Programme Index

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PHILHARMONIAORCHESTRA
Conducted by CARLO MARIA GIULINI
VLADIMIR ASHKENAZY
LONDON SYMPHONY Orchestra Conducted by ISTVAN KERTESZ
ROYAL PHILHARMONIC Orchestra
Conducted by SIR THOMAS BEECHAM gramophone records

Contributors

Conducted By:
Carlo Maria Giulini
Unknown:
Vladimir Ashkenazy
Conducted By:
Istvan Kertesz
Conducted By:
Sir Thomas Beecham

Six recitals representing the four finalists and other outstanding performers heard during the competition
The finals of the competition. In which movements from Beethoven Concertos were played. were held In the Free Tradt Hall. Manchester. rn October 17. Previously all competitors had played recital programmes, from which these record ings are taken
2: The Semi-finalists John DOBSON
ELEANOR WONG
DARINA GIBSON
DENNIS LEE
David HELFGOTT
STEPHANIE BAMFORD

Contributors

Unknown:
John Dobson
Unknown:
Eleanor Wong
Unknown:
Darina Gibson
Unknown:
Dennis Lee
Unknown:
David Helfgott
Unknown:
Stephanie Bamford

Cities in Music
BBC N. IRELAND ORCHESTRA
Conducted by KENNETH ALWYN
PAUL DURAND AND HIS ORCHESTRA
NORWEGIAN BROADCASTING ORCHESTRA
Conducted by OIVIND BERGH
Das Grosse WIENER RUNDFUNK ORCHESTER
Conducted by MAX SCHÖNBERR
Recordings made available by courtesy of French. Norwegian, and Austrian Radios

Contributors

Conducted By:
Kenneth Alwyn
Conducted By:
Paul Durand
Conducted By:
Oivind Bergh
Conducted By:
Das Grosse Wiener
Conducted By:
Max Schönberr

features music by Roger Smalley
The programme begins with old English brass music
Including the sixth of William Blitheman's variants on the plainsong ' Gloria
'Tibi Trinitas,' on which Roger Smalley has based his Missa brevis
He has used this mass as the model for two interconnecting instrumental parodies:
Missa Parodia I, for piano
Missa Parodia II, for piano and eight instruments
PHILIP JONES BRASS ENSEMBLE
JOHN ALLDIS Choir
Conductor, JOHN ALLDIS
STEPHEN SAVAGE (piano) NASH ENSEMBLE
Conducted by the composer
† Missa Parodia and II broadcast on May 30

Contributors

Music By:
Roger Smalley
Unknown:
John Alldis
Conductor:
John Alldis
Piano:
Stephen Savage

by DR. P. P. G. BATESON
University of Cambridge Dr. Bateson describes his researches on imprinting in chicks and ducklings and assesses their implications in relation to the development of human behaviour.
A studio version of the Darwin Lecture given at this year's British Association Meeting in Dundee

Contributors

Unknown:
Dr. P. P. G. Bateson

JOHN REX
Professor of Sociology at the University of Durham talks to
PIERRE BESSAIGNET
Director of the Centre for Inter-ethnic Studies at the University of Nice and FRANÇOlS RAVEAU of the Centre de Recherches Charles Richet in Paris
The speakers were participants at an Anglo-French Conference on race relations held in September at the University of Sussex under the aegis of the Centre for MultiRacial Studies

Contributors

Unknown:
Charles Richet

Is the law too rigid?
NORMAN S. MARSH , q.c, a Law Commissioner, gives the fourth talk in this series, in which some of the chief defects in the law and the legal system are explored
Introduced by MICHAEL ZANDER
5: Does the law adequately protect the individual against the state' by J. R. Warren Evans : Nov. 11

Contributors

Unknown:
Norman S. Marsh
Introduced By:
Michael Zander
Unknown:
J. R. Warren Evans

by W B. STANFORD
Regius Professor of Greek in the University of Dublin
There are qualities inherent in words which a poet or orator can exploit to please us or to annoy us or to influence us. Professor Stanford illustrates how the sound of words can be as important as their conceptual meaning, and can influence the unconscious minds of both those who chose the words and those who hear them.
With readings by DENYS HAWTHORNE and the voices, on record, of W E. Gladstone
W. B. Yeats , James Joyce and Dylan Thomas
Produced by Adrian Johnson

Contributors

Unknown:
Denys Hawthorne
Unknown:
E. Gladstone
Unknown:
W. B. Yeats
Unknown:
James Joyce
Unknown:
Dylan Thomas
Produced By:
Adrian Johnson

BBC Radio 3

About BBC Radio 3

Live music and the arts: broadcasts more live music than any other radio network. Classical music is its core. Genres include world and new music, jazz, speech and drama.

Appears in

About this data

This data is drawn from the Radio Times magazine between 1923 and 2009. It shows what was scheduled to be broadcast, meaning it was subject to change and may not be accurate. More