Maurice Loban (viola)
Ross Pratt (piano)
Lloyd Strauss-Smith (tenor)
Clifton Helliwell (piano)

The twenty years' conflict between William Law the mystic and John Wesley : studied from their works and correspondence by T. 0. Beacheroft
Production by Douglas Cleverdon with Martin Lewis. Trevor Martin
Peter Neil , Olaf Pooley
' I was once a kind of oracle of Mr. Wesley,' wrote William Law. John Wesley's earliest biographers say that
Law was ' a great forerunner of the revival that followed and did more to prompt it than the rest of the nation taken collectively.' Yet the quarrel which distressed their friends was perhaps to be expected-a quarrel symbolised in the story of Martha and Mary.

Conducted by Andrg Cluytens
Clifford Curzon (piano)
From the Royal Festival Hall, London
Part 1: Mozart
SYMPHONY No. 35, in D (Haffner)
(K-.385)
PIANO CONCERTO tn B flat (K.696)

by Attia Hosain
The speaker, who writes in English but whose books are set in India, describes the difficulties which creative writers meet when ' pretranslating ' not only their own language into another tongue but also the assumptions and atmosphere of their country into terms comprehensible to English readers.

Part 2: Beethoven
SYMPHONY No. 7, in A

Talk by the Rev. H. H. Rowley
Professor of Semitic Languages and Literature
In the University of Manchester
The recent opening by Professor Wright Baker of the copper scrolls and the discovery that the leather scroll supposed to be the lost Book of Lamech was really an Aramaic work based on Genesis, has renewed interest in the scrolls discovered beside the Dead Sea in 1947. In this talk Professor Rowley discusses the most recent scholarly work on the subject, written by Professor Millar Burrows and published in America.

Requiem, Op. 48
Suzanne Danco (soprano) Gerard Souzay (baritone)
Union Chorale de la Tour de Peilz (Chorus-Master. Robert Mermond )
Orchestre de la Suisse Romande
Eric Schmidt (organ)
Conducted by Ernest Ansermet on gramophone records

7-' By the Fireside ' by Robert Browning
Talk by W. W. Robson
The poem is read by Gary Watson before the talk
In this series critics are invited to take a single poem, or passage from a poem, and examine it in as much detail as they see fit in order to bring out the full meaning.