A study in two parts of the trial of Marshal Ney in 1815
Written and produced by Christopher Sykes
Research editor, Harold Kurtz
[Starring] Valentine Dyall
Narration by Robert Speaight
with Hugh Burden as Reader

Part 1
Principal characters in order of speaking:

6.50 app. Beethoven Trio in B flat (Op. posth.) played by the Mannes-Gimpel-Silva Trio
(on gramophone records)

7.0 app. The War Criminal: Part 2
Principal characters in order of speaking: [see below]
Others taking part: Alexander Gauge, Derek Hart, Avice Landone, Betty Linton, Mary Morrell. David Peel, John Sharp, Anthony Shaw and Jack Shaw

Sonata in A minor, Op. 36. played by Gethyn Wykeham-George (cello)
Winifred Davey (piano)

A monthly report on the arts, science, and politics abroad
This month's programme includes an account by Andrew Porter, with musical illustrations, of the Carl Nielsen Festival in Copenhagen, and a summary of proceedings at the Rencontre Internationale in Geneva
Compiled by Alan Pryce-Jones

17th- and 18th-century music
Gareth Morris (flute)
The Whitehead String Octet:
Leonard Hirsch (violin) Kathleen Sturdy (violin)
Colin Sauer (violin)
Lorraine du Val (violin) Stephen Shingles (viola)
Mollie Panter (viola) Peter Beavan (cello)
James Whitehead (cello) with James W. Merrett (double-bass)
George Malcolm (harpsichord)

Herbert Fryer talks about Ferruccio Benvenuto Busoni , who was his teacher

The story by D. H. Lawrence read by Carleton Hobbs

Italienisches Liederbuch
Flora Nielsen (mezzo-soprano)
Bruce Boyce (baritone)
Gerald Moore (piano)
Book 3
Wie soil ich fröhlich sein; Was soll der Zorn, mein Sahatz; Sterb' ich, so hüllt in Blumen meine Glieder; Und steht Ihr früh am Morgen auf; Benedeit die steige Mutter; Wenn du, mein L:ebster, steigst zum Himmel auf; Wie viele Zeit verlor' ich; Wenn du mich mit den Augen streifst; Gesegnet sei das Griln; 0 war' dein Haus durchsichtig wie ein Glas; Heut' Nacht erhob ich mich; Nicht langer kann ich singen; Schweig' einmal stll; 0 wiisstest du, wie viel ich deinetwegen; Versohling' der Abgrund meines Letxsten Hutte; Ich hab in Penna einen Liebstcn wohnen

by Father M. C. D'Arcy, s.J.
In this account of what he saw on a visit to Japan earlier this year Father D'Arcy mainly dwells upon the extent to which tradition has been superseded by experiment and the demand for progress.