A programme on the origins of Ulster Folk Song by Sean O'Boyle with illustrations by Henrietta Byrne (soprano) Eileen Gavin (contralto) James Johnston (tenor)
Dermot Barry and Paddy Tunney
Havelock Nelson (accompanist)
A series of four talks
Picture by E.F. Caldin, D. Phil., Lecturer in Chemistry at Leeds University
Dr. Caldin discusses, from the point of view of a scientist, some issues suggested by the work of Karl Heim. He examines the difference between the scientific and philosophical methods of thinking and maintains that theological beliefs based on the Christian revelation are, as regards method, in another category altogether. He discusses the use of scientific world-pictures as symbols of theological beliefs.
Ralph Downes (organ)
The Deller Consort: Eileen McLoughlin, Alfred Deller, Gerald English, Eric Barnes and Maurice Bevan
The London Consort of Viols: Harry Danks, Stanley Wootton, Sylvia Putterill, Desmond Dupre, Henry Revell, Robert Donington
William B. Coates, who has arranged these programmes, writes: "The most important form of English instrumental music before the Fantasy, and one not used in any other country, was the 'In Nomine', of which more than 170 examples, written between 1540 and 1680, survive. The 'In Nomine', the riddle of whose name has only recently been solved, is based on a fixed theme played in long notes round which the other parts weave a rich contrapuntal texture. The pieces vary greatly in mood, length, and difficulty, and may well become a rich addition to the chamber musician's repertory."
Basil Taylor reviews Painters of the Victorian Scene, by Graham Reynolds
A study in two parts of the trial of Marshal Ney in 1815 Written and produced by Christopher Sykes
Research editor, HaroJd Kurtz
Narration by Robert Spesight with Hugh Burden M Reader
Part 1
8.56 app. Schubert
Nocturne in E flat, Op. 148 played by the Mannes-Gimpel-Silva Trio on gramophone records
9.5 app. The War Criminal'
Part 2
Sonata in C minor, Op. Ill played by Claudio Arrau (piano)
This is the last of a series of five programmes of Beethoven's late piano sonatas.
New light on the composition of ' The Eve of St. Agnes '
Talk by Robert Gittings
Readers :
Betty Hardy and Anthony Jacobs
Piano Trio in F minor, Op. 65 played by the London Czech Trio:
Maria Lidka (violin) Karel Horitz (cello)
Lisa Marketta (piano)