Prelude and Fugue In G Trio Sonata in C minor
Fuga sopra il Magnificat played by George Miles (organ)
From St. Peter's Church, Harborne
Talk by H. W. R. Wade
Fellow of Trinity College, Cambridge Public enquiries are much in use today for settling disputes about planning schemes and other important matters. Their procedure- is often adversely compared with that of courts of law. Mr. Wade considers to what extent this comparison is a fair one.
(The recorded broadcast of Aug. 10)
Symphony No. 3 played by the BBC Scottish Orchestra
(Leader. J. Mouland Begbie )
Conductor, Ian Whyte
Symphony No. 4: November 28
The Jojk
* Jojking, if it is really clever, is so wonderful to hear that the listener almost has tears in his eyes, but when it is a jojker who swears and grinds his teeth and threatens to kill reindeer and their owners too, then it is horrible to listen to.' (Johan Turi )
A programme of recordings made recently in Lapland, with an account of the life to which these songs belong
Translations from Lappish made by Dr. Israel Ruong and David Thomson assisted by Professor Aake Campbell of Uppsala University Written and produced by David Thomson
Choral and Orchestral Works
Joan Hammond (soprano) Alexander Young (tenor)
William Parsons (baritone)
BBC Chorus
(Chorus-Master, Leslie Woodgate )
London Symphony Orchestra
(Led by Roy Davies )
Conducted by Walter Goehr
Part 1
Christnacht, for soprano, tenor, baritone, chorus, and orchestra
Scherzo and Finale
Fruhlingschor (Manuel Venegas ). for chorus and orchestra
Goethe-Lieder:
Mignon Der Rattenfanger
Two talks by L. R. Palmer
Professor of Comparative Philology in the University of Oxford
1-The Lady of the Labyrinth
In these talks the speaker examines some of the consequences for our knowledge of the ancient world that follow from the recent decipherment of the tablets found at the palaces of Pylos and Knossos.
Part 2: Incidental Music to
DAS FEST AUF SOLHAUO
Last of three programmes of music by Wolf Hugo Wolf was commissioned to provide incidental music for Ibsen's play Das Fest auf Solhaug for a production at the Vienna Burgtheater. It was composed during 1890 and 1891, and consists of two purely instrumental pieces, five choral items, Margit's ballad, and the two songs of Gudmund.
by Paul Claudel
Translated from
' Cinq Grandes Odes ' and introduced by Geoffrey Brereton
1— ' The Muses '
Reader, Valentine Dyall
William Pleeth (cello)
Margaret Good (piano)
