORCHESTRA Leader, Winifred Roberts
Conductor, GERAINT JONES
Cantata No. 154:
Mein liebster Jesus ist verloren
12.20* Cantata No. 155:
Mein Gott , wie lang', ach lange
12.35* Cantata No. 156:
Ich steh' mit einem Fuss im Grabe

Contributors

Contralto:
Helen Watts
Tenor:
Nigel Rogers
Baritone:
Michael Rippon
Oboe:
Celia Nicklin
Oboe:
Susan Leadbetter
Bassoon:
Geoffrey Gainbold
Unknown:
Alan Harverson
Cello:
Ambrose Gauntlett
Leader:
Winifred Roberts
Unknown:
Mein Gott

Comic opera in two acts
Libretto by Enrico Golisciani after Moliere's comedy L'Amour Medecin
English version by Claude Avelino
Music by Wolf-Ferrari
Cast in order of singing:
Doctors:
A chorus of servants
BBC Northern Singers
Chorus-Master, Stephen Wilkinson
BBC Northern Symphony Orchestra
Leader, Reginald Stead
Conducted by John Matheson
Repetiteur, John Bacon
Produced by Ernest Warburton

ACT 1
The garden of Don Arnolfo's house

ACT 2
A drawing-room in Don Arnolfo's house

First broadcast performance in this country

(Eric Shilling broadcasts by permission of Sadler's Wells Opera Co.)

See page 39

Contributors

Unknown:
Enrico Golisciani
Chorus-Master:
Stephen Wilkinson
Conducted By:
John Matheson
Repetiteur:
John Bacon
Produced By:
Ernest Warburton
Don Arnolfo a wealthy landowner:
Eric Shilling (baritone)
Lucinda, his daughter:
Ellen Dales (soprano)
Lisetta, their housekeeper:
Patricia Reakes (soprano)
Clitandro, a young man:
Kenneth Bowen (tenor)
Tomes:
Michael Rippon (bass)
Desfondandres:
John Heddle Nash (baritone)
Macroton:
William Elvin (baritone)
Bahis:
Adrian Be Peyer (tenor)
A notary:
Jolyon Dodgson (bass-baritone)

L'Arlésienne (The Girl from Arles): a drama in three acts by Alphonse Daudet translated by Edward Sackville-West.
Bizet's music Is performed in accordance with the composer's directions as indicated in his original score for the first performance in Paris In 1872.
ACT 1: The courtyard of Le Castalet. a farm in Provence. May 1. 1860
ACT 2: Scene 1 Near the Pool of Vaccares, in the salt marshes of the Camargue. Towards the end of May.
Scene 2 In the kitchen of Le Castalet. A week later.
ACT 3: Scene 1 The courtyard of Le Castalet. June 21.
Scene 2 The room under the hay-loft at Le Castalet. Later that night.
First broadcast In June 1962.

Contributors

Author:
Alphonse Daudet
Translated by:
Edward Sackville-West
Singers:
The Bowman-Hyde Singers
Musicians:
London Chamber Orchestra
Leader:
Lionel Bentley
Conductor:
Anthony Bernard
Adapted for radio and produced by:
Raymond Raikes
Narrator:
Rolf Lefebre
Francet Mamaï, a Provencal farmer:
Peter Claughton
Balthazar, an old shepherd:
Earle Grey
Jean, Francet's grandson, a simpleton:
Anthony Hall
Rose Mamaï, Francet's dauKhterin-law:
Vivienne Chatterton
Vivette Renaud:
Barbara Mitchel
Frédéri, elder brother of Jean:
Michael Spice
Mark, brother of Rose:
George Hagan
Mitifio a drover:
William Eedle
Madame Renaud, Krandmother of Vivette:
June Tobin

† Denis ARNOLD
Professor of Music in the University of Nottingham discusses some of the problems arising out of the interpretation of the Monteverdi Vespers as recorded by ROBERT CRAFT. HANS GRISCHKAT , JÜRGEN JORGENS, ANTHONY LEWIS , DENIS STEVENS , and others
† Broadcast on June 24, 1968

Contributors

Unknown:
Denis Arnold
Unknown:
Hans Grischkat
Unknown:
Anthony Lewis
Unknown:
Denis Stevens

by IAN WATT
Professor of English at Stanford University. California, and author of The Rise of the Novel.
I: The Roman Analogy
In the first of three talks based on his work-in-progress, Professor Watt examines the pervasive force of the cultural Ideal of the Roman Augustans upon English life and literature during the seventeenth and eighteenth centuries.
Recorded for the BBC in Palo Alto. California
' Second broadcast
2-The Georgian Background: January 16

played by JAMES GIBB (piano)
Sonata in B major (D.575)
6.33* Sonata in F sharp minor
Allegro moderato (D.571)
Untitled movement in A (D.6040 Scherzo (D.570); Allegro (D.570) it is assumed that these movements belong to a sonata in F sharp minor which Schubert Is known to have begun In 1817. The first and last are Incomplete, each lacking a recapitulation section: in this performance they have been completed by J. P. Dougherty
Second of seven programmes, to include some of the less often performed sonatas
Sonata in A minor (D.845) (Maurice Cole): January 11

Contributors

Played By:
James Gibb
Unknown:
J. P. Dougherty

This listing contains language that some may find offensive.

BBC Radio 3

About BBC Radio 3

Live music and the arts: broadcasts more live music than any other radio network. Classical music is its core. Genres include world and new music, jazz, speech and drama.

Appears in

About this data

This data is drawn from the Radio Times magazine between 1923 and 2009. It shows what was scheduled to be broadcast, meaning it was subject to change and may not be accurate. More